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Mozart and Other Essays on Courtly Art

Like his father Leopold, Wolfgang Amadeus Mozart was dependent on a court aristocracy in whose eyes he was little more than a domestic servant. Unlike his father, however, his personal makeup was already that of the freelance artist who sought to follow the flow of his own artistic conscience and imagination rather than the courtly conventions and standards of the day. In "Mozart: the Sociology of a Genius", Elias paints a portrait of this extraordinarily gifted artist born into a society that did not yet possess either the concept of ’genius’ or (at least in music) that of freelance artist. The apparent contradictions of his character - the refined elegance of his compositions and the coarseness of his lavatorial humour - reflect his uncomfortable and eventually tragic straddling of two social worlds. The volume also includes two major essays on cognate topics, previously unpublished in English: on the courtly painter Watteau’s "Embarkation for Cythera", and on ’The fate of German Baroque poetry: between the traditions of court and middle class’.

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Table of Contents

Norbert Elias, 1897-1990 Note on the text The fate of German Baroque poetry - between the traditions of court and middle class Watteau’s Pilgrimage to the Island of Love Mozart - The Sociology of a Genius - 1 He simply gave up and let go 2 Bourgeois musicians in court society 3 Mozart becomes a freelance artist 4 Craftsmen’s art and artists’ art 5 The artist in the human being 6 The formative years of a genius 7 Between two social worlds 8 Mozart’s revolt - from Salzburg to Vienna 9 Emancipation completed - Mozart’s marriage Appendix I The drama of Mozart’s life - a chronology in note form Appendix II Two notes Bibliography Index.

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