Making American Artists
Stories from the Pennsylvania Academy of the Fine Arts, 1776–1976
9783777440989
Distributed for Hirmer Publishers
Making American Artists
Stories from the Pennsylvania Academy of the Fine Arts, 1776–1976
Reinterprets American art through one institution’s iconic collection, spotlighting contributions by Black, women, and LGBTQ+ artists.
Making American Artists delves into the extensive historical and modern collections of the first art school and museum in the United States, the Pennsylvania Academy of the Fine Arts, to reconsider what it means to be an American artist. Essays by leading scholars focus on the significant contributions made by Black, women, and LGBTQ+ artists whose careers were nurtured at PAFA. Brimming with illustrations of more than one hundred significant works, this catalog commemorates a traveling exhibition with several venues, including the Wichita Art Museum in Kansas; the Albuquerque Museum of Art in New Mexico; the Philbrook Museum of Art in Tulsa, Oklahoma; and the Ackland Art Museum at the University of North Carolina, Chapel Hill.
Making American Artists delves into the extensive historical and modern collections of the first art school and museum in the United States, the Pennsylvania Academy of the Fine Arts, to reconsider what it means to be an American artist. Essays by leading scholars focus on the significant contributions made by Black, women, and LGBTQ+ artists whose careers were nurtured at PAFA. Brimming with illustrations of more than one hundred significant works, this catalog commemorates a traveling exhibition with several venues, including the Wichita Art Museum in Kansas; the Albuquerque Museum of Art in New Mexico; the Philbrook Museum of Art in Tulsa, Oklahoma; and the Ackland Art Museum at the University of North Carolina, Chapel Hill.
Table of Contents
Director’s Foreword
PAULINE FORLENZA, DIRECTOR AND CEO, AMERICAN FEDERATION OF ARTS
President’s Foreword
ERIC PRYOR, PRESIDENT AND CEO, PENNSYLVANIA ACADEMY OF THE FINE ARTS
Pretty Pictures and the (Re)Framing of America
CHRISTIAN AYNE CROUCH
Stories from the Pennsylvania Academy of the Fine Arts
ANNA O. MARLEY AND MICHÈLE WIJE
“Women in Art”: Women’s Artistic Networks in Philadelphia
ANNA O. MARLEY
“Those Who Went Before”: Black Art at the Pennsylvania Academy of the Fine Arts
DANA E. BYRD
Homosexual Art Before Homosexuals
JONATHAN D. KATZ
PLATES
Portraiture
History
Still Life
Genre Painting
Landscape
CURATORIAL ACKNOWLEDGMENTS
CONTRIBUTORS
INDEX
PHOTO CREDITS
PAULINE FORLENZA, DIRECTOR AND CEO, AMERICAN FEDERATION OF ARTS
President’s Foreword
ERIC PRYOR, PRESIDENT AND CEO, PENNSYLVANIA ACADEMY OF THE FINE ARTS
Pretty Pictures and the (Re)Framing of America
CHRISTIAN AYNE CROUCH
Stories from the Pennsylvania Academy of the Fine Arts
ANNA O. MARLEY AND MICHÈLE WIJE
“Women in Art”: Women’s Artistic Networks in Philadelphia
ANNA O. MARLEY
“Those Who Went Before”: Black Art at the Pennsylvania Academy of the Fine Arts
DANA E. BYRD
Homosexual Art Before Homosexuals
JONATHAN D. KATZ
PLATES
Portraiture
History
Still Life
Genre Painting
Landscape
CURATORIAL ACKNOWLEDGMENTS
CONTRIBUTORS
INDEX
PHOTO CREDITS
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