Cloth $35.00 ISBN: 9781789140699 Published March 2019 For sale in North and South America only
An e-book edition will be published.

Leonardo’s Paradox

Word and Image in the Making of Renaissance Culture

Joost Keizer

Leonardo’s Paradox

Joost Keizer

Distributed for Reaktion Books

208 pages | 40 color plates, 25 halftones | 6 1/4 x 9 1/2 | © 2019
Cloth $35.00 ISBN: 9781789140699 Published March 2019 For sale in North and South America only
E-book $35.00 ISBN: 9781789141023 Published June 2019
Leonardo da Vinci (1452–1519) was one of the preeminent figures of the Italian Renaissance. He was also one of the most paradoxical. He spent an incredible amount of time writing notebooks, perhaps even more time than he ever held a brush, yet at the same time Leonardo was Renaissance culture’s most fanatical critic of the word. When Leonardo criticized writing he criticized it as an expert on words; when he was painting, writing remained in the back of his brilliant mind.

In this book, Joost Keizer argues that the comparison between word and image fueled Leonardo’s thought. The paradoxes at the heart of Leonardo’s ideas and practice also defined some of Renaissance culture’s central assumptions about culture and nature: that there is a look to script, that painting offered a path out of culture and back to nature, that the meaning of images emerged in comparison with words, and that the difference between image-making and writing also amounted to a difference in the experience of time.
Review Quotes
Burlington Magazine
"Keizer focuses on what might be said to be the central problem of Leonardo studies, the relationship between his writings and his art. Keizer’s topics are frequently surprising: Leonardo’s rebuses and pictograms, his interest in fossils, his avoidance of signatures, the style of his writing. Even the choice of objects is striking: four of the fifteen drawings Keizer discusses in his first two chapters do not appear among Bambach’s 1,319 illustrations. . . . Keizer writes beautifully."
Choice
"Keizer’s rewarding book is, in essence, an extended investigation of—and meditation on—the interrelation of words and images in Leonardo’s notebooks and paintings. . . . Keizer’s unfolding of time in Leonardo’s work is perhaps the most important part of his discussion, not just for Leonardo, but for the development of Renaissance painting after Leonardo. This is a book to be studied for its revealing insights. Highly recommended."
ARLIS/NA Reviews
"Keizer brings descriptive and analytical incisiveness to Leonardo da Vinci, as expressed (often contradictorily) in that artist’s output of painting and writing. . . . Keizer’s study, told with craft and attention to Leonardo’s paintings, drawings, letters, and (now) codices, deduces from written and visual evidence how Leonardo worked through pairings of language and pictures, invention and scientific observation, objectivity and subjectivity, nature and human-made; the instant and the enduring. . . . The author’s language is natural and accessible—so the book fits in well with Reaktion’s ever-accelerating list of modest-sized volumes that showcase new thought on focused topics. Even the range of endnotes enclose a garden of delight confirming the author’s own sense of wonder, and inspiring curiosity in the reader."
Art Newspaper
"As a critical approach that also addresses Leonardo’s way of thinking, Keizer’s Leonardo’s Paradox: Word and Image in the Making of Renaissance Culture, examines the interplay of word and image in Leonardo’s work. He sees paradoxes as central: for example, a painting can lead to a better understanding of nature, or the meaning of an image can depend on its association with certain words. Though not necessarily part of Leonardo’s vocabulary for inventive processes, paradoxes are part of his work."
Renaissance and Reformation
"Keizer’s visual investigation of Leonardo’s writings—which illustrates that the artist enjoyed using multiple hands, and continuously scratched out, rewrote, and annotated his thoughts—is strong evidence for his case that the artist’s dislike of the unalterable and invariable nature of printed text manifested itself in his notebooks. . . . Keizer’s richly illustrated work does very well to lay bare an artist’s attempt to straddle the spheres of originality and artificiality in a world that praised invention and novelty, as modeled on past cultures."
Jonathan K. Nelson, Syracuse University in Florence
“This is an intelligent and thought-provoking study of Leonardo’s thoughts. Informed by his deep immersion in Leonardo's notebooks, and in the intellectual debates of the late 15th century–early 16th century, the author presents an original, highly personal, and often convincing interpretation of Leonardo’s idiosyncratic views on the relationships between word and image, and between Nature and Culture. The text is always learned but never pedantic, and written in an engaging style. If you want insight into what made Leonardo tick, his interests, points of reference, stated views, and thought processes, I would recommend this handsome volume.”
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