One of the foremost figurative artists working today, Lucian Freud has redefined portraiture and the nude through his unblinking scrutiny of the human form. And while most are familiar with Freud’s thickly impasted paintings, few realize how integral etching has become to his practice.
Presenting an exceptional overview of Freud’s works on paper over his more than six-decade career, this oversized volume highlights the artist’s unconventional approach to the medium. Standing the copper etching plate upright on the easel, Freud treats the plate like a canvas as he depicts his sitters—very often friends, family members, or fellow artists—through meticulous networks of finely etched lines. Among Freud’s most notable trademarks is his tendency to dramatically crop figures and then isolate them against empty backgrounds, achieving through this juxtaposition a startling sense of psychological tension and formal abstraction.
Freud is one of the most widely acclaimed British artists of our time and, with plentiful illustrations and an introduction by celebrated curator Norman Rosenthal, Lucian Freud: Portraits brings Freud’s lesser-known etchings deservedly to the forefront.

Table of Contents
Combined German/English Edition
Lucian Freud—A Painted Portrait of his Mother and Eighteen Etchings 1982–2007
Norman Rosenthal
Plates
Esther, 1991
Donegal Man, 2007
Girl with Fuzzy Hair, 2004
Head of an Irishman, 1999
The Painter’s Doctor, 2006
Portrait Head, 2005
The New Yorker, 2006
After Chardin, 2000
The Painter’s Mother, 1972
Photographs of Lucian Freud
Plates (cont’d)
Before the Fourth, 2004
Girl Holding her Food, 1985
Head and Shoulders of a Girl, 1990
Reclining Figure, 1994
Girl Sitting, 1987
Head and Shoulders, 1982
Naked Man on a Bed, 1990
Two Men in the Studio, 1989
Man Posing, 1985
Illustrated Bibliography
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