Kokoschka
The Untimely Modernist
Distributed for Haus Publishing
Translated by Debra Marmor and Herbert Danner
320 pages
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3 maps
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6 x 9
- Contents
- Review Quotes
Table of Contents
Contents
The Austrian artist Oskar Kokoschka achieved world fame with his intense expressionistic portraits and landscapes. In this first English-language biography, Ru¨diger Görner depicts the artist in all his fascinating and contradictory complexity. He traces Kokoschka’s path from bête noire of the bourgeoisie and a so-called ‘hunger artist’ to a wealthy and cosmopolitan political and critical artist who played a major role in shaping the European art scene of the twentieth century and whose relevance is undiminished to this day. Kokoschka’s achievements as a playwright, essayist and poet bear witness to his remarkable literary talent. Music, too, played a central role in his work, and his passion for teaching led him to establish in 1953 the School of Seeing, an unconventional art school conceived to revive humanist ideals in the horrific aftermath of war.
Review Quotes
Frankfurter Allgemeine Zeitung
“Görner narrates . . . in a compelling way.”
Die Welt
“With appropriately rhapsodic descriptions, Görner shows how incredibly . . . worldly this petty bourgeois from Pöchlarn has been.”
Catherine Hug, curator of Kunsthaus Zürich
"An unconventional but long expected approach to Kokoschka’s rich oeuvre: Rüdiger Görner does not restrict his considerations to the painter and his formal characteristics, but rather situates Kokoschka’s singular character against a social, literary and political background in a turmoiled Europe. As rarely so meticulously before him, Görner shows with concrete examples the evident importance that Kokoschka’s affinity to literature and politics have played in his creative process. Görner brings light into how contemporaries such as Thomas Mann and Karl Kraus looked at Kokoschka’s oeuvre. This new biography adequately enables a holistic look at Kokoschka as a whole person, with his paintings, writings, enemies and lovers, agonies and hopes."
Johann Konrad Eberlein, an Austrian art historian and was the director of the Institute of Art History, University of Graz
"This biography is an enjoyable reading experience. Görner does not separate art from life. The artist was a driven man, always trying to cross any given border, be it moral, political or social. It is part of the veracity of his pieces of art that they hide none of these frictions. The book is fully convincing as the author pursues the same principle. Görner presents the entire Oskar Kokoschka, perhaps for the first time – and thus makes an unforgettable impression on the reader."
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Art: Art--Biography
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