Jewish Dimensions in Modern Visual Culture

List of Illustrations • Acknowledgments • Introduction • CRITICAL RESPONSES TO MODERNISM AND JUDAISM • The Jew as Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class Consciousness – Mark Antliff • German Antisemitism and the Historiography of Modern Art: The Case of Julius Meier-Graefe, 1894–1905 – Janne Gallen-Kallela-Siren • The Ecole Française versus the Ecole de Paris: The Debate about the Status of Jewish Artists in Paris between the Wars – Romy Golan • Dada’s Dark Secret – Albert Boime • “Ihr mu¨sst sein, auch wenn ihr nicht mehr seid”: The Jewish Central Museum in Prague and Historical Memory in the Third Reich – Dirk Rupnow • CODED REPRESENTATIONS • Identity and Interpretation: Reception of Toulouse-Lautrec’s Reine de joie Poster in the 1890s – Ruth Iskin • George Grosz, Otto Dix, and the Philistines: The German-Jewish Question in the Weimar Republic – Rose-Carol Washton Long • Tristan Tzara / Shmuel Rosenstock: The Hidden/Overt Jewish Agenda – Milly Heyd • Models of Freedom: The Young Yiddish Group from Lodz, 1919–1921 – Marek Bartelik • Soviet Artists, Jewish Images – Matthew Baigell • AFFIRMATION • Between Response and Responsiveness: On Michael Sgan-Cohen’s Hinneni – David Heyd • Postwar Jewish Architecture and the Memory of the Holocaust – Gavriel D. Rosenfeld • Readymade Redux: Once More the Jewish Museum – Lisa Saltzman • Contributors • Index