Habitat Threshold
Distributed for Omnidawn Publishing, Inc.
80 pages
|
4 halftones, 4 graphs
|
6 x 9
- Contents
- Review Quotes
Table of Contents

Contents
Age of Plastic
Halloween in the Anthropocene
Teething Borders
Disaster Haiku
Rings of Fire
Thirteen Ways of Looking at a Glacier
A Sonnet at the Edge of the Reef
Rainbow after the Massacre
Care
Love in a Time of Climate Change
Chanting the Waters
~
(Silent) Spring Haiku
Blood Ivory
One fish, Two fish, Plastics, Dead fish
Th S xth M ss Ext nct n
Thanksgiving in the Plantationocene
This is Just to Say
Cockroach Ode
We Aren’t the Only Species
Echolocation
Endangered Haiku
The Last Safe Habitat
~
Christmas in the Capitalocene
Postcards from Taiwan
The Flatulencene
America
Earth Day Haiku
This Changes Everything
Hush Little Planet
New Year’s Eve and Day in the Chthulucene
Fossil Fuels
Nuclear Family
Praise Song for Oceania
Halloween in the Anthropocene
Teething Borders
Disaster Haiku
Rings of Fire
Thirteen Ways of Looking at a Glacier
A Sonnet at the Edge of the Reef
Rainbow after the Massacre
Care
Love in a Time of Climate Change
Chanting the Waters
~
(Silent) Spring Haiku
Blood Ivory
One fish, Two fish, Plastics, Dead fish
Th S xth M ss Ext nct n
Thanksgiving in the Plantationocene
This is Just to Say
Cockroach Ode
We Aren’t the Only Species
Echolocation
Endangered Haiku
The Last Safe Habitat
~
Christmas in the Capitalocene
Postcards from Taiwan
The Flatulencene
America
Earth Day Haiku
This Changes Everything
Hush Little Planet
New Year’s Eve and Day in the Chthulucene
Fossil Fuels
Nuclear Family
Praise Song for Oceania
Review Quotes
Booklist Review of the Day
"Celebrated as 'a phenomenal ambassador for our island' by the Guam legislature, Chamorro professor, editor, and writer Perez explores environmental themes endemic to his island home and also to the inhabitants of other Pacific communities and the planet as a whole, such as carbon emissions, sea level rise, and the scourge of omnipresent plastics. Perez applies sharp wit and surprising humor through an expansive variety of forms . . . . A wickedly intelligent, endlessly talented poet, to be read alongside Daniel Borzutzky, Juliana Spahr, and Clarissa Mendiola."
Library Journal
"In Habitat Threshold, Perez, a native Chamorro from Guam, examines ecological catastrophe wrought by global capitalism."
Melissa Tuckey, poet and editor of Ghost Fishing: An Eco-Justice Poetry Anthology
"In this most recent collection, Craig Santos Perez interweaves parental tenderness with knowledge of environmental crisis. With poetic verve and acuity, Perez invites us to the bedside of our ailing world. Formally inventive, these poems read like ritual. The invitation is to come closer, to be with a troubled world. The steady accumulation of these poems will move you to action."
Ann Fisher-Wirth, author and coeditor of The Ecopoetry Anthology
"'There’s no half-life of sorrow when our children / inherit this toxic legacy,' Craig Santos Perez writes in Habitat Threshold—and though he is referring specifically to nuclear energy, the line colors everything in the book. No half-life to sorrow: but unending sorrow and rage and terror, expressed in blazing and eloquent poems, at the barely imaginable environmental crisis that has become our world. And still, somehow, tenderness. 'I love you without knowing how or when this world / will end,' Santos Perez writes in 'Love in a Time of Climate Change,' a poem for his wife, which perhaps speaks also to his little daughter, to the creatures and mountains and sea and air, to us all."
Jonathan Skinner, poet, editor, and founder of Ecopoetics
"Craig Santos Perez returns poetry to its ancient vocation: not only to sing of the dark times, in a public voice, but to sing in and against the darkness. Always exquisite in his attention to the placement of words for power, beauty, and insight, with Habitat Threshold Perez raises poetry to earth magnitude: his pastorals, odes, sonnets, haikus, recyclings, occasional verse, lullabies, and chants sing plainly and with great precision of the vast and intricate inequalities in and through which world-ecology enmeshes us. These are songs of protest, to be recited in places of public debate and decision, and to be learned by children, but also love songs, for family, place, plant and animal, celebrating the many-hued lifeways of humans and their others. The poems find music in inconvenient truths, with a sobering and detailed indictment of our Capitalocene footprint. Habitat Threshold asks us to change our lives: it is motivating, necessary, and inspiring work."
Linda Hogan, writer and environmentalist
"Craig Santos Perez is a writer I seriously watch. He includes a variety of environmentally important writing, seamlessly combined with history, politics, and the familial."
Camille Dungy, poet and editor of Black Nature: Four Centuries of African American Nature Poetry
"Essential. Read this book."
Library Journal
"A native Chamorro from Guam, Perez has challenged colonial dominance in his excellent 'from unincorporated territory' series. Here he examines ecological catastrophe in urgent, forthright language, limning a world pushed to the limit by escalating carbon emissions... VERDICT: Not just for environmental activists; showing what an informed poetic voice can do."
PEN America/Voelcker Award for Poetry Collection
"Longlisted"
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