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Offering a new narrative of physical body constituted in perilous scenes of contact, Harm performs the loss of that fictive division between a unified body and its surrounding world. Terrifying and unlooked- for harmonies emerge in these poems, which dwell in a medicalized landscape where both the body and the land are monitored and laid bare. Troubling the idea of cure by recasting it in the terms of harm, Harm shifts between warning and error, nature and the body. In the sense of Baudelaire’s “correspondences,” bloodclots externalize into “sunclots” and the air is “rusty with blood.” The book troubles the idea of cure by casting it also as a form of harm itself. Moving amid the prose poem and the lyric, Harm navigates a landscape of extremity both frightening and filled with wonders.

88 pages | 6 x 9


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"I want to say, am failing to say, how astonishingly bright it is: through Harm, you can yet trace the spine of islands on someone’s back, travel a syllabic string, get that kiss, hear the 'pink singing' threading itself through every room, glow with listening, make a naked escape even when the 'limbs [fill] with sand.'"

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