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Distributed for Hirmer Publishers

The Gallery of Meissen Animals

Augustus the Strong’s Menagerie for the Japanese Palace in Dresden

The large animal figures created at the Meissen manufactory between 1731 and 1736 arguably constitute the eighteenth century’s supreme artistic and technical achievement in the field of porcelain-making. The animals were commissioned by the elector-king Augustus the Strong for the palace that of all his seats was probably the one closest to his heart: the Japanese Palace in Dresden.

Samuel Wittwer’s research has revealed a profusion of inter-relations between this fragile porcelain menagerie and the various other animal collections at the Dresden court.  This book does not consider the animal figures in art historical terms alone.  On the contrary, it presents them in their historical and topographical context and traces the manifold relations between the figures and the world in which they came into being.  In so doing it also offers the reader a wealth of insights into the relationships between art, society, and politics at the Dresden court in the second quarter of the eighteenth century.

375 pages | 185 color plates and 35 halfto | 9 1/2 x 11 | © 2004

Art: European Art


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Table of Contents

Preface


Introduction
    The historical background to the large animal figures
    Aspects of the Baroque interior
    Animal sculpture in the late Renaissance and Baroque

 Part One: The Palace and the Animals: Fundamentals of their genesis and appearance

    The Japanese Palace

    The porcelain animals for the Japanese Palace: the cultural, technical, and artistic conditions

Part Two: The Palace and the Animals: The historical and topographical context

    The Japanese Palace and Augustus the Strong’s overall plan

    The Animal Gallery: its structure and interpretive levels

Part Three: The Palace and the Animals: Content and effect

    The Japanese Palace: a claim to power in bricks and stone

    The animal figures: form and effect

Part Four: The Animals and the Palace: What is their “meaning” and how are they related?

    The animal figures as sculptures

    The animal figures and the model Residence: two mutually formative works of art

Postlude

    The animal figures and their artistic influence in the tide of time: a short summary

    The Meissen large animal figures in the late eighteenth, nineteenth, and twentieth centuries

Appendix

Catalog

Glossary

Index of places
Index of artists and historical personages
Index of animal names
Illustration credits

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