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Distributed for University of Wales Press

Financial Gothic

Monsterized Capitalism in American Gothic Fiction

A new study of Gothic American fiction through the lens of capitalism.

Financial Gothic reads Frankensteinian monsters, haunted houses, vampires, and zombies in American fiction and film as cultural responses to financial phenomena from 1886 to the present day. The study also considers the preexisting consensus on racial readings of American gothic fiction, and how these interpretations of the slave trade can be expanded upon in conversation with their financial contexts.

280 pages | 7 halftones | 5 1/2 x 8 1/2 | © 2023

Gothic Literary Studies

Economics and Business: Economics--History

Literature and Literary Criticism: General Criticism and Critical Theory


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Reviews

"Financial Gothic is a bold disinterment of the monstrosity that has long lain at the core of imaginative responses to money and markets in American culture. In Amy Bride’s incisive analysis, both American Gothic and American capitalism are revealed to be possessed by phantoms still stranger and more potent than we knew."

Paul Crosthwaite, professor of modern and contemporary literature, University of Edinburgh

"Financial Gothic persuasively highlights the immense and often monstrous role that anxieties related to finance and the financial markets have played in shaping the popular American Gothic, between the early twentieth century and the present day."

Bernice Murphy, associate professor and lecturer in popular literature, Trinity College Dublin

"This book is a credit to the Gothic’s aptness for denouncing social injustice. Taking stock of the mode’s investment in decrying capitalism’s structural inequalities, Bride argues for a broader consideration of the evolution of financial discourse in the American context as essentially monstrous. When money talks, the Gothic claps back." 

Xavier Aldana Reyes, Manchester Metropolitan University

"Financial Gothic provides a compelling analysis of how twentieth-century gothic literature is haunted by the twinned histories of finance and slavery. The shadow world of finance is often spectral, and Amy Bride demonstrates how American literature grapples with the problem of 'zombie capitalism.'"

Peter Knight, professor of American studies, University of Manchester

Table of Contents

Acknowledgements
List of Figures
Introduction: Gothic Finance and Financial Gothic
Chapter One: ‘It’s Alive!’: The 1929 Wall Street Crash and Pulp/Popular/Political Monsters
Chapter Two: ‘The Evil is the House Itself’: Credit, Citizenship, and the Postwar Haunting House
Chapter Three: Deregulation Sucks: Mass Consumption of Liquidity and the Deregulated Vampire
Chapter Four: ‘Myself is Fabricated, An Aberration’: LateCapitalism and the Hyperreal Vampire
Chapter Five: Mindless Consumers: The 2008 Crash and the PostMillennial Zombie
Conclusion: Monsterized Capitalism and Capitalist Monsters
Works Cited
Glossary of Financial Terms

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