From Misa to Mise en Scène
Fra Francesc Moner’s Prototype of the Spanish Sacramental Theater of the Fifteenth Century
Distributed for ACMRS Press
296 pages
|
4 halftones, 2 line drawings
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6 x 9
- Contents
Table of Contents

Contents
List of Illustrations
Acknowledgments
Preface
Introduction
Chapter I: The Cancionero Background
Chapter II: A Spectacle on Display
Chapter III: The Gestation of Dramatic Modes
Chapter IV: The Dramatization of the Monologue
Chapter V: The Sermon in Dramatic Effects
Chapter VI: Parody as Desacralization
Chapter VII: Dramatization on the Way to Performance
Chapter VIII: Embryonic and Full-Fledged Theatricality
Chapter IX: Stage-Worthy Action: Extrinsic and Intrinsic Dimensions
Chapter X: Visualizing the Stage
Chapter XI: Configuring the Actual Stage: The Pragmatics of the Mise en Scène
Chapter XII: A Religious Theater Newly Fashioned: Semiotic Functions
Conclusion
Appendices
Illustrations
Bibliography
Index
Acknowledgments
Preface
Introduction
Chapter I: The Cancionero Background
Chapter II: A Spectacle on Display
Chapter III: The Gestation of Dramatic Modes
Chapter IV: The Dramatization of the Monologue
Chapter V: The Sermon in Dramatic Effects
Chapter VI: Parody as Desacralization
Chapter VII: Dramatization on the Way to Performance
Chapter VIII: Embryonic and Full-Fledged Theatricality
Chapter IX: Stage-Worthy Action: Extrinsic and Intrinsic Dimensions
Chapter X: Visualizing the Stage
Chapter XI: Configuring the Actual Stage: The Pragmatics of the Mise en Scène
Chapter XII: A Religious Theater Newly Fashioned: Semiotic Functions
Conclusion
Appendices
Illustrations
Bibliography
Index
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Literature and Literary Criticism: Romance Languages
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