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Distributed for Paul Holberton Publishing

Early Colour Printing

German Renaissance Woodcuts at the British Museum

Distributed for Paul Holberton Publishing

Early Colour Printing

German Renaissance Woodcuts at the British Museum

This illustrated volume reproduces and describes effectively every early modern German color print held at the British Museum, one of the world’s most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, some of which have never been seen in public or reproduced. 

From artworks to missals and icons to wallpapers, this book breaks new ground by revealing the fascinating underlying technologies that enabled the production of these color-printed objects. Further, the volume offers significant new scholarship, pinpointing attributions to printers—not just to artists or designers. In doing so, it lays the groundwork for a new understanding of the history of print, one that encompasses all forms of printed material. Thoroughly researched and engagingly written, this collection guide will be a standard reference on German graphic art, early modern visual culture, and the history of printing itself.

256 pages | 150 color plates | 8 1/2 x 10 1/4

Art: Art--General Studies, European Art


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Reviews

"From works of art and missals to wallpaper, German printers in the fifteenth and sixteenth centuries were colorfully creative marvels. Their work is explored in detail for the first time in Early Colour Printing. . . . It is as much about book history and bibliography as it is about art history, so offers a new context for understanding color-printed book illustrations and title pages in readers' collections."

Fine Books & Collections

"This beautifully accessible, exhibition-style catalogue marks Elizabeth Savage's latest installment in her reinvention of early modern color printing history. Gorgeously produced and illustrated in full-page color with numerous detailed views, it persuasively argues for a more inclusive narrative of pre-1600 Germanic color woodcuts."

Peregrinations: Journal of Medieval Art & Architecture

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