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Distributed for Reaktion Books

Designing Modern Japan

A revealing look at Japanese design weaving together the stories of people who shaped Japan’s design industries with social history, economic conditions, and geopolitics.
 
From cars to cameras, design from Japan is ubiquitous. So are perceptions of Japanese design, from calming, carefully crafted minimalism to avant-garde catwalk fashion, or the cute, Kawaii aesthetic populating Tokyo streets. But these portrayals overlook the creativity, generosity, and sheer hard work that has gone into creating and maintaining design industries in Japan.
 
In Designing Modern Japan, Sarah Teasley deftly weaves together the personal stories of people who shaped and shape Japan’s design industries with social history, economic conditions, and geopolitics.. Key to her account is how design has been a strategy to help communities thrive during turbulent times, and for making life better along the way. Deeply researched and superbly illustrated, Designing Modern Japan appeals to a wide audience for Japanese design, history, and culture.

424 pages | 75 color plates, 70 halftones | 6 3/4 x 8 3/4

Art: Design

History: Asian History


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Reviews

“Teasley’s meticulously detailed account of Japanese design history gives a satisfyingly complete picture of design as a practice that people have—and continue—to use for their own end.”

Elizabeth Guffey, professor of art and design history, theory, criticism at SUNY Purchase, founding editor of "Design and Culture"

“A vibrant and powerful decoding of the modern history of Japan through design. A new and incomparable classic.”

Kashiwagi Hiroshi, professor emeritus, Musashino Art University, Japan, design historian and critic

"This shrewd and elegantly illustrated book shows how Japanese designers and manufacturers have used design 'to weather change and sometimes as a lever to accelerate change.' Focusing on their institution-building and meaning-making activities, Teasley traces how a variety of carefully-designed objects and images circulated around Japan, through the empire, and across the globe. The result, like the objects under study, is the narrative they created of Japan itself as transnational, modernist, and enduring."

Laura Hein, Harold H. and Virginia Anderson Professor of History, Northwestern University, author of "Post-Fascist Japan: Political Culture in Kamakura after the Second World War"

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