“Easily the best history of modernity and Irish art to date.”

Irish Arts Review

“Fionna Barber’s Art in Ireland is that rare thing: a book that is needed. . . . This richly illustrated and critically engaged book offers a very welcome attempt to outline the story of Irish art from 1910 to the present. . . . An engaging overview for the common reader, as well as a starting point for further critical debate.”

Apollo Magazine

“Art in Ireland has traditionally fretted in the shadow of a powerful literary tradition but Fionna Barber provides the first major overview of how evolving forms of art practice shaped twentieth-century Irish culture. Ranging from the Celtic Twilight to the Celtic Tiger, Art in Ireland brings a new visual sophistication to bear on ‘Romantic Ireland,’ social realism, modernism, as well as gender, Northern Ireland, and the globalization of Irish art. This innovative work recasts not only Irish art history but also our understanding of Irish art in a wider international frame.”

Luke Gibbons, National University of Ireland (Maynooth)

“Anti-colonial struggle, civil war and postcolonial violence; nationalism, isolationism and the new Europe of the Celtic Tiger; flirtations with fascism and Third World revolution; the revival of an ancient pre-Christian spirit in a political culture framed by institutional religions; a passion for land and peasantry and a history of exile. Ireland has lived modernity more deeply and more passionately than perhaps any other European nation. The country’s contributions since 1910 to music, drama and literature are unquestionable. Fionna Barber’s Art in Ireland marks out the parallel territory of the visual arts as they traversed these contradictory histories. With a cunning eye for precise detail, Barber not only writes the story of art in Ireland, North and South: she opens up the contested and unfinished labour of formulating country, time and identity in Irish art.”

Sean Cubitt, Goldsmiths, University of London

“Barber’s approach yields a dense and rewarding text that deftly accomplishes dual and equally daunting tasks: writing the first history of Irish art of this period that moves beyond discussion of only major figures such as Jack Yeats and Francis Bacon; and offering a sophisticated analytical method that can be used to coherently interpret a diverse body of work that includes landscape painting and video art. The many color illustrations and lengthy bibliography are also a great benefit to readers of this landmark publication.”

Choice