Skip to main content
Shopping cart: items Cart

The Teaching Archive

A New History for Literary Study

The Teaching Archive shows us a series of major literary thinkers in a place we seldom remember them inhabiting: the classroom. Rachel Sagner Buurma and Laura Heffernan open up “the teaching archive”—the syllabuses, course descriptions, lecture notes, and class assignments—of critics and scholars including T. S. Eliot, Caroline Spurgeon, I. A. Richards, Edith Rickert, J. Saunders Redding, Edmund Wilson, Cleanth Brooks, Josephine Miles, and Simon J. Ortiz. This new history of English rewrites what we know about the discipline by showing how students helped write foundational works of literary criticism and how English classes at community colleges and HBCUs pioneered the reading methods and expanded canons that came only belatedly to the Ivy League. It reminds us that research and teaching, which institutions often imagine as separate, have always been intertwined in practice. In a contemporary moment of humanities defunding, the casualization of teaching, and the privatization of pedagogy, The Teaching Archive offers a more accurate view of the work we have done in the past and must continue to do in the future.

320 pages | 25 halftones | 6 x 9 | © 2020

Education: Curriculum and Methodology

History: History of Ideas

Literature and Literary Criticism: General Criticism and Critical Theory

Reviews

"The Teaching Archive is an exemplary piece of collaborative research and a timely tribute—in both its well-written form and material content—to the work teachers do and to the classroom as a space in which groundbreaking humanist research happens. As a book that will be read in the aftermath of 2020, it can only grow in significance. The case for the classroom as somewhere that ideas and texts are made rather than delivered seems destined to become more interesting as we stop taking that material space for granted."

Christina Lupton | Public Books

"Rachel Sagner Buurma and Laura Heffernan present The Teaching Archive as a commentary on the teaching materials of nine different figures. . . . Yet the book is more than a teacher’s guide or a collection of scattered observations about what has worked in a classroom. It is a history of literary study pitched against the accounts of literary professionalism that have given us the sense that we should guide our thinking about literature by doctrinal statements."

Frances Ferguson | Critical Inquiry

"The Teaching Archive raises profound questions about the relation between teaching and research [in literary studies], questions that consistently fail to be addressed by the discipline’s system of professional rewards, its de facto demotion of teaching to a practice of lesser value than scholarship. . . . If the literary professoriate has sometimes forgotten what happens in the classroom, it is the great contribution of this book to remind us that without collaboration, there is no teaching, and that without teaching, the discipline has no history."

Los Angeles Review of Books

“This book makes a fascinating and radical claim: that the English and American literary tradition was forged not by scholarly books and articles but by classroom discussion. Thus, the belief that scholars at elite institutions publish monographs so that knowledge 'trickles down' to students and to non-elite institutions is false, and the opposite is true: the knowledge produced by the selection of course texts and rich classroom discussions of literature, particularly at non-elite institutions, 'trickles up' to inform scholarship.”

Choice

The Teaching Archive shows us what we should always have known: the history of English is not the history of big books of criticism talking to other big books of criticism. Instead it is the history of students and teachers talking to each other in the classroom, where what goes on has often been quite different from what conventional histories of the discipline have assumed. Buurma and Heffernan reanimate the twentieth-century classroom, and in the process they reanimate our understanding of the profession.”

Louis Menand, author of 'The Marketplace of Ideas: Reform and Resistance in the American University'

“This remarkably well-researched, beautifully written, wise, and moving study offers the discipline of English literary studies a new account of its twentieth-century history. What would happen if we understood disciplinary history as unfolding in classrooms where literary critics worked as instructors, as well as through the field-changing books they authored? What would happen if we saw those books as themselves shaped by the everyday life of teaching? The Teaching Archive makes untenable much of the received wisdom about twentieth-century English studies; it makes silenced classroom voices audible once more.”

Deidre Shauna Lynch, author of 'Loving Literature: A Cultural History'

“How was literature actually taught in the classroom? Historians of literary studies have scarcely touched this centrally important question. But Buurma and Heffernan explore it in depth and detail, shifting our attention away from prestigious academic critics, and refocusing on syllabi, course notes, and student papers. And they show that, outside the elite universities, literary education could be much more inclusive, experimental, offbeat, and student-centered than we imagined.”

Jonathan Rose, author of 'The Intellectual Life of the British Working Classes'

"The distinction between teaching and research is a key organizing principle of academia, and the hierarchy implicit in that distinction affects the rankings of universities, the careers of professors, and the public perception of higher education. The revisionist history of literary study offered by Buurma and Heffernan brilliantly explodes this false dichotomy, showing that the college classroom provided a dynamic laboratory that was fundamental to the development of the twentieth century’s most influential modes of critical theory. With the materials of classroom practice as archival evidence, Buurma and Heffernan restore a lost history of intellectual experimentation in which professors and students of all levels collaborated in the creation of the field of literary criticism. At the same time, they offer a compelling defense of the humanities as an active, integrated, and broadly accessible mode of education."
 

Alison R. Byerly, President, Lafayette College

Table of Contents

List of Figures
A Note on Authorship

Introduction: A New Syllabus

Chapter 1
Caroline Spurgeon, The Art of Reading (1913)

Chapter 2
T. S. Eliot, Modern English Literature (1916–19)

Chapter 3
I. A. Richards, Practical Criticism (1925), and Edith Rickert, Scientific Analysis of Style (1926)

Chapter 4
J. Saunders Redding, The Negro in American Literature (1944) and American Biographical Literature (1976)

Chapter 5
Cleanth Brooks, Modern Poetry (1963), and Edmund Wilson, Literature of the Civil War (1959)

Chapter 6
Josephine Miles, English 1A (1940–55)

Chapter 7
Simon J. Ortiz, Native American Arts (1978)

Conclusion: The Past We Need Now
 
Acknowledgments
Appendix: Archives and Collections Consulted
Notes
Bibliography
Index

Be the first to know

Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!

Sign up here for updates about the Press