To Destroy Painting
Translated by Mette Hjort
196 pages
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22 halftones
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6 x 9
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© 1994
- Contents
Table of Contents
Contents
Acknowledgments
Postscript in the Guise of an Introduction
Key Texts
Allegory: The Golden Bough or the Theory of Mimesis
Questions, Hypotheses, Discourse
Readings
Denegation
The Arcadian Landscape
On Nominal Sentences, Fragments, Epitaphs, and Epigraphs
A Letter, a Shadow, and an Interpretive Key
Theoretical and Methodological Introduction
An Analytic Strategy and a Mythical Ruse
The Portrait in the Convex Mirror
The Medusa Head as Historical Painting
Psychoanalytic Interlude
Of Light, Shadows, and Narrative
Et in arca hoc
Notes
Works Cited
Index
Postscript in the Guise of an Introduction
Key Texts
Allegory: The Golden Bough or the Theory of Mimesis
Questions, Hypotheses, Discourse
Readings
Denegation
The Arcadian Landscape
On Nominal Sentences, Fragments, Epitaphs, and Epigraphs
A Letter, a Shadow, and an Interpretive Key
Theoretical and Methodological Introduction
An Analytic Strategy and a Mythical Ruse
The Portrait in the Convex Mirror
The Medusa Head as Historical Painting
Psychoanalytic Interlude
Of Light, Shadows, and Narrative
Et in arca hoc
Notes
Works Cited
Index
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