Secularization and Cultural Criticism

Religion, Nation, and Modernity

Vincent P. Pecora

Secularization and Cultural Criticism

Vincent P. Pecora

224 pages | 1 table | 6 x 9 | © 2006
Paper $33.00 ISBN: 9780226653129 Published October 2006

Religion is an undiscovered country for much of the secular academy, which remains deeply ambivalent about it as an object of study. On the one hand, secular scholars agree that it is time to take religion seriously. On the other, these same scholars persist in assuming that religion rests not on belief but on power and ideology. According to Vincent Pecora, the idea of the secular itself is the source of much of the contradiction and confusion in contemporary thought about religion. Pecora aims here to work through the paradoxes of secularization, which emerges in this book as an intractable problem for cultural criticism in the nation-states of the post-Enlightenment West.

Secularization and Cultural Criticism examines the responses of a wide range of thinkers—Edward Said, Talal Asad, Jürgen Habermas, Walter Benjamin, Emile Durkheim, Carl Schmitt, Matthew Arnold, and Virginia Woolf, among others—to illustrate exactly why the problem of secularization in the study of society and culture should matter once again. Exploring the endemic difficulty posed by religion for the modern academy, Pecora makes sense of the value and potential impasses of secular cultural criticism in a global age.



1. Secular Criticism and Secularization

2. Benjamin, Kracauer, and Redemptive History

3. Durkheim’s Modernity
From the Theory of Religion into Political Theology

4. Arnoldian Ethnology
Nation Between Religion and Race

5. The Modernist Moment
Virginia Woolf Voyages Out

Humanism and Globalization

Review Quotes
Colin Jager | MLR
"The key to Pecora’s argument here is not that Durkheim . . . was mistaken or confused, but rather that this very tension is a symptom of the ’necessarily distorting consequences of Western secularization.’ Pecora’s triumph in this book is to give us a rich account of those distortions and their ramifications for cultural theory."
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