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Spinoza and the Cunning of Imagination

Spinoza’s Ethics, and its project of proving ethical truths through the geometric method, have attracted and challenged readers for more than three hundred years. In Spinoza and the Cunning of Imagination, Eugene Garver uses the imagination as a guiding thread to this work. Other readers have looked at the imagination to account for Spinoza’s understanding of politics and religion, but this is the first inquiry to see it as central to the Ethics as a whole—imagination as a quality to be cultivated, and not simply overcome.

​Spinoza initially presents imagination as an inadequate and confused way of thinking, always inferior to ideas that adequately represent things as they are. It would seem to follow that one ought to purge the mind of imaginative ideas and replace them with rational ideas as soon as possible, but as Garver shows, the Ethics don’t allow for this ultimate ethical act until one has cultivated a powerful imagination. This is, for Garver, “the cunning of imagination.” The simple plot of progress becomes, because of the imagination, a complex journey full of reversals and discoveries. For Garver, the “cunning” of the imagination resides in our ability to use imagination to rise above it.

320 pages | 6 x 9 | © 2018

Philosophy: Ethics, General Philosophy, History and Classic Works, Philosophy of Religion

Reviews

 “Spinoza and the Cunning of Imagination offers a compelling, thought provoking, and original argument that challenges readers of Spinoza to reexamine many of their well-received tropes and habits. Garver shows himself to be a real connoisseur of Spinoza’s philosophy, and the breadth of his reading and his knowledge of the secondary literature is remarkable. Unlike many recent studies of Spinoza, Garver does not deal with one of the many local topics that can be addressed in the context of Spinoza’s philosophy, nor does he offer a general introduction for the uninitiated reader. His book constitutes instead a rather audacious attempt to come to terms with the Spinozistic philosophical enterprise as such and from a critical but sympathetic view of what is undeniably one of the most important philosophical systems of the Western philosophical tradition.”

Elhanan Yakira, Hebrew University of Jerusalem

“Eugene Garver explains Spinoza’s Ethics not only as argument but also as drama, whose progress engages the reader to become not just a spectator, but an agent in the midst of the philosophical action. The last two sections of the Ethics, on bondage and freedom, are practical as well as theoretical, intended to produce in the reader a change of heart as well as vision. Garver shows how Spinoza accomplishes this unexpected outcome by bringing imagination and reason, affect and agency, the mathematical and the dynamic, into philosophical relation. The most surprising developments and reversals we find in Garver’s account are backed up by his cogent exposition and careful scholarship, which engages a spectrum of other commentators in productive dialectic: just the right background for a portrait of Spinoza as a champion of practical reason.”

Emily Grosholz, Pennsylvania State University

"Garver's analysis is dramatic: he unpacks deep tensions in Spinoza's argumentation before developing ingenious interpretive resolutions. He engages substantially with both English-language analytic and French Continental scholarship on Spinoza, an admirable achievement considering their significant methodological differences. This book, much like Spinoza's thought, rewards the effort required to chew over its ideas. . . . Highly recommended."

CHOICE

"This is an excellent book, especially for those in need of a fresh approach to a well-trodden text. I have read it twice, and still haven't finished reading it. The sorts of questions Garver raises, the problems he uncovers, and the assumptions he rejects all breathe new life into the Ethics. Garver's interpretation is impressively novel and philosophically fruitful, and is in its own way cunningly imaginative."

Notre Dame Philosophical Reviews

"In his engaging, highly original book, Garver argues that the Ethics is not a linear march through timeless truths, but rather a complicated drama that works precisely because its “characters,” the human beings described in the Ethics, as well as the people reading the Ethics, have the imaginations they do. We readers may approach this drama with scholarly detachment, but we may also find ourselves provoked by the same difficulties we see the characters encounter, which in turn may transform us in just the ways we see the characters transformed...Garver’s outstanding book has the potential to reorient and extend scholarly conversations in really fascinating ways."

Journal of the History of Philosophy

Table of Contents

Acknowledgments
Introduction
First Part
Chapter One
Adequate Ideas Are Infinite Modes
Chapter Two
Our Knowledge of God and Its Place in Ethics
Chapter Three
Spinoza’s Will to Power: How Does the Conatus Become a Desire to Increase Power?
Chapter Four
False Pleasures and Romantic Love
Second Part
Chapter Five
Conflicts among Emotions, among Ideas, and among People
Chapter Six
Hilarity and the Goods of Mind and Body
Chapter Seven
The Strength of the Emotions and the Power of the Intellect
Chapter Eight
Ethics and the Ethics: How Does Reason Become Practical?
Notes
Index
 

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