“In a brilliantly quixotic, scholarly rich, fabulously illustrated trek,  Shell guides readers through the history of the reprocessing of used clothing and textiles, reflecting on human ornament, fears of contagion (think of the associations of ‘shoddy’ versus ‘virgin’ wool), and the evolution of a vast industry.”

Harvard Magazine

“Shell has infused the history of shoddy–a cheap shredded material nowadays often used to fill mattresses–with a keen sense of drama. There are three ‘acts,’ rather than chapters, and a heavyweight cast of thinkers. Theoretical sophistication combines with narrative thrust in a remarkable story that moves from nineteenth-century England to today’s global ecological concerns around fast fashion.”

Times Literary Supplement

“The fascinating story of how a respectable textile product became synonymous with all things inferior. . . . [Shell] writes with an eye for both vivid visuals and historical links. . . . it’s a fun ride.”

Washington Independent Review of Books

"Situated on the side of a motorway that connects the cities of Liverpool and Hull in England is a giant pile of old dark rags, socks, and other decomposed fabrics. To some, the 20-foot-tall heap resembles a geological formation. To Hanna Rose Shell, a visiting professor of history at Caltech, the heap is a thing of beauty. Not only for the occasional rhinestones and buttons scattered among the debris but because the contents of the heap, known as shoddy, are a perfect metaphor for the concept of rebirth in society and history. . . . Shell's new book about shoddy covers the history and cultural influences of the recycled material across the globe, from Haiti to the U.S. to the 'shoddy towns' of England."

Caltech News

“Shoddy is that rare book that takes you from the direct experiences you share with the author (what to do with your used clothes? the feeling of ‘doing good’ when you donate them to clothe someone ‘less fortunate’) to the larger social, economic, historical, and, yes, moral universe in which those experiences live. Shell takes us on this kind of journey by searching for shoddy. Through her, we learn about the human costs of the Industrial Revolution, British Chartism, the economic realities of the American Civil War, the ideas that animated dissent—of Carlyle, Disraeli, and Marx, just for a start—and so much more, all through the eyes of shoddy. It is an exemplary book in its use of the visual record to weave a narrative that implicates current practice, not just in how we do scholarship across a range of fields in media and science and technology studies, but how we think about ourselves. Shoddy is a book that will change your mind.”
 

Sherry Turkle, author of Reclaiming Conversation: The Power of Talk in a Digital Age

 “As textile consumption exploded in the nineteenth century, discarded cloth gained a second life; it provided the raw material for 'shoddy' fabrics that would enter the homes of enslaved workers, attire Civil War soldiers, and provide material for blankets and mattress fillings. Shell’s fast-paced meditation on the economic, cultural, and ideological histories of shoddy takes you around the world and into some of the most profound questions about capitalism—from its endless capacity for innovation to its unending appetite for ever more resources. Shoddy: From Devil's Dust to the Renaissance of Rags extends the history of the empire of fibers into the most surprising corners of our history and our modern life.”
 

Sven Beckert, author of Empire of Cotton: A Global History

“This fascinating book, laden with historical insights, takes us on a journey from the nineteenth-century origins of shoddy, made from reclaimed wool in the industrial heart of Yorkshire, to the wider world via contexts of politics, war, contagion, and death. Enlightened by the words of contemporary writers and thinkers and by photographic records, the author explores the many dimensions of a textile that became functionally essential for the likes of army uniforms, blankets, and shrouds. Shoddy offers a timely case study for the possibilities of material recovery and of the critical role of textiles to the human experience; it will appeal to historians, textile experts, and general readers, including those with interest in sustainability and recycling.”

Hazel Clark, author of The Fabric of Cultures: Fashion, Identity, and Globalization