Skip to main content
Shopping cart: items Cart

Rhythm

Form and Dispossession

Rhythm

Form and Dispossession

More than the persistent beat of a song or the structural frame of poetry, rhythm is a deeply imbedded force that drives our world and is also a central component of the condition of human existence. It’s the pulse of the body, a power that orders matter, a strange and natural force that flows through us. Virginia Woolf describes it as a “wave in the mind” that carries us, something we can no more escape than we could stop our hearts from beating.

Vincent Barletta explores rhythm through three historical moments, each addressing it as a phenomenon that transcends poetry, aesthetics, and even temporality. He reveals rhythm to be a power that holds us in place, dispossesses us, and shapes the foundations of our world. In these moments, Barletta encounters rhythm as a primordial and physical binding force that establishes order and form in the ancient world, as the anatomy of lived experience in early modern Europe, and as a subject of aesthetic and ethical questioning in the twentieth century.

A wide-ranging book covering a period spanning two millennia and texts from over ten languages, Rhythm will expand the conversation around this complex and powerful phenomenon.
 

216 pages | 5-1/2 x 8-1/2 | © 2020

Ancient Studies

Literature and Literary Criticism: General Criticism and Critical Theory

Philosophy: Aesthetics

Reviews

Rhythm is an original and masterfully researched intervention in the study of rhythm and, more broadly, literature. Starting from the ancient Greeks and ending with Emmanuel Levinas, Barletta brings together an impressive number of authors and texts from over two millennia, offering a fresh reading of what we mean when we say ‘rhythm.’ He breaks apart narrow definitions of this idea, opening new pathways by which to think about rhythm ethically. This book testifies to Barletta’s astounding command of languages, literatures, poetics, and philology and yields an entirely new vision of what rhythm is and can be."

Katharina N. Piechocki, author of Cartographic Humanism: The Making of Early Modern Europe

"Barletta offers a well-written, thoughtful, and original contribution to thinking on rhythm and poetic form. With its broad and speculative approach to the very concept of rhythm, this is a singular contribution to the field. Barletta asks us to reconsider our existing paradigms of rhythm by turning away from time-based models and toward a notion that emerges in pre-Socratic atomist thought, a fundamental sense of rhythm, ruthmós, as a force ‘that holds us all.’”

Susan Stewart, author of The Poet's Freedom: A Notebook on Making

Table of Contents

Preface

1. Rivers Stopped or Flowing Backward
2. Harmony, Number, and Others
3. Twentieth-Century Measures

Conclusions
 
Acknowledgments
Notes
Bibliography
Index

Be the first to know

Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!

Sign up here for updates about the Press