Rustic Cubism
Anne Dangar and the Art Colony at Moly-Sabata
- Contents
- Review Quotes
- Awards
Table of Contents

Contents
List of Illustrations
Acknowledgments
Note on Sources
Abbreviations
Introduction: The Potter’s Story
Part One: Beginnings
1. Anne Dangar’s Formative Years in Sydney and Paris
2. The Generative Influences upon Albert Gleizes’ Plans for Moly-Sabata
3. The Foundation and Early Years of Moly-Sabata
Part Two: Growth
4. The Spiral & the Circle: Lessons on Spirituality, Form and Place
5. The Life of a Village Potter
6. Politics and Folklore in the 1930s
Part Three: Transformation
7. Morocco and the Outbreak of War
8. Conflict and Collaboration: The War Years at Moly-Sabata
Part Four: Renewal
9. Postwar Populism: Anne Dangar’s "Return to France"
10. Cubism and Religion
11. Catholicism and Identity: Anne Dangar’s Last Years
Epilogue
Notes
Bibliography
Acknowledgments
Note on Sources
Abbreviations
Introduction: The Potter’s Story
Part One: Beginnings
1. Anne Dangar’s Formative Years in Sydney and Paris
2. The Generative Influences upon Albert Gleizes’ Plans for Moly-Sabata
3. The Foundation and Early Years of Moly-Sabata
Part Two: Growth
4. The Spiral & the Circle: Lessons on Spirituality, Form and Place
5. The Life of a Village Potter
6. Politics and Folklore in the 1930s
Part Three: Transformation
7. Morocco and the Outbreak of War
8. Conflict and Collaboration: The War Years at Moly-Sabata
Part Four: Renewal
9. Postwar Populism: Anne Dangar’s "Return to France"
10. Cubism and Religion
11. Catholicism and Identity: Anne Dangar’s Last Years
Epilogue
Notes
Bibliography
Review Quotes
Penny Webb | The Age, Australia
"Adams skillfully creates a grid of the multiple strands of a story . . . With a cliffhanger at the end of each of its four parts, there is as much here for the reader interested in social history as in art history. Rustic Cubism is a gorgeously illustrated book . . .--The Age, Australia
A. D. S. Donaldson | Bookforum
“It is against the backdrop of this sorry relationship that Bruce Adams has written his remarkable book. . . . Adams handles all these matters with patience and delicacy. When combined with the numerous images of Dangar’s beautiful pottery, this scholarly yet approachable study amounts to the most complete account to this point of a remarkable figure . . .”--Bookforum
Peter Brooke | Art Book
"A very useful addition to the small but growing body of literature on this school that may, if I and a few other people are right, contain the seeds of an alternative future for painting."
Ann Stephen | Art Monthly Australia
"Aside from twenty-four colour plates, the text is lavishly illustrrated with black and white photographs, mixing archival sources with exquisite prints. . . . The book does justice to the complexity of being an early twentieth-century Modernist convert, whose zeal was parallel to, and sometimes became quite literally, a religious experience."
Penny Webb | Australian Book Review
“This handsome book feels like a resolution of Adams’s fascination with Moly-Sabata. Susan Paull’s photographs are never less than splendid. . . . Rustic Cubism is a model of a critical study that combines art history and social history.”
Vaughan Hart | Utopian Studies
"The artwork produced by Anne Dangar is breathtaking. The beautiful colour illustrations . . . record, and do full justice to, pottery and glazed tiles which rank amongst the most important of their type produced in the twentieth century. . . . Adams’s book reminds us of our own periodic need to return to our origins and collective myths, and in so doing gives one such heroic attempt, at the art colony of Moly-Sabata, the historical prominence it richly deserves."
Rex Butler | Australian and New Zealand Journal of Art
"In the depth of Adams’s immersion in his subject and the unforced nature of his writing there is a moving, almost artisanal quality, an impression that is enhanced by the book’s superior production values. . . . Rustic Cubism is truly revolutionary art history, quietly and undemonstratively reversing the prevailing assumptions of the past fifty years of Australian art-writing."
New South Wales Ministry for the Arts: New South Wales History Awards
Short Listed
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