Norman Rockwell
The Underside of Innocence
Norman Rockwell
The Underside of Innocence
Norman Rockwell’s scenes of everyday small-town life are among the most indelible images in all of twentieth-century art. While opinions of Rockwell vary from uncritical admiration to sneering contempt, those who love him and those who dismiss him do agree on one thing: his art embodies a distinctively American style of innocence.
In this sure-to-be controversial book, Richard Halpern argues that this sense of innocence arises from our reluctance—and also Rockwell’s—to acknowledge the often disturbing dimensions of his works. Rockwell’s paintings frequently teem with perverse acts of voyeurism and desire but contrive to keep these acts invisible—or rather, hidden in plain sight, available for unacknowledged pleasure but easily denied by the viewer.
Rockwell emerges in this book, then, as a deviously brilliant artist, a remorseless diagnostician of the innocence in which we bathe ourselves, and a continuing, unexpected influence on contemporary artists. Far from a banal painter of the ordinary, Halpern argues, Rockwell is someone we have not yet dared to see for the complex creature he is: a wholesome pervert, a knowing innocent, and a kitschy genius.
Provocative but judicious, witty but deeply informed, Norman Rockwell is a book rich in suggestive propositions and eye-opening details—one that will change forever the way we think about this American icon and his works.
Reviews
Table of Contents
List of Illustrations
Preface
Acknowledgments
A Note to Readers
1 Manufacturing Innocence
2 Ways of Not Seeing
3 Phallic Women, Adam’s Apples, and the Fullness of the World
4 “That Kind of Man”
5 The History of Girls
6 Painting: A Middlebrow Art
7 Rockwell’s Heirs
Notes
Index
Be the first to know
Get the latest updates on new releases, special offers, and media highlights when you subscribe to our email lists!