Gone Primitive
Savage Intellects, Modern Lives

335 pages
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1 color plate, 32 halftones
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6 x 9
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© 1990
- Contents
Table of Contents

Contents
Acknowledgments
1. Going Primitive
1. Defining the Primitive/Reimagining Modernity
2. Taking Tarzan Seriously
2. Making Primitive Objects High Art
3. "But Is It Art?"
4. The Politics of Roger Fry’s Vision and Design
5. The Many Obsessions of Michael Leiris
6. William Rubin and the Dynamics of Primitivism
3. Engendering the Primitive
7. Traveling with Conrad
8. "Oh, Mexico!": D.H. Lawrence’s The Plumed Serpent
4. Mapping the Site of Transcendental Homelessness
9. Adventures
10. Entering Freud’s Study
11. Remembering With Lévi-Strauss
5. Gone Primitive
12. Physicality
Epilogue: Past, Present, and Future
Notes
Reference List
Index
1. Going Primitive
1. Defining the Primitive/Reimagining Modernity
2. Taking Tarzan Seriously
2. Making Primitive Objects High Art
3. "But Is It Art?"
4. The Politics of Roger Fry’s Vision and Design
5. The Many Obsessions of Michael Leiris
6. William Rubin and the Dynamics of Primitivism
3. Engendering the Primitive
7. Traveling with Conrad
8. "Oh, Mexico!": D.H. Lawrence’s The Plumed Serpent
4. Mapping the Site of Transcendental Homelessness
9. Adventures
10. Entering Freud’s Study
11. Remembering With Lévi-Strauss
5. Gone Primitive
12. Physicality
Epilogue: Past, Present, and Future
Notes
Reference List
Index
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