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Fire and Desire

Mixed-Race Movies in the Silent Era

Fire and Desire

Mixed-Race Movies in the Silent Era

In the silent era, American cinema was defined by two separate and parallel industries, with white and black companies producing films for their respective, segregated audiences. Jane Gaines’s highly anticipated new book reconsiders the race films of this era with an ambitious historical and theoretical agenda.

Fire and Desire offers a penetrating look at the black independent film movement during the silent period. Gaines traces the profound influence that D. W. Griffith’s racist epic The Birth of a Nation exerted on black filmmakers such as Oscar Micheaux, the director of the newly recovered Within Our Gates. Beginning with What Happened in the Tunnel, a movie that played with race and sex taboos by featuring the first interracial kiss in film, Gaines also explores the cinematic constitution of self and other through surprise encounters: James Baldwin sees himself in the face of Bette Davis, family resemblance is read in Richard S. Robert’s portrait of an interracial family, and black film pioneer George P. Johnson looks back on Micheaux.

Given the impossibility of purity and the co-implication of white and black, Fire and Desire ultimately questions the category of "race movies" itself.

352 pages | 36 halftones | 6 x 9 | © 2001

Black Studies

Film Studies

Literature and Literary Criticism: American and Canadian Literature

Table of Contents

List of Illustrations
Acknowledgments
Note on Film Dates
Introduction - The "Race" in Race Movies
1. "Green Like Me"
2. Desiring Others
3. Race Movies: All-Black Everything
4. World-Improving Desires
5. Fire and Desire
6. The Body’s Story
7. Race/Riot/Cinema
Conclusion - Mixed-Race Movies
Notes
Index

Awards

Society for Cinema and Media Studies: Katherine Singer Kovacs Award
Won

Theatre Library Association: Richard Wall Memorial Award
Shortlist

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