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From Lived Experience to the Written Word

Reconstructing Practical Knowledge in the Early Modern World

How and why early modern European artisans began to record their knowledge.

In From Lived Experience to the Written Word, Pamela H. Smith considers how and why, beginning in 1400 CE, European craftspeople began to write down their making practices. Rather than simply passing along knowledge in the workshop, these literate artisans chose to publish handbooks, guides, treatises, tip sheets, graphs, and recipe books, sparking early technical writing and laying the groundwork for how we think about scientific knowledge today.
 
Focusing on metalworking from 1400–1800 CE, Smith looks at the nature of craft knowledge and skill, studying present-day and historical practices, objects, recipes, and artisanal manuals. From these sources, she considers how we can reconstruct centuries of largely lost knowledge. In doing so, she aims not only to unearth the techniques, material processes, and embodied experience of the past but also to gain insight into the lifeworld of artisans and their understandings of matter.
 

352 pages | 75 color plates, 41 halftones | 8 3/4 x 9 1/2

Art: Art--General Studies, European Art

History: European History, History of Technology

History of Science

Medieval Studies

Reviews

“This book is a cogently original account of skilled practice, its expression in writing, and its significance for the culture of knowledge as the new sciences developed in early modern Europe. With roots in the world-renewed Making and Knowing Project, it offers an important addition to the histories of skilled craft practice, of science and technology, and of the premodern and early modern periods.”

Pamela O. Long, author of Engineering the Eternal City

“This is a brilliant, groundbreaking, and timely book. Through a particularly novel and exciting approach, Smith offers the first book-length study on the way early modern practitioners wrote about their skills. It is a must read for the growing community of scholars interested in material culture and in the ways how bodies, minds, things, and materials interact with each other.”

Christine Göttler, author of Last Things

Table of Contents

Introduction: Lived Experience and the Written Word

Part 1: Vernacular Theorizing in Craft
1. Is Handwork Knowledge?
2. The Metalworker’s Philosophy
3. Thinking with Lizards

Part 2: Writing Down Experience
4. Artisan Authors
5. Writing Kunst
6. Recipes for Kunst

Part 3: Reading and Collecting
7. Who Read and Used Little Books of Art?
8. Kunst as Power: Making and Collecting

Part 4: Making and Knowing
9. Reconstructing Practical Knowledge: Hastening to Experience
10. A Vocabulary for Mind-Body Knowing

Epilogue: Global Routes of Practical Knowledge

Acknowledgments
Notes
References
Index

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