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Efficacy of Sound

Power, Potency, and Promise in the Translocal Ritual Music of Cuban Ifá-Òrìsà

Efficacy of Sound

Power, Potency, and Promise in the Translocal Ritual Music of Cuban Ifá-Òrìsà


272 pages | 28 halftones, 4 line drawings | 6 x 9

Chicago Studies in Ethnomusicology

Anthropology: Cultural and Social Anthropology

Latin American Studies

Music: Ethnomusicology

Table of Contents

List of Examples and Transcriptions
List of Abbreviations
Preface

Introduction
Chapter One: The Global Ifá Missionary: Revisionism and Nigerian-Style Ifá-Òrìṣà in Cuba
Chapter Two: Yorùbá Geographies and the Efficacy of the Far: The Dùndún “Talking Drums” and Transatlantic Institutions in Havana
Chapter Three: Revolutionary Feminism and Gendered Translocality: Women and Consecrated Batá
Chapter Four: Ìyánífá: Gendered Polarity and “Speaking Ifá”
Chapter Five: The Efficacy of Pleasure and the Utility of the Close: Regionalism and All-Male Egúngún Masquerade
Epilogue: The “Leopards” of Nigerian-Style Ifá-Òrìṣà: Visions from Cuba to Yorùbáland

Acknowledgments
Glossary
Notes
References
Index

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