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A Defense of Judgment

Teachers of literature make judgments about value. They tell their students which works are powerful, beautiful, surprising, strange, or insightful—and thus, which are more worthy of time and attention than others. Yet the field of literary studies has largely disavowed judgments of artistic value on the grounds that they are inevitably rooted in prejudice or entangled in problems of social status. For several decades now, professors have called their work value-neutral, simply a means for students to gain cultural, political, or historical knowledge. 

​Michael W. Clune’s provocative book challenges these objections to judgment and offers a positive account of literary studies as an institution of aesthetic education. It is impossible, Clune argues, to separate judgments about literary value from the practices of interpretation and analysis that constitute any viable model of literary expertise. Clune envisions a progressive politics freed from the strictures of dogmatic equality and enlivened by education in aesthetic judgment, transcending consumer culture and market preferences. Drawing on psychological and philosophical theories of knowledge and perception, Clune advocates for the cultivation of what John Keats called “negative capability,” the capacity to place existing criteria in doubt and to discover new concepts and new values in artworks. Moving from theory to practice, Clune takes up works by Keats, Emily Dickinson, Gwendolyn Brooks, Samuel Beckett, and Thomas Bernhard, showing how close reading—the profession’s traditional key skill—harnesses judgment to open new modes of perception.

256 pages | 5-1/2 x 8-1/2 | © 2021

History: History of Ideas

Literature and Literary Criticism: General Criticism and Critical Theory

Philosophy: Aesthetics

Reviews

"We need to admit—embrace—that our role as literary critics, and educators, is to provide expert judgment; Clune argues that it’s what most of us are already doing anyway."

Critical Inquiry

 “What makes A Defense of Judgment surprising and sometimes even thrilling is how Clune relates his critique to a progressive, anti-capitalist politics.”

Nate Klug | Commonweal

“This work should be taken seriously by anyone who thinks that criticism matters, whether it’s conducted in an online forum, a publication, or in a classroom.”

Brice Ezell | PopMatters

A Defense of Judgment is a characteristically brilliant, strongly argued, intellectually accessible attempt to provide a template for rethinking the role of value judgments in teaching and writing (and thinking) about literature, and by implication the arts generally. Clune’s discussion is continually illuminating, as are the exemplary readings he offers of works by Dickinson, Brooks, and Thomas Bernhard.”

Michael Fried, Johns Hopkins University

A Defense of Judgment mounts a lucid and compelling argument for the centrality of judgment, and a polemical critique of the disciplinary pieties that assume questions of value can be bracketed off from our core business of engaging critically with texts. Clune takes on the difficult theoretical and political consequences of defending a practice of judgment grounded in expertise, in particular by developing a rigorous critique of the principle of equality.”

John Frow, University of Sydney

“Clune’s scholarship is positively entertaining. He never fails to produce surprises, particularly as he discovers connections between the question of aesthetic judgment and a constellation of seemingly far-flung topics, including neoclassical economic theories, contemporary philosophy, poetry and death, and contemporary race relations. A Defense of Judgment is remarkable for its acuity and its clarity. It takes on a question central to the future of literary studies and offers a forceful and persuasive answer, one that is likely to spark a lot of debate and almost certainly some controversy.”

Timothy Aubry, Baruch College, City University of New York

Table of Contents

Introduction

Part 1. The Theory of Judgment

1. Judgment and Equality
2. Judgment and Commercial Culture
3. Judgment and Expertise I: Attention and Incorporation
4. Judgment and Expertise II: Concepts and Criteria

Part 2. The Practice of Judgment

5. How Poems Know What It’s Like to Die
6. Bernhard’s Way
7. Race Makes Class Visible

Conclusion
Acknowledgments
Notes
Bibliography
Index
 

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