Dandyism in the Age of Revolution
The Art of the Cut
- Contents
- Review Quotes
Table of Contents
Contents
List of Illustrations
Introduction
1. Muscadins
2. Jeunes gens
3. Incroyables
4. Currutacos
5. Crops
Epilogue
Acknowledgments
List of Abbreviations
Notes
Index
Introduction
1. Muscadins
2. Jeunes gens
3. Incroyables
4. Currutacos
5. Crops
Epilogue
Acknowledgments
List of Abbreviations
Notes
Index
Review Quotes
Laura Mason | Johns Hopkins University
“Dandyism in the Age of Revolution sweeps aside received notions of the dandy as a disengaged fop to recover the figure’s political and politicized origins. Well researched and historiographically informed, this book is leavened with the sort of wordplay that dandies themselves would have appreciated.”
Peter McNeil, University of Technology, Sydney
"Elizabeth Amann’s study brings to life the lost fashion world of young men in an age of Revolution. Arguing for a seismic shift in the meanings of men’s dress in the late eighteenth century, Amann presents a new way of thinking about how the trauma of the French Revolution was managed through sartorial fashions."
Dandysme
“Very detailed and revealing. . . . Amann’s book luckily fills a gap and adds an important aspect to the evolution of dandyism, also providing valuable input for the French influence on the English dandy.”
H-France
“Amann’s fascinating examination of the late eighteenth-century cult of the ‘dandy’ might more accurately be entitled ‘Dandyism in the Literature of the Revolution,’ for it is in fact with the textual character of the ‘dandy’ that she is primarily concerned. Incorporating a vast array of literary genres, from plays, novels, poems, and other purely fictional forms, to ‘reports’ and reviews in pamphlets and newspapers that run the gamut from fictional to real, Amann’s probing analysis of the character of the dandy as he emerged in print treats fashion as a political language wielded and parried by innumerable writers in three European languages. Her study will thus appeal widely to scholars of comparative literature and history alike. . . . As an interpreter of texts . . . Amann is brilliant.”
French Studies
“The self-fashioning by these figures and the conflicting ways in which they were represented in assorted newspaper articles, pamphlets, stage plays, and visual caricatures are analyzed in terms of what Amann calls three different kinds of ‘imagination’. . . . With impressive dexterity, she succeeds in identifying the ways in which these imaginations frequently overlapped without causing them to lose their pertinence. Her illustrative examples are both diverse and illuminating.”
Historian
“Amann’s new study examines this turbulent decade. Her book, intensively researched and well-illustrated with many fresh pictures, is the first on the subject. . . . As an exploration of the interaction of fashion and politics in the 1790s, Amann’s book is invaluable.”
Annales historiques de la Révolution française
“Rigorous and sophisticated.”
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