"The American historian Deslandes has identified ‘a distinctively British culture of male beauty’ that stretches back two centuries, and he explores this in his wide-ranging and well-illustrated book. . . . both welcome and genuinely illuminating."

Literary Review

"[The Culture of Male Beauty in Britain] is a straightforward history of the way images of male beauty were promulgated in England from the early 1800s to the present, and its strength comes primarily from the photographs, reproductions of advertisements, cartoons from Punch, and other memorabilia Deslandes has been studying and collecting over the years. Above all, it's the photographs. The pictures here really are worth a thousand words."

Gay and Lesbian Review

"In this illustrated volume, historian Deslandes traces the history of two centuries of male beauty in British culture, unpacking high and popular culture's influence on male beauty standards. The book moves across different male figures from disfigured soldiers, physique models, gay men, and celebrities like David Beckham, and explore the connection between beauty, race, youth, empire and degeneration."

DNA Magazine

"This is a thoroughly researched, clearly written study of how the male visage and the male body has been promoted and received by straight, queer, male, and female eyes over two centuries, with special attention to grooming. Bolstering his thesis with 105 well-chosen figures and 16 color plates, Deslandes contributes a uniquely valuable interpretation of imperial, racial,consumerist, and sexual themes in modern British culture. He examines the creation and public evolution of British male identity and its 20th-century centering in celebrity culture, paying special attention to Rupert Brooke and David Beckham. The author’s discovery and use of previously unknown historical materials is amazing and surprising. With such new and instructive material, this volume deserves the notice of all modern cultural historians. . . . Highly recommended."

Choice

"Meticulously researched and richly illustrated. . . [this] book does an admirable job of shedding light on the rich and varied visual culture that since the nineteenth century has had the beautiful male face and body at its center—hairstyles, clothes, physiques, and their meanings may have changed, but beauty, it seems, remained something to be displayed, consumed, collected, and judged, as well as admired."

American Historical Review

"This engaging, readable book opens up a rich field of inquiry that will hopefully feed into a revitalized, more expansive approach to masculinity studies in modern British history."

Cultural and Social History

"Impressive. . .  In fleshing out their sustained presence in Britain since the nineteenth century onwards, this study provides a corrective to assertions that concern over male beauty arose, at the earliest, in the 1960s."

Contemporary British History

“With a keen eye toward race, gender, and sexuality, Deslandes takes us on a journey across intellectual and health cultures, modes of representation, and the emergence of modern selfhood to chronicle male beauty in Britain across two centuries. In this meticulously researched and richly illustrated book, Deslandes not only chronicles beauty, he has produced it. This is, simply, a gorgeous book.”

Sharrona Pearl, author of Face/On: Face Transplants and the Ethics of the Other

“A wonderful and much-anticipated book. Deslandes draws on a wealth of materials, many of which will be new even to expert readers. Taking on the concept of beauty in relationship to masculinity, and doing so over an impressively long period, Deslandes reveals how beauty was central to fashioning the modern self and that British culture was particularly preoccupied with masculine forms of attractiveness.”

Nadja Durbach, author of Many Mouths: The Politics of Food in Britain from the Workhouse to the Welfare State

“Deslandes skillfully unveils the aesthetic history of British masculinity that has been hiding, as it were, in plain sight. He dispels the common myth that beauty is a historically feminine quality, and vividly demonstrates how ideals of male attractiveness have long mattered in shaping values, identity, sexuality, and social status.”

Christopher R. Oldstone-Moore, author of Of Beards and Men: The Revealing History of Facial Hair

“The Culture of Male Beauty in Britain is an extraordinary work of archival recovery and an important intervention across the histories of masculinities and sexualities, bodies and subjectivities, and mass culture and consumerism in Britain and beyond. Working at the cutting edge of recent work in histories of masculinity, Deslandes insists that we understand masculinity as an aesthetic category as much as a question of experience, culture, or performance. In making this case, he draws upon an astonishing and compelling array of print and material culture, ephemera, and personal testimonies. His stories of hairdressers and male models, pornographers, and ordinary British men will delight, challenge, and often surprise readers.”

Matt Houlbrook, author of Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook