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Minding Movies

Observations on the Art, Craft, and Business of Filmmaking

Minding Movies

Observations on the Art, Craft, and Business of Filmmaking

David Bordwell and Kristin Thompson are two of America’s preeminent film scholars. You would be hard pressed to find a serious student of the cinema who hasn’t spent at least a few hours huddled with their seminal introduction to the field—Film Art, now in its ninth edition—or a cable television junkie unaware that the Independent Film Channel sagely christened them the “Critics of the Naughts.” Since launching their blog Observations on Film Art in 2006, the two have added web virtuosos to their growing list of accolades, pitching unconventional long-form pieces engaged with film artistry that have helped to redefine cinematic storytelling for a new age and audience.

Minding Movies presents a selection from over three hundred essays on genre movies, art films, animation, and the business of Hollywood that have graced Bordwell and Thompson’s blog. Informal pieces, conversational in tone but grounded in three decades of authoritative research, the essays gathered here range from in-depth analyses of individual films such as Slumdog Millionaire and Inglourious Basterds to adjustments of Hollywood media claims and forays into cinematic humor. For Bordwell and Thompson, the most fruitful place to begin is how movies are made, how they work, and how they work on us. Written for film lovers, these essays—on topics ranging from Borat to blockbusters and back again—will delight current fans and gain new enthusiasts.

Serious but not solemn, vibrantly informative without condescension, and above all illuminating reading, Minding Movies offers ideas sure to set film lovers thinking—and keep them returning to the silver screen.


312 pages | 75 halftones | 6 x 9 | © 2011

Film Studies

Reviews

"The Web and HTML have been a godsend for film criticism. The best single film criticism site is arguably davidbordwell.net, featuring the Good Doctor Bordwell and his wife Kristin Thompson. Their names are known from their textbooks, studied in every film school in the world. But they are not users of the obscurantist gobbledygook employed by academics who, frankly, cannot really write. They communicate in prose as clear as running water."

Roger Ebert | Wall Street Journal

"Academic programs continue to churn out professors who continue to assign books by Bordwell and Thompson that open eyes, ears, and minds, and sometimes rock worlds."Manohla Dargis, New York Times

Manohla Dargis, New York Times

"The husband-wife team of film critics and scholars teach at the University of Wisconsin, publish books, maintain an indispensable and routinely astonishing blog, and lecture regularly at film festivals around the world. . . . Between their books and their blog, Bordwell and Thompson publish more original, engrossing, often startling work in a year than most critics manage in a lifetime."

Independent Film Channel

"Since its launch in September 2006, ’Observations on Film Art’ certainly stands as the most robust and active online home of any film-studies academic. Posting individual entries in roughly equal measure, Bordwell and Thompson have taken to the online world’s characteristically more relaxed and informal mode of address. What makes their site an essential stop is that both are fine aesthetic observers as well as scholars, and they write the equivalent of full-fledged publishable essays, usually with plentiful and carefully placed frame enlargements. And the writing is anything but ephemeral."

Film Comment

"Minding Movies pulls off a difficult trick supremely well. . . . [Bordwell and Thompson] come up wtih striking, unexpected stances: blockbusters are good for the ’economic welfare of the country as a whole’; and sequels are to be celebrated. If this is what cinephiles are today calling contrarianism, then I’m all for it.—Sight and Sound

Sight and Sound

"Happily, the past decade has seen the birth of a number of blogs about film that feature intelligent analysis, not just evaluation, but in a more accessible style than academic writing. David Bordwell and Kristin Thompson’s popular Observations on Film Art blog is one of them. A collection of updated posts from the blog, Minding Movies: Observations on the Art, Craft, and Business of Filmmaking, looks more deeply into film than most journalists can even imagine these days. The fact that it does so in highly readable prose makes it all the more attractive."—New City

New City

"Thompson’s expertise on the business of Hollywood is manifest, as ever, but she also deftly combines the analytic with the personal, writing with passion on Daffy Duck, aesthetics and perceptual psychology. . . . The writing is easy and companionable, and yet is for the most part rigorous too. . . . It is evident from this book, but more importantly through their blog, that the authors are worthy contributors to this online project." —Times Higher Education Supplement

Times Higher Education Supplement

"David Bordwell and Kristin Thompson’s Minding Movies: Observations on the Art, Craft, and Business of Filmmaking arrives—not a moment too soon—as chicken soup for the weary cinephile soul, worn down by countless circular discussions, in print, on the Web, and on film festival panels, about the sustainability of serious film culture in the ’digital era.’"—Film Comment

Film Comment

Table of Contents

Preface
Acknowledgments

Part OneTHE BUSINESS
World Rejects Hollywood Blockbusters!?
Live with It! There’ll Always Be Movie Sequels. Good Thing, Too.
Superheroes for Sale
What Won the Weekend? Or, How to Understand Box-Office Figures
Snakes, No; Borat, Yes: Not All Internet Publicity Is the Same
Don’t Knock the Blockbusters

Part TwoWRITING ABOUT MOVIES
In Critical Condition
Love Isn’t All You Need
Do Filmmakers Deserve the Last Word?
Crix Nix Variety’s Tics

Part ThreeFILM AS ART
But What Kind of Art?
This Is Your Brain on Movies, Maybe
Movies Still Matter

Part FourSTORYTELLING AND STYLE
Anatomy of the Action Picture
Times Go by Turns
Grandmaster Flashback
Originality and Origin Stories
Good Actors Spell Good Acting
By Annie Standards
Unsteadicam Chronicles
Pausing and Chortling: A Tribute to Bob Clampett

Part FiveFILMS
A Behemoth from the Dead Zone
Cronenberg’s Violent Reversals
The Movie Looks Back at Us
Lessons from Babel
Slumdogged by the Past
Rat Rapture
A Welcome Basterdization

Part SixINTO THE FUTURE
New Media and Old Storytelling
The Celestial Multiplex
Take My Film, Please

Index

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