Shakespearean Gothic
Distributed for University of Wales Press
As evidenced by the vampires, werewolves, and other frights overrunning the best-seller lists, the Gothic remains immensely popular. This collection of essays traces the roots of the Gothic to an unexpected source: eighteenth-century interpretations of Shakespeare. Through close attention to literary, cultural, and historical detail, the contributors demonstrate that even as Shakespeare was being established as the supreme British writer, he was also being cited as justification for early Gothic writers’ abandonment of literary decorum and their interest in the supernatural.
Acknowledgements
List of Illustrations
List of Contributors
Introduction
PART I: GOTHIC APPROPRIATIONS OF ‘SHAKESPEARE’
1 Reading Walpole Reading Shakespeare
Anne Williams
2 Ann Radcliffe, ‘The Shakespeare of Romance Writers’
Rictor Norton
3 The Curse of Shakespeare
Jeffrey Kahan
PART II: REWRITING SHAKESPEARE’S PLAYS AND CHARACTERS
4 Shakespearean Shadows’ Parodic Haunting of Thomas Love Peacock’s Nightmare Abbey and Jane Austen’s Northanger Abbey
Marjean D. Purinton and Marliss C. Desens
5 Fatherly and Daughterly Pursuits: Mary Shelley’s Matilda and Shakespeare’s King Lear
Carolyn A. Weber
6 Into the Madman’s Dream: the Gothic Abduction of Romeo and Juliet
Yael Shapira
7 Gothic Cordelias: the Afterlife of King Lear and the Construction of Femininity
Diane Long Hoeveler
PART III: SHAKESPEARE AS A GOTHIC WRITER
8 ‘We are not safe’: History, Fear and the Gothic in Richard III
Jessica Walker
9 Remembering Ophelia: Ellen Terry and the Shakespearizing of Dracula
Christy Desmet
10 ‘Rites of Memory’: the Heart of Kenneth Branagh’s Hamlet
Susan Allen Ford
Afterword: Shakespearean Gothic
Frederick Burwick
Bibliography
Index
Literature and Literary Criticism: General Criticism and Critical Theory
You may purchase this title at these fine bookstores. Outside the USA, see our international sales information.
