Paper $35.00 ISBN: 9780708323304 Published April 2011 For sale in North and South America, Australia, and New Zealand only

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Scandinavian Crime Fiction

Edited by Andrew Nestingen and Paula Arvas

Scandinavian Crime Fiction
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Edited by Andrew Nestingen and Paula Arvas

Distributed for University of Wales Press

194 pages | 5 1/2 x 8 1/2 | © 2011
CYMRU - European Crime Fictions
Paper $35.00 ISBN: 9780708323304 Published April 2011 For sale in North and South America, Australia, and New Zealand only

Stieg Larsson’s darkly violent but irresistibly absorbing and wildly popular crime novels have brought new attention to the work of Nordic crime writers, and Scandinavian Crime Fiction is the first English-language study of the genre as practiced in Denmark, Finland, Iceland, Norway, and Sweden. Attending to the work of such popular authors as Henning Mankell, Karin Fossum, and Anne Holt—as well as Larsson—Scandinavian Crime Fiction explores every aspect of crime writing in the region, from history to recurrent themes to the ways these books have been adapted for television. Many readers will be familiar with Mankell’s “Wallander” series and movies based on Staalesen novels, which are both popular on PBS. 

Gunhild Agger, Aalborg University, Denmark
“This volume consists of a series of clear-cut analyses, examining prevalent notions in Scandinavian crime fiction. The contributors participate admirably in defining the concept of ‘Scandinavian’ by focusing on historical and cultural aspects of proximity and differences within the Scandinavian region. The history and present transformations of Scandinavian police procedurals are mapped, the tendency to harsh social criticism is scrutinized, and widespread attitudes to gender and cultural politics are highlighted and discussed. Timely and highly informative, this anthology discusses why Scandinavian crime fiction has been so widely exported and which significant contributions in particular it has made to the popular genre. It will be a landmark text in the study of Scandinavian crime fiction and its social significance.”
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Literature and Literary Criticism: General Criticism and Critical Theory

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