Distributed for Hirmer Publishers
The paintings in Georg Baselitz: The Heroes reflect a deep ambivalence toward German culture during the time in which the young artist created the series. In these now-classic scenes, military characters are portrayed as fundamentally contradictory figures, wounded and with their fatigues in tatters, their failures engraved on tormented faces. These images contrast sharply with the economic and political success of postwar West Germany. At the same time, the series served as a forceful formulation of the artist’s position in relation to society.
Reproducing the boldly outspoken series, Georg Baselitz: The Heroes collects the artist’s earliest statements on the theme of growing up against the fractured landscape of postwar Germany, a theme that has continued to be developed and refined throughout the artist’s remarkable body of work.
Foreword: Max Hollein
Painting as Liberation: Max Hollein
Heroes without Deployment. The Years of Creation (1965/66): Eva Mongi-Vollmer
Lost: Richard Schiff
The Postheroic Hero Georg Baselitz and the End of a Failed Ideology: Uwe Fleckner
‘No one wants to die without having lived…’ 15 Stories Based on Pictures by Georg Baselitz from the Years 1965 and 1966: Alexander Kluge
List of Works