Paper $50.00 ISBN: 9781841503080 Published March 2011 Not for sale in the United Kingdom or Europe

Context Providers

Conditions of Meaning in Media Arts

Margot Lovejoy, Christiane Paul, Victoria Vesna

Margot Lovejoy, Christiane Paul, Victoria Vesna

Distributed for Intellect Ltd

350 pages | 70 halftones | 7 x 9 | © 2011
Paper $50.00 ISBN: 9781841503080 Published March 2011 Not for sale in the United Kingdom or Europe

Context Providers explores the ways in which digital art and culture are challenging and changing the creative process and our ways of constructing meaning. The authors introduce the concept of artists as context providers—people who establish networks of information in a highly collaborative creative process, blurring boundaries between disciplines. Technological change has affected the function of art, the role of the artist, and the way artistic productions are shared, creating a need for flexible information filters as a framework for establishing meaning and identity. Context Providers considers the work of media artists today who are directly engaging the scientific community through collaboration, active dialogue, and creative work that challenges the scientific.

Machiko Kusahara, Waseda University, Tokyo
“Media art is not just an art form that utilizes media technology, as people tend to think. This excellent volume, written by pioneers in the field, explores its real meanings to us and our society with ample examples and theoretical insight. Such a book has been long needed.”
Steve Dietz, founder and artistic director at Northern Lights, an media-oriented art agency
“For decades, it seems, there has been debate about the technological basis of so-called new media art. In this enlightening volume, the editors have enlisted a comprehensive body of opinion by theorists and practitioners to present one complex answer—it’s the context, stupid.”
Choice
The essays in Context Providers are rich with observations from artists, educators, humanists, scientists, and curators who address the recent histories of digital media and the ways in which media art and culture challenge and reframe ways of constructing meaning through the creative process and people’s engagement with it. They are supplemented by notes and references and, when illustrated, are annotated with captions that offer further commentary.”
For more information, or to order this book, please visit http://www.press.uchicago.edu
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