The Creative Dialectic in Karen Blixen's Essays
On Gender, Nazi Germany, and Colonial Desire
Distributed for Museum Tusculanum Press
Stecher uncovers a “creative dialectic” in Blixen’s work, an interplay of complementary opposites that Blixen saw as fundamental to human life and artistic creativity. Whether exploring questions of gender and the status of the feminist movement in the middle of the twentieth century, the reign of National Socialism in Hitler’s Germany, or colonial race relations under British rule in East Africa, Blixen drew on a dialectical method to offer insightful, witty, and surprisingly progressive observations.