Cloth $40.00 ISBN: 9780226131054 Published December 2016
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1971

A Year in the Life of Color

Darby English

1971

Darby English

312 pages | 47 color plates, 26 halftones | 7 x 9 | © 2016
Cloth $40.00 ISBN: 9780226131054 Published December 2016
E-book $40.00 About E-books ISBN: 9780226274737 Published December 2016
In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.

1971: A Year in the Life of Color looks at many black artists’ desire to gain freedom from overt racial representation, as well as their efforts—and those of their advocates—to further that aim through public exhibition. Amid calls to define a “black aesthetic,” these experiments with modernist art prioritized cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color’s special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists—among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas—rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture’s preoccupation with color.
Contents
Introduction: Social Experiments with Modernism
Chapter 1. How It Looks to Be a Problem
Chapter 2. Making a Show of Discomposure: Contemporary Black Artists in America
Chapter 3. Local Color and Its Discontents: The DeLuxe Show
Appendix: Raymond Saunders, Black Is a Color (1967)
Acknowledgments
Index
Review Quotes
Aesthetica
“[An] attractive volume. . . . English offers a dynamic and comprehensive study of colour as a sociopolitical tool, and how this affected the way that colour was more widely negotiated by the wider cultural context.”
Hyperallergic
1971 clears space for art historians, curators, and cultural producers to complicate black artists’ participation in modernism as a multicultural process, not as a separate or oppositional endeavor. . . . [This book] captures quite concretely a shared moment in the art world when color defied any singular narrative.”
ARLIS/NA Reviews
"English argues that modern art in the form of abstraction gave black artists the intellectual freedom to develop beyond the confines of thematic representations of African American history and allowed artists to present their work to those it appealed to and who dared to encounter it. Through this critical analysis, he gives a different perspective to color painting—a more diverse narrative, one determined to give a public face and a voice to those artists politically informed and forced to evolve by circumstance."
Robert F. Reid-Pharr, CUNY Graduate Center
“More than a study of African American engagement with modernist aesthetics, Darby English’s 1971: A Year in the Life of Color is an intelligent and provocative call for the necessity of abstraction, idiosyncrasy, and unexpected forms of rebellion in the production of art and the development of cultural studies. English crosses the most sacrosanct ideological boundaries as he argues for the necessity of untamed and previously unimagined forms of creativity.”
Pamela M. Lee, Stanford University
1971: A Year in the Life of Color is a powerful, polemical, and much-needed work. It forces us to rethink the terms of politics and abstraction, African American art, representation, and modernism in a way that is at once historically rigorous and theoretically expansive, no small thing indeed.”
Rachel Haidu, University of Rochester
“What is more urgently demanded, for current art and its histories, than the rethinking of how activism, identity, and art interact? Perhaps only an understanding of the particular complexity of black American identity, which in 1971: A Year in the Life of Color reveals a radical oppositionality within modernism that many had already given up on. Profoundly lucid, intensely felt, archivally deep, and utterly persuasive, English’s book reorients our understanding of both that time and our own.”
For more information, or to order this book, please visit http://www.press.uchicago.edu
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