Paper $22.50 ISBN: 9780226294032 Published October 2015
Cloth $67.50 ISBN: 9780226293981 Published October 2015
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The Limits of Critique

Rita Felski

The Limits of Critique

Rita Felski

232 pages | 5 1/2 x 8 1/2 | © 2015
Paper $22.50 ISBN: 9780226294032 Published October 2015
Cloth $67.50 ISBN: 9780226293981 Published October 2015
E-book $10.00 to $22.50 About E-books ISBN: 9780226294179 Published October 2015
Why must critics unmask and demystify literary works? Why do they believe that language is always withholding some truth, that the critic’s task is to reveal the unsaid or repressed? In this book, Rita Felski examines critique, the dominant form of interpretation in literary studies, and situates it as but one method among many, a method with strong allure—but also definite limits.

Felski argues that critique is a sensibility best captured by Paul Ricoeur’s phrase “the hermeneutics of suspicion.” She shows how this suspicion toward texts forecloses many potential readings while providing no guarantee of rigorous or radical thought. Instead, she suggests, literary scholars should try what she calls “postcritical reading”: rather than looking behind a text for hidden causes and motives, literary scholars should place themselves in front of it and reflect on what it suggests and makes possible.

By bringing critique down to earth and exploring new modes of interpretation, The Limits of Critique offers a fresh approach to the relationship between artistic works and the social world.
Contents
Acknowledgments
Introduction

1 The Stakes of Suspicion
2 Digging Down and Standing Back
3 An Inspector Calls
4 Crrritique
5 “Context Stinks!”

In Short
Notes
Index
Review Quotes
Los Angeles Review of Books
“Some books are so incisive and timely that they seem inevitable. . . . The Limits of Critique is such a book. By exploring its limits, Felski frees critics from relying on critique as the gatekeeper of literary studies and offers a prescient guide to life in a postcritical world.”
Critical Inquiry
"I sense that Felski wants us to dispense with the mood of mysterious purposiveness taken with literary works and with the influence machine apparatus and its moral psychology. Therein lies the book’s greatest and most ambitious provocation: its claim that aesthetic works have nothing to hide and that there is no ghost in the machine. By admitting of this fact we may reacquire the pleasures of criticism."
Choice
“What interests Felski is the critic’s task—which is to be suspicious of what lies beneath the surface of story, and she examines the methodology required to tease out that meaning and the variety of literary and psychological tools the critic uses to do so.  . . . Recommended.”
Wai Chee Dimock, Yale University
“A major theorist with a lively prose and an equally lively use of metaphor, Felski has always been where the action is. She has now written a book that will get all of us to take another look at what we’ve been doing. The Limits of Critique will shock some and elate others. No one will feel neutral, and no one can afford not to read this book.”
Mary Poovey, New York University
“Timely, well-written, and compelling. This is that rare book that offers persuasive answers to a question many literary scholars are asking today, yet also promises to open new conversations that will continue into the future. The Limits of Critique should be required reading for all lovers of literature.”
For more information, or to order this book, please visit http://www.press.uchicago.edu
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