“Welcome to the new, strange writing on art. Just as affect, plenary presence, and immersive experience flow into art writing, there is a resurgence of interest on the part of religious scholars in bridging the gap between religious meanings and modern art. Jeffrey L. Kosky returns repeatedly, unapologetically, to a single frontispiece from a book by the Enlightenment philosopher Christian Wolff, showing a smiling sun breaking through clouds; he contrasts it with each of his artists, with electric light, with lightning, and with natural light: it is a charming, unlikely leading image for his argument that religious considerations, planted in the secularized discourse of modern art, are ‘the best criteria art writing could adopt.’ Kosky writes for those who ‘feel the absence of charm and wonder as deeply enervating,’ and although the artists he chooses may be the exceptions that prove the rule of modernism’s distance from religious meaning, a ‘theology of modern disenchantment’ promises to show a way across the divide.”