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Table of Contents

Preface
Acknowledgements
 
1     Cinema as a contemporary site of religious activity
2     The cultural and religious significance of film
3     Models of redemption evident in film
4     Film noir as a repository of theological significance
5     The theological basis of redemption in film noir
6     Film protagonists as exemplars of redemptive possibility
7     Redemption through the cinema of Martin Scorsese
8     Redemption or regression? The escapist ethos of
       contemporary film
 
Notes
Bibliography
Filmography
Index

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