
Table of Contents
Introduction
Paul Foss
Reviews:
Section 1 –
Mike Kelley – Gagosian Gallery, Beverly Hills CA
Tom Allen – Richard Telles Fine Art, Los Angeles
Katy Crowe – Los Angeles Harbor College Gallery, Wilmington
Misericordia – PRISM, Los Angeles
Roberto Cuoghi – Hammer Museum, Los Angeles
Liza Ryan – William Griffin Gallery, Santa Monica CA
Das Institut – Kölnischer Kunstverein, Germany
Gerard Byrne – The Renaissance Society, Chicago
Subodh Gupta – Hauser & Wirth Outdoor Sculpture, London
Robert Mapplethorpe – Alison Jacques Gallery, London
Philippe Parreno – Serpentine Gallery, London
Ed Ruscha – Modern Art Museum of Fort Worth, TX
Charlotte Posenenske – John Hansard Gallery, Southampton, UK
Rivane Neuenschwander – Kemper Art Museum, St. Louis
Elizabeth Peyton – Kemper Art Museum, St. Louis
Mark Bradford – ICA, Boston
Simon Dybbroe Møller – University of Michigan Museum of Art, Ann Arbor
Sue De Beer – Marianne Boesky Gallery, New York
K8 Hardy – Reena Spauldings Fine Art, New York
Nancy Holt – Miriam & Ira D. Wallach Art Gallery, Columbia University NY
Mary Hrbacek – CREON Gallery, New York
Malevich and the American Legacy – Gagosian Gallery, New York
Mark Morrisroe – Artists Space, New York
Rob Pruitt – Union Square, New York
All Insignificant Things Must Disappear – Trinity Museum, New York
Roxana Pérez-Méndez – Pennsylvania Academy of Fine Arts, Pittsburg
Thomas Glassford – Sicardi Gallery, Houston
Section 2 –
Stephen Prina – Secession, Vienna
Cyprien Gaillard – KW Institute for Contemporary Art, Berlin
Andrea Zittel – Regen Projects, Los Angeles
Florian Slotawa – Sies + Höke Galerie, D?sseldorf
Xu Bing – British Museum, London
Ancestors of Congo Square – New Orleans Museum of Art, LA
Gabriel Orozco – Tate Modern, London
Mark Rothko – Whitechapel Gallery, London
Ai Weiwei – Central Park, New York
Xavier Cha – Whitney Museum of American Art, New York
David Altmejd – Andrea Rosen Gallery, New York
EXPRESS+LOCAL – Queens College Art Center, New York
Per Kirkeby – Michael Werner, New York
Boris Lurie – Chelsea Art Museum, New York
Yigal Ozeri – Mike Weiss Gallery, New York
Michail Sailstorfer – Modern Art Oxford, UK
Ryan Trecartin – MoMA P.S.1, Long Island City NY
Martha Wilson – P.P.O.W., New York
Allora & Calzadilla – U.S. Pavilion, Venice
Adolph Gottlieb – Peggy Guggenheim Collection, Venice
Piero Golia – Gagosian Gallery, Beverly Hills CA
Monkey Spoon – Kim Foster Gallery, New York
Section 3 –
Matthew Ritchie, L&M Arts, Los Angeles/Schwarzenbergplatz, Vienna
John Chamberlain, Solomon R. Guggenheim Museum, New York
Laurel Nakadate & James Franco, Abrons Art Center, New York
Kate Gilmore, The Pace Gallery, New York
Carsten Höller, The New Museum, New York
Margeaux Walter, Winston Wächter Fine Art, New York
Rita Ackermann, Ludwig Museum, Budapest
Venues:
Section 1 –
Takashi Murakami, by Edward Rubin
Section 2 –
The 54th Venice Biennale, by Simon Rees
Profiles:
Section 1 –
Alexis Rockman, by Elaine A. King
Guillermo Kuitca, by Aneta Georgievska-Shine
Vito Acconci, by Karlyn de Jongh and Peter Lodermeyer
Laura Owens, by Otino Corsano
Paul Thek, by Robert McKenzie
Section 2 –
Alex McLeod, by Lisa Paul Streitfield
Alexander Calder, by Mike Rogers
Section 3 –
Graham Gillmore, by Otino Corsano
Adrian Goycoolea, by Brian Willems
Hermann Nitsch, by Karlyn de Jongh
Cyprien Gaillard, by Timothée CHaillou
Features:
Section 1 –
Unmanning Grant Wood, by Sue Taylor
Cannibal Holocaust, by Paul Foss
The Future Lies Ahead, by Benjamin Bennett
Section 2 –
Museum Report: Marlene McCarty Goes to War, by Viola Timm
The Podium and the Plinth, by Timothée Chaillou
Seeing the Unspeakable, by Allen S. Weiss
Section 3 –
“Surface Truths” and Surface Tensions, by David Carrier
Immaculate Reception, by Wolf Kittler
In Advance of a Culinary Review, by Allen S. Weiss
iProtest, or Psycho Goes Viral, by Daniel McGrath
Night at the Museum, by Paul Foss
Essays:
Section 1 –
Enter the Void, by Paul Foss
Do Impresarios Dream of 3D Cinema?, by Martin Rosenstock
Trampling Images: Buddhist Art in a World Art History, by David Carrier
Section 2 –
Carving the Genre: “Feast” and the Marrow of Gore, by Martin Rosenstock
Nanny and the Professor, by Harry J. Weil
The Body in the Trunk, by Paul Foss
Meditations on a Chinese Ancestor Portrait, by David Carrier
Section 3 –
Magni-Fire: On Ulrike Ottinger’s “Under Snow”, by Laurence A. Rickels
Unspoken Commodities in the Art of the Americas, by Natasha Staller
The Shadow of Shadows, by Allen S. Weiss
Passages:
Section 1 –
Suzanne Doppelt, by Nicholas Alexander Hayes
Duchamp Delayed, by Sue Spaid
Section 2 –
John Currin, by David Carrier
Section 3 –
The Case of California, by Desiree D’Alessandro
Vocational Poetics, by Isaac Linder
Postmortem:
Alexander McQueen, by Lisa Paul Streitfield
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