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    <title>University of Chicago Press: New Titles in Art: Ancient and Classical Art</title>
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    <description>The latest new books in Art: Ancient and Classical Art</description>
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    <pubDate>Wed, 22 May 2013 05:00:00 GMT</pubDate>
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      <title>Written on Bamboo and Silk</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/W/bo3633050.html</link>
      <description>Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book’s first publication, as well as an afterword by Edward L. Shaughnessy.Written on Bamboo and Silk has long been considered a landmark in its field. Critical in this regard is the excavation of numerous sites throughout China, where hundreds of thousands of documents written on bamboo and silk—as well as other media—were found, including some of the earliest copies of historical, medical, astronomical, military, and religious texts that are now essential to the study of early Chinese literature, history, and philosophy. Discoveries such as these have made the amount of material evidence on the origins and evolution of communication throughout Chinese history exceedingly broad and rich, and yet Tsien succeeds in tackling it all and building on the earlier classic work that changed</description>
      <content:encoded>&lt;div&gt;&lt;/div&gt;&lt;div&gt;Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book&amp;rsquo;s first publication, as well as an afterword by Edward L. Shaughnessy.&lt;/div&gt;&lt;i&gt;Written on Bamboo and Silk&lt;/i&gt; has long been considered a landmark in its field. Critical in this regard is the excavation of numerous sites throughout China, where hundreds of thousands of documents written on bamboo and silk&amp;mdash;as well as other media&amp;mdash;were found, including some of the earliest copies of historical, medical, astronomical, military, and religious texts that are now essential to the study of early Chinese literature, history, and philosophy. Discoveries such as these have made the amount of material evidence on the origins and evolution of communication throughout Chinese history exceedingly broad and rich, and yet Tsien succeeds in tackling it all and building on the earlier classic work that changed</content:encoded>
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      <category>Art: Ancient and Classical Art</category>
      <category>Art: Art Criticism</category>
      <category>Asian Studies: East Asia</category>
      <category>Library Science and Publishing: Publishing</category>
      <pubDate>Thu, 21 Mar 2013 05:00:00 GMT</pubDate>
      <author>Tsuen-Hsuin Tsien; Edward L. Shaughnessy</author>
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      <title>Emergence of the Classical Style in Greek Sculpture</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo6804910.html</link>
      <description>In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders.&amp;#160; Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.</description>
      <content:encoded>&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;div&gt;In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders.&amp;#160; Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, &lt;i&gt;The Emergence of the Classical Style in Greek Sculpture &lt;/i&gt;is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.&lt;/div&gt;</content:encoded>
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      <category>Archaeology</category>
      <category>Art: Ancient and Classical Art</category>
      <category>Classical Studies</category>
      <category>History: Ancient and Classical History</category>
      <pubDate>Wed, 20 Mar 2013 05:00:00 GMT</pubDate>
      <author>Richard Neer</author>
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