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    <title>University of Chicago Press: New Titles in Travel and Tourism: Travel Writing and Guides</title>
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    <description>The latest new books in Travel and Tourism: Travel Writing and Guides</description>
    <language>en-us</language>
    <pubDate>Sat, 25 May 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>Edward Pugh of Ruthin 1763-1813</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/E/bo15484555.html</link>
      <description>Born in Ruthin, Denbighshire, Edward Pugh (1763–1813) was a Welsh-speaking artist and writer who worked as a miniaturist in London, exhibiting frequently at the Royal Academy. But Pugh’s passion was the landscape, and he painted remarkable views of North Wales that not only captivate but also reveal the development of the Welsh economy and Welsh national consciousness. Pugh also wrote and illustrated a fascinating, informative, and humorous account of a tour of North Wales around 1800—one of the only travel books written at that time by someone who could actually converse with the inhabitants.&amp;#160;&amp;#160;Edward Pugh of Ruthin 1763–1813 is the first book to consider the work of this nearly forgotten Welsh artist and writer in detail, linking the history of art in Wales with the social history of the country. John Barrell shows how Pugh’s pictures and writings portray rural life and social change in Wales during his lifetime, from the effects of the war with France on industry and poverty, to the need to develop and modernize the Welsh economy, to the power of the landowners. Almost all of the pictures and accounts we have today of late eighteenth and early nineteenth century North Wales were made by English artists and writers, and none of these, as Barrell demonstrates, can tell us about life in North Wales with the same depth and authenticity as does Pugh.</description>
      <content:encoded>&lt;div&gt;Born in Ruthin, Denbighshire, Edward Pugh (1763&amp;ndash;1813) was a Welsh-speaking artist and writer who worked as a miniaturist in London, exhibiting frequently at the Royal Academy. But Pugh&amp;rsquo;s passion was the landscape, and he painted remarkable views of North Wales that not only captivate but also reveal the development of the Welsh economy and Welsh national consciousness. Pugh also wrote and illustrated a fascinating, informative, and humorous account of a tour of North Wales around 1800&amp;mdash;one of the only travel books written at that time by someone who could actually converse with the inhabitants.&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Edward Pugh of Ruthin 1763&amp;ndash;1813&lt;/i&gt; is the first book to consider the work of this nearly forgotten Welsh artist and writer in detail, linking the history of art in Wales with the social history of the country. John Barrell shows how Pugh&amp;rsquo;s pictures and writings portray rural life and social change in Wales during his lifetime, from the effects of the war with France on industry and poverty, to the need to develop and modernize the Welsh economy, to the power of the landowners. Almost all of the pictures and accounts we have today of late eighteenth and early nineteenth century North Wales were made by English artists and writers, and none of these, as Barrell demonstrates, can tell us about life in North Wales with the same depth and authenticity as does Pugh.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Culture Studies</category>
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>John Barrell</author>
      <guid isPermaLink="false">9780708325667</guid>
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    <item>
      <title>World Film Locations: Chicago</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15567600.html</link>
      <description>While some call it the Second City, Chicago is no stranger to the silver screen. Director Christopher Nolan transformed Chicago into the darkly foreboding Gotham City for The Dark Knight. Ferris Bueller rode a parade float down Dearborn and made stops during his epic day off at a host of landmarks, from Buckingham Fountain to Wrigley Field. Everyone’s favorite foul-mouthed blues act ended their film’s climactic chase by taking the Bluesmobile through the plate-glass windows of the Richard J. Daley Center. With World Film Locations: Chicago, critic Scott Jordan Harris takes readers on a cinematic tour of the city, featuring modern blockbusters and beloved classics. Along the way, scenes from almost fifty films made or set in the city are discussed, accompanied by full-color stills and interspersed with essays examining the city’s unique character onscreen. Among the contributors are Gordon Quinn, cofounder of Chicago’s Kartemquim Films; Elizabeth Weitzman, film critic for the New York Daily News; the BBC’s Samira Ahmed; and Steve James, director of the coming-of-age classic Hoop Dreams. For readers hoping to locate landmarks from favorite films, the book also includes detailed maps that point out key scenes. A fun and fact-packed read, World Film Locations: Chicago will be welcomed by film fans and anyone planning a trip to the Windy City.</description>
      <content:encoded>&lt;div&gt;While some call it the Second City, Chicago is no stranger to the silver screen. Director Christopher Nolan transformed Chicago into the darkly foreboding Gotham City for &lt;i&gt;The Dark Knight&lt;/i&gt;. Ferris Bueller rode a parade float down Dearborn and made stops during his epic day off at a host of landmarks, from Buckingham Fountain to Wrigley Field. Everyone&amp;rsquo;s favorite foul-mouthed blues act ended their film&amp;rsquo;s climactic chase by taking the Bluesmobile through the plate-glass windows of the Richard J. Daley Center. &lt;br&gt;&lt;br&gt;With &lt;i&gt;World Film Locations: Chicago&lt;/i&gt;, critic Scott Jordan Harris takes readers on a cinematic tour of the city, featuring modern blockbusters and beloved classics. Along the way, scenes from almost fifty films made or set in the city are discussed, accompanied by full-color stills and interspersed with essays examining the city&amp;rsquo;s unique character onscreen. Among the contributors are Gordon Quinn, cofounder of Chicago&amp;rsquo;s Kartemquim Films; Elizabeth Weitzman, film critic for the &lt;i&gt;New York Daily News&lt;/i&gt;; the BBC&amp;rsquo;s Samira Ahmed; and Steve James, director of the coming-of-age classic &lt;i&gt;Hoop Dreams&lt;/i&gt;. For readers hoping to locate landmarks from favorite films, the book also includes detailed maps that point out key scenes. &lt;br&gt;&lt;br&gt;A fun and fact-packed read, &lt;i&gt;World Film Locations: Chicago &lt;/i&gt;will be welcomed by film fans and anyone planning a trip to the Windy City.&lt;br&gt;&lt;/div&gt;</content:encoded>
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      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Scott Jordan Harris</author>
      <guid isPermaLink="false">9781841507187</guid>
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      <title>World Film Locations: Glasgow</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15567755.html</link>
      <description>World Film Locations: Glasgow explores Scotland’s biggest city and the many locations in which its films are viewed, set, and shot. Taking in the important moments and movements in its rich cinematic history, this book seeks to discover the city’s culture, character, and comedy through its cinematic identity. Essays cover a variety of topics including a background of Glasgow’s cinema-goers and picture houses, the evolution of Scots comedy, and the role of the city as inspiration for grassroots and underground filmmakers, as well as big Hollywood productions. Thirty-eight films are featured, from classics like Forsyth’s Gregory’s Girl and Loach’s Carla’s Song to cult hits like Boyle’s Trainspotting. Bollywood is also represented, alongside European titles and grim Scots realism like Sweet Sixteen, My Name is Joe, and Red Road, and new titles including Fast Romance, Perfect Sense, and NEDs, making this an essential guide to Scotland in film.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;World Film Locations: Glasgow&lt;/i&gt; explores Scotland&amp;rsquo;s biggest city and the many locations in which its films are viewed, set, and shot. Taking in the important moments and movements in its rich cinematic history, this book seeks to discover the city&amp;rsquo;s culture, character, and comedy through its cinematic identity. Essays cover a variety of topics including a background of Glasgow&amp;rsquo;s cinema-goers and picture houses, the evolution of Scots comedy, and the role of the city as inspiration for grassroots and underground filmmakers, as well as big Hollywood productions. Thirty-eight films are featured, from classics like Forsyth&amp;rsquo;s &lt;i&gt;Gregory&amp;rsquo;s Girl&lt;/i&gt; and Loach&amp;rsquo;s &lt;i&gt;Carla&amp;rsquo;s Song&lt;/i&gt; to cult hits like Boyle&amp;rsquo;s &lt;i&gt;Trainspotting&lt;/i&gt;. Bollywood is also represented, alongside European titles and grim Scots realism like &lt;i&gt;Sweet Sixteen&lt;/i&gt;, &lt;i&gt;My Name is Joe&lt;/i&gt;, and &lt;i&gt;Red Road&lt;/i&gt;, and new titles including &lt;i&gt;Fast Romance&lt;/i&gt;, &lt;i&gt;Perfect Sense&lt;/i&gt;, and &lt;i&gt;NEDs&lt;/i&gt;, making this an essential guide to Scotland in film.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Nicola Balkind</author>
      <guid isPermaLink="false">9781841507194</guid>
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    <item>
      <title>World Film Locations: Venice</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15568062.html</link>
      <description>This book explores the rich history of films that have used the floating city as evocative backdrop and integral character. Few cities are as densely packed with picturesque cinematic locations. Extensively illustrated with maps, film stills, and present-day location photos, this book provides both a colorful guide to, and an incisive examination of, Venice on film. It contains insightful film entries describing carefully chosen scenes from each film, as well as six thematic essays, written by an impressive international selection of film critics, academics, and Venice experts. The grand and familiar tourist spots take on new significances, and the book highlights less well-known spots beyond the tourist trail, including gondola repair yards and legendary, but well-hidden, restaurants. From one of the earliest mobile shots in film history—a voyage up the Grand Canal shot in 1896—to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.</description>
      <content:encoded>&lt;div&gt;This book explores the rich history of films that have used the floating city as evocative backdrop and integral character. Few cities are as densely packed with picturesque cinematic locations. Extensively illustrated with maps, film stills, and present-day location photos, this book provides both a colorful guide to, and an incisive examination of, Venice on film. It contains insightful film entries describing carefully chosen scenes from each film, as well as six thematic essays, written by an impressive international selection of film critics, academics, and Venice experts. The grand and familiar tourist spots take on new significances, and the book highlights less well-known spots beyond the tourist trail, including gondola repair yards and legendary, but well-hidden, restaurants. From one of the earliest mobile shots in film history&amp;mdash;a voyage up the Grand Canal shot in 1896&amp;mdash;to classic depictions of the city like &lt;i&gt;Summertime&lt;/i&gt;, &lt;i&gt;Death in Venice&lt;/i&gt;, and &lt;i&gt;Don&amp;rsquo;t Look Now&lt;/i&gt;, as well as recent big budget productions such as &lt;i&gt;The Tourist&lt;/i&gt;, this book spans the history of filmmaking in Venice.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Michael Pigott</author>
      <guid isPermaLink="false">9781841507200</guid>
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    <item>
      <title>World Film Locations: Vancouver</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15568220.html</link>
      <description>Vancouver, the fourth largest film and television production center in North America, has hosted Hollywood filmmakers from Robert Altman and Dennis Hopper to Jason Reitman and Brad Bird, and is home to independent talent such as Bruce Sweeney and Mina Shum. World Film Locations: Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages. The volume presents Vancouver’s rich diversity and complexity, where magnificent marine and mountain views are both showcased and masked, downtown landmarks provide the backdrop for thrilling sequences, and lesser-known neighborhoods frame intriguing characters and plotlines. This book offers new perspectives on the relationship between the movies and the metropolis.</description>
      <content:encoded>&lt;div&gt;Vancouver, the fourth largest film and television production center in North America, has hosted Hollywood filmmakers from Robert Altman and Dennis Hopper to Jason Reitman and Brad Bird, and is home to independent talent such as Bruce Sweeney and Mina Shum. &lt;i&gt;World Film Locations: Vancouver&lt;/i&gt; offers insight into how so-called &amp;ldquo;runaway&amp;rdquo; productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver&amp;rsquo;s film industry throughout the ages. The volume presents Vancouver&amp;rsquo;s rich diversity and complexity, where magnificent marine and mountain views are both showcased and masked, downtown landmarks provide the backdrop for thrilling sequences, and lesser-known neighborhoods frame intriguing characters and plotlines. This book offers new perspectives on the relationship between the movies and the metropolis.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Rachel Walls</author>
      <guid isPermaLink="false">9781841507217</guid>
    </item>
    <item>
      <title>World Film Locations: Marseilles</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15568620.html</link>
      <description>As France’s oldest city, Marseilles has a significant cinematic culture, dating back to the 1890s when the Lumi&amp;egrave;re brothers shot many films there. Due to its prolific film industry in the 1920s, Marseilles was referred to as “the French Los Angeles.” World Film Locations: Marseilles examines the representations of this port city in cinema, through essays and film scene reviews devoted to an exploration of its topography as depicted by Jean Epstein, Jean-Luc Godard, Jean-Pierre Melville, Jean Renoir, Jean-Jacques Beineix, and many others. This volume showcases Marseilles’s diversity as articulated onscreen: from the winding streets of the Panier to the Old Port’s noisy markets, from the bustling Canebi&amp;egrave;re to the dockyards of the Grand Port Maritime, from the cliffs of Proven&amp;ccedil;al encircling the city to sun-drenched calanques leading to the dazzling cerulean sea. World Film Locations: Marseilles features maps of film scenes, high-quality screengrabs, and images of movie locations as they appear today, accompanied by original texts penned by leading international film scholars and critics and an interview with Marseillais director Robert Gu&amp;eacute;diguian. Marseilles has been named a 2013–14 European Capital of Culture and this book is a fitting and timely tribute.</description>
      <content:encoded>&lt;div&gt;As France&amp;rsquo;s oldest city, Marseilles has a significant cinematic culture, dating back to the 1890s when the Lumi&amp;egrave;re brothers shot many films there. Due to its prolific film industry in the 1920s, Marseilles was referred to as &amp;ldquo;the French Los Angeles.&amp;rdquo; &lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;World Film Locations: Marseilles&lt;/i&gt; examines the representations of this port city in cinema, through essays and film scene reviews devoted to an exploration of its topography as depicted by Jean Epstein, Jean-Luc Godard, Jean-Pierre Melville, Jean Renoir, Jean-Jacques Beineix, and many others. This volume showcases Marseilles&amp;rsquo;s diversity as articulated onscreen: from the winding streets of the Panier to the Old Port&amp;rsquo;s noisy markets, from the bustling Canebi&amp;egrave;re to the dockyards of the Grand Port Maritime, from the cliffs of Proven&amp;ccedil;al encircling the city to sun-drenched &lt;i&gt;calanques&lt;/i&gt; leading to the dazzling cerulean sea. &lt;i&gt;World Film Locations: Marseilles &lt;/i&gt;features maps of film scenes, high-quality screengrabs, and images of movie locations as they appear today, accompanied by original texts penned by leading international film scholars and critics and an interview with Marseillais director Robert Gu&amp;eacute;diguian. Marseilles has been named a 2013&amp;ndash;14 European Capital of Culture and this book is a fitting and timely tribute.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Marcelline Block</author>
      <guid isPermaLink="false">9781841507231</guid>
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      <title>News from Abroad</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/N/bo15591324.html</link>
      <description>The Grand Tour was an educational rite of passage for much of Britain’s upper class during the late seventeenth, eighteenth, and early nineteenth centuries. In News from Abroad, James T. Boulton and T. O. McLoughlin assemble a fascinating diversity of letters from five different travelers as they embarked from Britain en route to Paris, across the Alps, and on to Rome, along the way exploring contemporary European life as well as nearly two millennia of history and art. The first comprehensive book to bring several letter-writers together into a single volume, News from Abroad is a rich collection of primary sources that offers exciting new comparisons of what the Grand Tour meant for the individuals who undertook it.</description>
      <content:encoded>&lt;div&gt;The Grand Tour was an educational rite of passage for much of Britain&amp;rsquo;s upper class during the late seventeenth, eighteenth, and early nineteenth centuries. In &lt;i&gt;News from Abroad&lt;/i&gt;, James T. Boulton and T. O. McLoughlin assemble a fascinating diversity of letters from five different travelers as they embarked from Britain en route to Paris, across the Alps, and on to Rome, along the way exploring contemporary European life as well as nearly two millennia of history and art. The first comprehensive book to bring several letter-writers together into a single volume, &lt;i&gt;News from Abroad&lt;/i&gt; is a rich collection of primary sources that offers exciting new comparisons of what the Grand Tour meant for the individuals who undertook it.&lt;/div&gt;</content:encoded>
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      <category>History: European History</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>James T. Boulton; T. O. McLoughlin</author>
      <guid isPermaLink="false">9781846318504</guid>
    </item>
    <item>
      <title>World Film Locations: Helsinki</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15568420.html</link>
      <description>Part of Intellect’s World Film Locations series, World Film Locations: Helsinki explores the relationship between the city, cinema, and Finnish cultural history. Cinematic representations of Helsinki range from depictions of a northern periphery to a space of cosmopolitanism, from a touristic destination to a substitute for Moscow and St. Petersburg during the Cold War. The city also looks different depending on one’s perspective, and World Film Locations: Helsinki illustrates this complexity by providing a visual collection of cinematic views of Helsinki. This cinematic city is a collective work where individual pieces construct a whole, and one which we, as viewers, then shape according to our perspectives. The contributors emphasize the role of the city in identity and cultural politics throughout Finnish film history and its central role as the locus for negotiating Finland’s globalization.</description>
      <content:encoded>&lt;div&gt;Part of Intellect&amp;rsquo;s World Film Locations series, &lt;i&gt;World Film Locations: Helsinki &lt;/i&gt;explores the relationship between the city, cinema, and Finnish cultural history. Cinematic representations of Helsinki range from depictions of a northern periphery to a space of cosmopolitanism, from a touristic destination to a substitute for Moscow and St. Petersburg during the Cold War. The city also looks different depending on one&amp;rsquo;s perspective, and &lt;i&gt;World Film Locations: Helsinki&lt;/i&gt; illustrates this complexity by providing a visual collection of cinematic views of Helsinki. &lt;br&gt;&lt;/div&gt;&lt;div&gt;This cinematic city is a collective work where individual pieces construct a whole, and one which we, as viewers, then shape according to our perspectives. The contributors emphasize the role of the city in identity and cultural politics throughout Finnish film history and its central role as the locus for negotiating Finland&amp;rsquo;s globalization.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Pietari Kääpä; Silja Laine</author>
      <guid isPermaLink="false">9781841507224</guid>
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