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    <title>University of Chicago Press: New Titles in Architecture: Architecture--Criticism</title>
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    <description>The latest new books in Architecture: Architecture--Criticism</description>
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    <pubDate>Wed, 19 Jun 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
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      <title>Greece</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo5891277.html</link>
      <description>The remains of antiquity define Greek architecture in the popular imagination, but Greek edifices encompass far more than these ancient structures. Offered here is a comprehensive survey of modern Greek architecture of the past hundred-plus years.The book explores the buildings and architects of modern Greece, ranging from nineteenth-century neoclassical edifices to minimalist contemporary works and urban renewal projects. The ideas driving the creation of these buildings are given full attention, as the authors examine the influence of the rise of Modernism in the arts and the characteristics of regional styles, while also considering the reasons behind the bland, functional structures that have dominated Greek cityscapes since World War II. Greece situates this design survey within the nation’s tumultuous cultural and political history, including the two world wars, a military dictatorship, civil war, and the consumerist boom of the 1990s.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; A penetrating and thorough study, Greece offers a compelling account of modern Greek architecture that will be invaluable for all scholars of design and European history.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;&lt;div&gt;The remains of antiquity define Greek architecture in the popular imagination, but Greek edifices encompass far more than these ancient structures. Offered here is a comprehensive survey of modern Greek architecture of the past hundred-plus years.&lt;/div&gt;&lt;div&gt;The book explores the buildings and architects of modern Greece, ranging from nineteenth-century neoclassical edifices to minimalist contemporary works and urban renewal projects. The ideas driving the creation of these buildings are given full attention, as the authors examine the influence of the rise of Modernism in the arts and the characteristics of regional styles, while also considering the reasons behind the bland, functional structures that have dominated Greek cityscapes since World War II. &lt;i&gt;Greece&lt;/i&gt;&lt;i&gt; &lt;/i&gt;situates this design survey within the nation&amp;rsquo;s tumultuous cultural and political history, including the two world wars, a military dictatorship, civil war, and the consumerist boom of the 1990s.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; A penetrating and thorough study, &lt;i&gt;Greece&lt;/i&gt; offers a compelling account of modern Greek architecture that will be invaluable for all scholars of design and European history.&lt;br&gt;&amp;#160;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content:encoded>
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      <category>Architecture: Architecture--Criticism</category>
      <category>Architecture: European Architecture</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Alexander Tzonis; Alcestis P. Rodi</author>
      <guid isPermaLink="false">9781861893796</guid>
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      <title>Diller Scofidio + Renfro</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo5941113.html</link>
      <description>In Diller Scofidio + Renfro: Architecture after Images, Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. &amp;#160;Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts in a dazzling array of projects, which include performances, art installations, and books, in addition to buildings and public spaces. &amp;#160;At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture. Dimendberg provides an extensive overview of these concerns and the history of the studio, revealing how principals Elizabeth Diller, Ricardo Scofidio, and Charles Renfro continue to expand the definition of architecture, question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York’s High Line to Blur, an artificial cloud, and Facsimile, a video screen that moves around a building facade. &amp;#160;Dimendberg also explores the relation of work by DS+R to that by earlier modernists such as Marcel Duchamp and John Hejduk. &amp;#160;He reveals how the fascination of the architects with evolving forms of media, technology, and building materials has produced works that unsettle distinctions among architecture and other media.&amp;#160;Based on interviews with the architects, their clients, and collaborators as well as unprecedented access to unpublished documents, sketchbook entries, and archival records, Diller Scofidio + Renfro is the most thorough consideration of DS+R in any language.&amp;#160;Illustrated with many previously unpublished renderings in addition to photos from significant contemporary photographers, this book is an essential study of one of the most significant and creative architecture and design studios working today.</description>
      <content:encoded>&lt;div&gt;In &lt;i&gt;Diller Scofidio + Renfro: Architecture after Images&lt;/i&gt;, Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. &amp;#160;Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts in a dazzling array of projects, which include performances, art installations, and books, in addition to buildings and public spaces. &amp;#160;At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture. &lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Dimendberg provides an extensive overview of these concerns and the history of the studio, revealing how principals Elizabeth Diller, Ricardo Scofidio, and Charles Renfro continue to expand the definition of architecture, question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York&amp;rsquo;s High Line to &lt;i&gt;Blur&lt;/i&gt;, an artificial cloud, and &lt;i&gt;Facsimile&lt;/i&gt;, a video screen that moves around a building facade. &amp;#160;Dimendberg also explores the relation of work by DS+R to that by earlier modernists such as Marcel Duchamp and John Hejduk. &amp;#160;He reveals how the fascination of the architects with evolving forms of media, technology, and building materials has produced works that unsettle distinctions among architecture and other media.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Based on interviews with the architects, their clients, and collaborators as well as unprecedented access to unpublished documents, sketchbook entries, and archival records, &lt;i&gt;Diller Scofidio + Renfro&lt;/i&gt; is the most thorough consideration of DS+R in any language.&amp;#160;Illustrated with many previously unpublished renderings in addition to photos from significant contemporary photographers, this book is an essential study of one of the most significant and creative architecture and design studios working today.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Architecture: American Architecture</category>
      <category>Architecture: Architecture--Criticism</category>
      <category>Media Studies</category>
      <pubDate>Wed, 20 Mar 2013 05:00:00 GMT</pubDate>
      <author>Edward Dimendberg</author>
      <guid isPermaLink="false">9780226151816</guid>
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