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    <title>University of Chicago Press: New Titles in Physical Sciences: History and Philosophy of Physical Sciences</title>
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    <description>The latest new books in Physical Sciences: History and Philosophy of Physical Sciences</description>
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    <pubDate>Mon, 20 May 2013 05:00:00 GMT</pubDate>
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      <title>Curiosity</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/C/bo15703784.html</link>
      <description>With the recent landing of the Mars rover Curiosity, it seems safe to assume that the idea of being curious is alive and well in modern science—that it’s not merely encouraged but is seen as an essential component of the scientific mission. Yet there was a time when curiosity was condemned. Neither Pandora nor Eve could resist the dangerous allure of unanswered questions, and all knowledge wasn’t equal—for millennia it was believed that there were some things we should not try to know. In the late sixteenth century this attitude began to change dramatically, and in Curiosity: How Science Became Interested in Everything, Philip Ball investigates how curiosity first became sanctioned—when it changed from a vice to a virtue and how it became permissible to ask any and every question about the world.&amp;#160;Looking closely at the sixteenth through eighteenth centuries, Ball vividly brings to life the age when modern science began, a time that spans the lives of Galileo and Isaac Newton. In this entertaining and illuminating account of the rise of science as we know it, Ball tells of scientists both legendary and lesser known, from Copernicus and Kepler to Robert Boyle, as well as the inventions and technologies that were inspired by curiosity itself, such as the telescope and the microscope. The so-called Scientific Revolution is often told as a story of great geniuses illuminating the world with flashes of inspiration. But Curiosity reveals a more complex story, in which the liberation—and subsequent taming—of curiosity was linked to magic, religion, literature, travel, trade, and empire. Ball also asks what has become of curiosity today: how it functions in science, how it is spun and packaged for consumption, how well it is being sustained, and how the changing shape of science influences the kinds of questions it may continue to ask.&amp;#160;Though proverbial wisdom tell us that it was through curiosity that our innocence was lost, that has not deterred us. Instead, it has been completely the contrary: today we spend vast sums trying to reconstruct the first instants of creation in particle accelerators, out of a pure desire to know. Ball refuses to let us take this desire for granted, and this book is a perfect homage to such an inquisitive attitude.</description>
      <content:encoded>&lt;div&gt;With the recent landing of the Mars rover Curiosity, it seems safe to assume that the idea of being curious is alive and well in modern science&amp;mdash;that it&amp;rsquo;s not merely encouraged but is seen as an essential component of the scientific mission. Yet there was a time when curiosity was condemned. Neither Pandora nor Eve could resist the dangerous allure of unanswered questions, and all knowledge wasn&amp;rsquo;t equal&amp;mdash;for millennia it was believed that there were some things we should not try to know. In the late sixteenth century this attitude began to change dramatically, and in &lt;i&gt;Curiosity: &lt;/i&gt;&lt;i&gt;How Science Became Interested in Everything, &lt;/i&gt;Philip Ball investigates how curiosity first became sanctioned&amp;mdash;when it changed from a vice to a virtue and how it became permissible to ask any and every question about the world.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Looking closely at the sixteenth through eighteenth centuries, Ball vividly brings to life the age when modern science began, a time that spans the lives of Galileo and Isaac Newton. In this entertaining and illuminating account of the rise of science as we know it, Ball tells of scientists both legendary and lesser known, from Copernicus and Kepler to Robert Boyle, as well as the inventions and technologies that were inspired by curiosity itself, such as the telescope and the microscope. The so-called Scientific Revolution is often told as a story of great geniuses illuminating the world with flashes of inspiration. But &lt;i&gt;Curiosity&lt;/i&gt; reveals a more complex story, in which the liberation&amp;mdash;and subsequent taming&amp;mdash;of curiosity was linked to magic, religion, literature, travel, trade, and empire. Ball also asks what has become of curiosity today: how it functions in science, how it is spun and packaged for consumption, how well it is being sustained, and how the changing shape of science influences the kinds of questions it may continue to ask.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Though proverbial wisdom tell us that it was through curiosity that our innocence was lost, that has not deterred us. Instead, it has been completely the contrary: today we spend vast sums trying to reconstruct the first instants of creation in particle accelerators, out of a pure desire to &lt;i&gt;know&lt;/i&gt;. Ball refuses to let us take this desire for granted, and this book is a perfect homage to such an inquisitive attitude.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>History: History of Ideas</category>
      <category>History: General History</category>
      <category>History: History of Technology</category>
      <category>History of Science</category>
      <category>Physical Sciences: History and Philosophy of Physical Sciences</category>
      <pubDate>Wed, 03 Apr 2013 05:00:00 GMT</pubDate>
      <author>Philip Ball</author>
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      <title>Baroque Science</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/B/bo14365153.html</link>
      <description>In Baroque Science, Ofer Gal and Raz D. Chen-Morris present a radically new perspective on the study of early modern science. Instead of the triumph of reason and rationality and the celebration of the discoveries and breakthroughs of the period, they examine science in the context of the baroque, analyzing the tensions, paradoxes, and compromises that shaped the New Science of the seventeenth century and enabled its spectacular success.&amp;#160;Gal and Chen-Morris show how scientists during the seventeenth century turned away from the trust in the acquisition of knowledge through the senses towards a growing reliance on the mediation of artificial instruments, such as lenses and mirrors for observation and mechanical and pneumatic devices for experimentation. Likewise, the mathematical techniques and procedures that allowed the success of mathematical natural philosophy turned increasingly obscure and artificial, and in place of divine harmonies they revealed an assemblage of isolated, contingent laws and constants.&amp;#160;In its attempts to enforce order in the face of threatening chaos, blur the boundaries of the natural and the artificial, and mobilize passions in the service of objective knowledge, Gal and Chen-Morris reveal, the New Science is a baroque phenomenon.</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;In &lt;i&gt;Baroque Science&lt;/i&gt;, Ofer Gal and Raz D. Chen-Morris present a radically new perspective on the study of early modern science. Instead of the triumph of reason and rationality and the celebration of the discoveries and breakthroughs of the period, they examine science in the context of the baroque, analyzing the tensions, paradoxes, and compromises that shaped the New Science of the seventeenth century and enabled its spectacular success.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Gal and Chen-Morris show how scientists during the seventeenth century turned away from the trust in the acquisition of knowledge through the senses towards a growing reliance on the mediation of artificial instruments, such as lenses and mirrors for observation and mechanical and pneumatic devices for experimentation. Likewise, the mathematical techniques and procedures that allowed the success of mathematical natural philosophy turned increasingly obscure and artificial, and in place of divine harmonies they revealed an assemblage of isolated, contingent laws and constants.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In its attempts to enforce order in the face of threatening chaos, blur the boundaries of the natural and the artificial, and mobilize passions in the service of objective knowledge, Gal and Chen-Morris reveal, the New Science is a baroque phenomenon.&lt;/div&gt;&lt;/p&gt;</content:encoded>
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      <category>Art: European Art</category>
      <category>History: History of Ideas</category>
      <category>Physical Sciences: History and Philosophy of Physical Sciences</category>
      <pubDate>Mon, 18 Mar 2013 05:00:00 GMT</pubDate>
      <author>Ofer Gal; Raz Chen-Morris</author>
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