University of Chicago Press: New Titles in Literature and Literary Criticism: Fiction

Death in Persia

Annemarie Schwarzenbach; Lucy Renner Jones — Sat, 15 Jun 2013 05:00:00 GMT

Since the rediscovery of her work in the late 1980s, Annemarie Schwarzenbach—journalist, traveler, archaeologist, opium addict, and antifascist novelist—has become a European cult figure among free spirited bohemians.

Available in English for the first time and beautifully translated by Lucy Renner Jones, Death in Persia is a collage of the political and the private, documenting Schwarzenbach’s intimate feelings and public ideas during four trips to Persia between 1933 and 1939. From her reflections on individual responsibility in the lead-up to World War II to her reactions to accusations from her friends of having deserted Europe and the antifascist cause for Tehran, Schwarzenbach recorded a great deal about daily life in Persia, and, most personally, her ill-fated love affair with Jalé, the daughter of the Turkish ambassador.

Chronologically preceding Schwarzenbach’s exquisite travelogue All the Roads are Open, an account of her automobile journey from Geneva to Afghanistan in 1939, Death in Persia is the enthralling diary of an astute observer standing at the crossroads of major events in history and a gorgeous new addition to Annemarie Schwarzenbach’s growing English-language oeuvre.

Jew Car

Franz Fühmann; Isabel Fargo Cole — Sat, 15 Jun 2013 05:00:00 GMT

Originally published in 1962, Franz Fühmann’s autobiographical story cycle The Jew Car is a classic of German short fiction and an unparalleled examination of the psychology of National Socialism. Each story presents a snapshot of a personal and historical turning point in the life of the narrator, beginning with childhood anti-Semitism and moving to a youthful embrace—and then an ultimate rejection—of Nazi ideology. With scathing irony and hallucinatory intensity, reflections on the nature of memory, and the individual experience of history, the cycle acquires the weight of a novel.

"Fühmann’s work, beginning with The Jew Car, can be read as a great literary self-analysis in the spirit of Freud. Through his work, he not only became conscious of his own thinking as it was seduced by totalitarianism, he also became capable of describing the mechanisms of a fascist upbringing with striking poetic power, transcending all theory." —Die Welt, on the German edition

What Darkness Was

Inka Parei; Katy Derbyshire — Sat, 15 Jun 2013 05:00:00 GMT

Close to death, an old man collapses and struggles to his bed. The sounds of the endless night unsettle him, triggering images, questions, and memories. In What Darkness Was, Inka Parei, author of The Shadow-Boxing Woman, allows the reader to inhabit a singular German mind. Precise and observant—but uncomprehending and on the brink of hysteria—the old man wracks his brain as the questions flow like water: why did he inherit the building he now lives in? Why did he leave the city that was his home for so long? Is he even here voluntarily? And who was that suspicious stranger on the stairs? Lying in bed, the old man is aware that these questions may be the last puzzles he ever solves.

Combining tight prose with a compulsive delight in detail, Parei’s second novel in English presents a dynamic portrait of the West German soul from World War II through the German Autumn of 1977.

September

Thomas Lehr; Mike Mitchell — Sat, 15 Jun 2013 05:00:00 GMT

Two fathers with two daughters: Martin, professor of German, writes but is studying Earth Sciences at MIT; Tariq, a doctor in Baghdad and Muna, is studying the archaeology of a region that is seen as the cradle of civilization. These two parallel relationships in two very different parts of the world expose the human similarities beneath cultural differences. In Thomas Lehr’s moving and realistic novel, the similarities between these men become a similarity of suffering as well. Martin’s daughter dies with her mother in the World Trade Center on September 11, 2001, and though Tariq survives three wars and Saddam Hussein’s regime intact, his family does not—in the last days of the conflict, his daughter is raped, her lover is murdered, and she sees her sister and mother die in a bomb attack.

Out of these tragedies that almost seem to define the first decade of our century, Lehr has fashioned a richly woven, multilayered tapestry that not only explores the human side but brings out the cultural, historical, social, and political context within which the tragedies occur. The alternating interior monologues of the four main characters engage the reader in language which reaches an unforgettable poetic intensity.

Legend

Marie Bronsard; Sonia Alland — Wed, 15 May 2013 05:00:00 GMT

In this strikingly original memoir, Marie Bronsard reweaves the history of her family—and the legend of her grandmother—leaving no stone unturned and no skeleton in the closet.

Egocentric and domineering, Bronsard’s grandmother was once a vibrant and sensual beauty. In Indochina at the end of the Second World War, she thrived in the social life of the French colony, but her young soldier husband sought a quieter existence, finding solace in the companionship of their adolescent daughter, Bronsard’s mother. The consequences of this choice reverberate throughout the family. But far from being an airing of grievance or dirty laundry, Bronsard’s memoir has the air of catharsis—here, the pain, secrets, and comic moments of Bronsard’s family are remembered with gentle humor, understanding, and affection. A wry irony tempers emotion, and it is in these pages that the author at last finds it possible to name the woman of the legend and perhaps bring her grandmother a measure of peace.

Dark Company

Gert Loschütz; Samuel P. Willcocks — Wed, 15 May 2013 05:00:00 GMT

“Of course I had to end up here . . .”

Over ten rainy nights, Thomas, an ex-bargeman who used to be skipper of his own boat, walks the muddy fields of the landlocked German interior and remembers the events that lost him his home, his boat, and his livelihood: his apprenticeship in the cold halls of the Royal Naval College in London; the dangers of the mean streets and waterfront of New York in the 1970s, and Poland under martial law; Germany after the reunification, when for a year or so it seemed that the whole country drifted rudderless, drawn by the current of history to who knows where. In this novel from Gert Loschütz, Thomas remembers childhood, his first love, and the warnings of his grandfather: Beware the dark company! This mysterious band of men and women dressed in black cast a shadow over his story, as he wrestles with the secrets, the unplumbed depths of his soul, the hazards lurking below a seemingly placid surface, and throughout it all, the rain, falling night after night.

Dark Company is a superb example of a distinctly German tradition in weird fiction which claims its roots in Kafka and Herbert Rosendorfer.

Starlite Terrace

Patrick Roth; Krishna Winston — Wed, 15 May 2013 05:00:00 GMT

In a rundown Los Angeles apartment building—the titular Starlite Terrace—Patrick Roth unfurls the tragic linked stories of Rex, Moss, Gary and June, four neighbors, in a sort of burlesque of the Hollywood modern. In each of their singular collisions with fame, Roth’s dark prose presages a universal and mythical fate of desperation.

In “The Man at Noah’s Window,” Rex shares the story of his father, a supposed hand double for Gary Cooper in High Noon. In “Eclipse of the Sun,” Moss, who lives in fear of the next holocaust, awaits a visit from the long-lost daughter he has tracked down. In “Rider on the Storm,” Gary, a rock drummer and born-again Christian, who “almost played” on the Turtles’ 60s-hit “Happy Together,” strives to find escape from his personal guilt. And in “The Woman in the Sea of Stars,” June, a former Hollywood studio secretary whose husband once cheated on her with Marilyn Monroe, makes the best of a disconnected life until she emerges reborn through ashes strewn in the illuminated swimming pool of the Starlite Terrace.

In each of these four tales of wanna-bes and almost-weres, Roth's L.A. portraits unfold in rare style, and, in Krishna Winston’s masterful translation, the hopeless, loveless perversion of an Ed Ruscha-inspired California becomes a compelling pageant of all-American grotesques that is not to be missed.

Spoken Word: Short Stories Volume 2

The British Library — Wed, 15 May 2013 05:00:00 GMT

Following the success of its first set of authors reading their own short stories, the British Library is proud to present a second volume featuring a further dozen stories. As before, the majority of the recordings take the form of historic broadcasts sourced from the BBC, to which a handful of rare live recordings have been added. The stories range from humorous anecdotes to more extended pieces investigating social issues, and the twelve authors include such prestigious names as Beryl Bainbridge, Julian Barnes, E. M. Forster, Alasdair Gray, W. Somerset Maugham, Sean O’Faolain, Harold Pinter, Alan Sillitoe, Osbert Sitwell, Rose Tremain, William Trevor, and Fay Weldon. All the recordings are being made available for the first time.

Bitter Wormwood

Easterine Kire — Wed, 01 May 2013 05:00:00 GMT

Kohima, 2007. A young man has just been gunned down in cold blood—the latest casualty in the conflict that has brutalized the people of Nagaland, in the neglected northeastern corner of India. Rich in culture and history, Bitter Wormwood traces the story of one man’s life from 1937 until 2007, offering poignant insight into the human cost behind the political headlines of one of India’s most beautiful regions.

In a gripping story that brings to life the processes that propel social change and transform communities, Easterine Kire skillfully renders the small incidents of Mose’s childhood, his family, and the routines and rituals of traditional village life, painting an evocative picture of a peaceful way of life, now long-vanished. The coming of radio into Mose’s family house marks the beginning of the changes that will connect them to the wider world. They learn of partition, independence, a land called America. Mose and his friends become involved in the Naga struggle for independence, and are caught in a maelstrom of violence that ends up ripping communities apart.

Abolition of Species

Dietmar Dath; Samuel P. Willcocks — Mon, 15 Apr 2013 05:00:00 GMT

The world as we know it is over. Man’s reign on earth has come to an end, and the reign of the animals has begun. The indifferently wise Cyrus Golden the Lion rules the three-city state that is now what remains of Europe. Yet, other forces stir while the king of beasts sleeps—the last struggling human resistance, the Atlanteans with their mysterious undersea plans; the factions of Badger, Fox and Lynx within the empire itself; and, in the jungles across the ocean, a ceramic form of postbiological life. Welcome to the setting of Dietmar Dath’s futuristic novel, The Abolition of Species, presenting an imaginative and highly original take on the decline and rebirth of civilization.

Cyrus the Lion sends the wolf Dmitri Stepanovich on a diplomatic mission, and in the course of his journey he discovers truths about natural history, war, and politics for which he was unprepared. The subsequent war that breaks out in The Abolition of Species will come to span three planets and thousands of years—encompassing treachery and massacres, music and mathematics, savagery and decadence, as well as the terraformation of Mars and Venus and the manipulation of time itself. By turns grandiose, horrific, erotic, scathing, and visionary, The Abolition of Species is a tale of love and war after the fall of man and an epic meditation on the theory of evolution unlike any other.

One of Germany’s most celebrated contemporary writers, Dath has distinguished himself through works that deftly combine popular culture—particularly music—with left-wing politics and the fantastic. The Abolition of Species embodies the best of what Dath is known for and will cement his reputation among English readers excited to discover one of the freshest voices in contemporary literature.

Song Seekers

Saswati Sengupta — Mon, 15 Apr 2013 05:00:00 GMT

In The Song Seekers, the debut novel by Saswati Sengupta, the monsoon rains wash over the city of Kolkata while four women sit and read and talk in the kitchen of Kailash, the old mansion of the Chattopadhyays where Uma comes to live after her marriage in the summer of 1962. It is a place of mystery to Uma. Her husband’s silence about his mother’s murder and the childhood tragedy that beckons him from the shadowy landing of Kailash, the embroidered handkerchiefs in an old soap box in her father-in-law’s room, and the strange presence of the old, green-eyed Pishi—all intrigue and mystify her. But it is only as she begins to read aloud the traditional Chandimangal—composed by her husband’s grandfather to celebrate the goddess—that the long-buried stories begin to emerge.

In The Song Seekers, Saswati Sengupta recasts the militant goddess Chandi as a wife and interweaves the history of the Portuguese in Bengal, the rise of print, the swadeshi movement, and the turbulence of the 1960s in Bengal. These disparate elements all come together as Uma discovers that the foundation of the mansion is not only very deep, but it also masks the stink of death.

Reprisal

Laudomia Bonanni; Susan Stewart; Sara Teardo — Fri, 29 Mar 2013 05:00:00 GMT

In the bitterly cold winter of 1943, the Italian countryside is torn apart by violence as partisans wage a guerilla war against the occupying German army and their local fascist allies. In the midst of this conflict, a ragtag group of fascist supporters captures a woman in the late stages of pregnancy. Suspecting her of being in league with the partisans, they hastily put her on “trial” by improvising a war tribunal one night in the choir stalls of the abandoned monastery that serves as their hide-out. This sham court convicts the woman and sentences her to die—but not until her child has been born. When a young seminarian visits the monastery and tries to dissuade the fascist band from executing their sentence, the absurd tragedy of the woman’s fate is cast in stark relief. The child’s birth approaches, an unnerving anticipation unfolds, and tension mounts ominously among the characters and within their individual psyches.

Based on a number of incidents that took place in Abruzzo during the war, Laudomia Bonanni’s compact and tragic novel explores the overwhelming conflicts between ideology and community, justice and vengeance. The story is embedded in the cruel reality of Italian fascism, but its themes of revenge, sacrifice, and violence emerge as universal, delivered in prose that is at once lyrical and brutal.

In her native Italy, Bonanni, a writer of journalism and critical prose as well as fiction, is hailed as one of the strongest proponents of post-war realism, and this is the first of her novels to be made available to Anglophone readers. Translators Susan Stewart and Sara Teardo render Bonanni’s singular style—both sparse and emotive, frank and poetic—into readable, evocative English.

Revelations of a Lady Detective

William Stephens Hayward — Fri, 15 Mar 2013 05:00:00 GMT

In nineteenth-century London, middle-class women did not engage in what were seen as “unladylike activities.” There were many jobs that a woman simply could not be expected to do because they were viewed as unsuitable for finer female sensibilities. The idea of a woman being involved in the murkiness of criminal detection must have seemed a radical and adventurous one in Victorian times: women simply did not do that sort of thing. And yet, in 1864, to the delight of men and women alike, two male authors published novels starring a female detective.

William Stephens Hayward published Revelations of a Lady Detective just six months after Andrew Forrester’s The Female Detective (republished by the British Library in 2012), making Hayward’s the second novel ever published to feature a female detective. Hayward’s heroine, Mrs. Paschal, is a very different character from her predecessor, Forrester’s G. For a start, Mrs. Paschal is shown smoking on the front cover—an activity considered very modern and daring for women, even in the late nineteenth century. She is a widow, left close to financial ruin by the death of her husband, and supports herself through her detective work. This much racier female detective is however equally inventive, intuitive, and insightful, and with a Colt revolver in hand she works her way through a variety of cases involving theft, murder, and kidnapping.

This very rare novel will be welcomed by all fans of Victorian crime fiction.