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    <title>University of Chicago Press: New Titles in Literature and Literary Criticism: American and Canadian Literature</title>
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    <description>The latest new books in Literature and Literary Criticism: American and Canadian Literature</description>
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    <pubDate>Mon, 20 May 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
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      <title>Thresherphobe</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo15612535.html</link>
      <description>In his sixth collection, Mark Halliday continues to seek ways of using the smart playfulness of such poets as Frank O’Hara and Kenneth Koch to explore life’s emotional mysteries—both dire and hilarious—from the perpetual dissolving of our past to the perpetual frustration of our cravings for ego-triumph, for sublime connection with an erotically idealized Other, and for peace of spirit. Animated by belief in the possible truths to be reached in interpersonal speech, Halliday’s voice-driven poetry wants to find insight—or at least a stay against confusion—through personality without being trapped in personality. History will leave much of what we are on the threshing floor, Halliday notes, but in the meantime we do what we can; let posterity (if any!) say we rambled truly.</description>
      <content:encoded>&lt;div&gt;In his sixth collection, Mark Halliday continues to seek ways of using the smart playfulness of such poets as Frank O&amp;rsquo;Hara and Kenneth Koch to explore life&amp;rsquo;s emotional mysteries&amp;mdash;both dire and hilarious&amp;mdash;from the perpetual dissolving of our past to the perpetual frustration of our cravings for ego-triumph, for sublime connection with an erotically idealized Other, and for peace of spirit. Animated by belief in the possible truths to be reached in interpersonal speech, Halliday&amp;rsquo;s voice-driven poetry wants to find insight&amp;mdash;or at least a stay against confusion&amp;mdash;&lt;i&gt;through&lt;/i&gt; personality without being trapped &lt;i&gt;in&lt;/i&gt; personality. History will leave much of what we are on the threshing floor, Halliday notes, but in the meantime we do what we can; let posterity (if any!) say we rambled truly.&lt;/div&gt;</content:encoded>
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      <category>Literature and Literary Criticism: American and Canadian Literature</category>
      <category>Literature and Literary Criticism: Poetry</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Mark Halliday</author>
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      <title>City Water, City Life</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/C/bo15233177.html</link>
      <description>A city is more than a massing of citizens, a layout of buildings  and streets, or an arrangement of political, economic, and social  institutions. It is also an infrastructure of ideas, an embodiment of  the beliefs, values, and aspirations of the people who created it. In City Water, City Life,  celebrated historian Carl Smith explores this infrastructure of ideas  through an insightful examination of the development of the first  successful waterworks systems in Philadelphia, Boston, and Chicago  between the 1790s and the 1860s.In this period the United States began its rapid transformation  from rural to urban.&amp;#160;Through an analysis of a broad range of verbal and  visual sources, Smith shows how the discussion, design, and use of  waterworks reveal how Americans framed their conceptions of urban  democracy and how they understood the natural and the built environment,  individual health and the well-being of society, and the qualities of  time and history. As citizens debated matters of thirst, finance, and  health, they also negotiated abstract questions of secular and sacred,  real and ideal, immanent and transcendent, practical and moral.By examining the place of water in the nineteenth-century  consciousness, Smith illuminates how city dwellers perceived themselves  during the great age of American urbanization.&amp;#160;But City Water, City Life  is more than a history of urbanization.&amp;#160;It is also a refreshing  meditation on water as a necessity, as a resource for commerce and  industry, and as an essential—and central—part of how we define our  civilization.</description>
      <content:encoded>&lt;div&gt;A city is more than a massing of citizens, a layout of buildings  and streets, or an arrangement of political, economic, and social  institutions. It is also an infrastructure of ideas, an embodiment of  the beliefs, values, and aspirations of the people who created it. In &lt;i&gt;City Water, City Life&lt;/i&gt;,  celebrated historian Carl Smith explores this infrastructure of ideas  through an insightful examination of the development of the first  successful waterworks systems in Philadelphia, Boston, and Chicago  between the 1790s and the 1860s.&lt;/div&gt;&lt;br&gt;&lt;div&gt;In this period the United States began its rapid transformation  from rural to urban.&amp;#160;Through an analysis of a broad range of verbal and  visual sources, Smith shows how the discussion, design, and use of  waterworks reveal how Americans framed their conceptions of urban  democracy and how they understood the natural and the built environment,  individual health and the well-being of society, and the qualities of  time and history. As citizens debated matters of thirst, finance, and  health, they also negotiated abstract questions of secular and sacred,  real and ideal, immanent and transcendent, practical and moral.&lt;/div&gt;&lt;br&gt;&lt;div&gt;By examining the place of water in the nineteenth-century  consciousness, Smith illuminates how city dwellers perceived themselves  during the great age of American urbanization.&amp;#160;But &lt;i&gt;City Water, City Life&lt;/i&gt;  is more than a history of urbanization.&amp;#160;It is also a refreshing  meditation on water as a necessity, as a resource for commerce and  industry, and as an essential&amp;mdash;and central&amp;mdash;part of how we define our  civilization.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Chicago and Illinois</category>
      <category>Culture Studies</category>
      <category>History: American History</category>
      <category>History: Urban History</category>
      <category>Literature and Literary Criticism: American and Canadian Literature</category>
      <pubDate>Wed, 17 Apr 2013 05:00:00 GMT</pubDate>
      <author>Carl Smith</author>
      <guid isPermaLink="false">9780226022512</guid>
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      <title>City Beneath the Snow</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo13536784.html</link>
      <description>The final collection of stories by award-winning writer Marjorie Kowalski Cole, The City Beneath the Snow  is a portrait of contemporary Alaskans, their interactions, and their  foibles. These stories reveal the moral decisions that lurk at  unexpected corners in daily life as the characters confront a world at  once magical and ordinary, joy-filled and tragic. Together, they give  the reader an intimate portrait of a people and place more often  portrayed through wilderness specials and reality adventure shows.</description>
      <content:encoded>&lt;p&gt;The final collection of stories by award-winning writer Marjorie Kowalski Cole, &lt;i&gt;The City Beneath the Snow&lt;/i&gt;  is a portrait of contemporary Alaskans, their interactions, and their  foibles. These stories reveal the moral decisions that lurk at  unexpected corners in daily life as the characters confront a world at  once magical and ordinary, joy-filled and tragic. Together, they give  the reader an intimate portrait of a people and place more often  portrayed through wilderness specials and reality adventure shows.&lt;/p&gt;&lt;div&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;</content:encoded>
      <category>Literature and Literary Criticism: American and Canadian Literature</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Marjorie Kowalski Cole</author>
      <guid isPermaLink="false">9781602231559</guid>
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      <title>Oil and Water</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo15522687.html</link>
      <description>What happens when the American dream collides head-on with a nation’s dependence on fossil fuels?&amp;#160;Oil and Water, a novel by Mei Mei Evans, focuses on precisely this question. Starting with a star-crossed supertanker, a wayward fishing boat, and a well-known hazard in the Gulf of Alaska, the story presents a region plunged into an oil-slicked crisis. As thousands of miles of shoreline and sea are obliterated, the spill threatens the lives and livelihoods of the coastal community of Selby.At the center of the disaster are Gregg, a down-on-his-luck skipper, and Lee, his lone deckhand. As they cross paths with the tanker and later the residents of Selby, they are faced with decisions that will have a lasting impact on the entire community. And when the residents are presented with a controversial deal—accept handouts in the form of work from the very company responsible for the disaster—they must learn just how important it is to find strength in the connections that bind humans to each other and the natural world.&amp;#160;Evans’s compelling story, influenced by her own experiences during the Exxon Valdez oil spill, is a provocative look at the choice that must be made between environmental safety and economic survival. A PEN/Bellwether Prize finalist, it will have readers reconsidering where they draw their own lines.</description>
      <content:encoded>What happens when the American dream collides head-on with a nation&amp;rsquo;s dependence on fossil fuels?&amp;#160;&lt;i&gt;Oil and Water&lt;/i&gt;, a novel by Mei Mei Evans, focuses on precisely this question. Starting with a star-crossed supertanker, a wayward fishing boat, and a well-known hazard in the Gulf of Alaska, the story presents a region plunged into an oil-slicked crisis. As thousands of miles of shoreline and sea are obliterated, the spill threatens the lives and livelihoods of the coastal community of Selby.&lt;br&gt;&lt;br&gt;&lt;div&gt;At the center of the disaster are Gregg, a down-on-his-luck skipper, and Lee, his lone deckhand. As they cross paths with the tanker and later the residents of Selby, they are faced with decisions that will have a lasting impact on the entire community. And when the residents are presented with a controversial deal&amp;mdash;accept handouts in the form of work from the very company responsible for the disaster&amp;mdash;they must learn just how important it is to find strength in the connections that bind humans to each other and the natural world.&amp;#160;&lt;br&gt;&lt;br&gt;Evans&amp;rsquo;s compelling story, influenced by her own experiences during the Exxon &lt;i&gt;Valdez&lt;/i&gt; oil spill, is a provocative look at the choice that must be made between environmental safety and economic survival. A PEN/Bellwether Prize finalist, it will have readers reconsidering where they draw their own lines.&lt;/div&gt;</content:encoded>
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      <category>Literature and Literary Criticism: American and Canadian Literature</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Mei Mei Evans</author>
      <guid isPermaLink="false">9781602232006</guid>
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    <item>
      <title>Mindscapes of Montréal</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15481089.html</link>
      <description>In Mindscapes of Montr&amp;eacute;al, Ceri Morgan examines a number of francophone novels written between 1960 and 2005 and set in Montr&amp;eacute;al. Morgan captures each book’s formal innovations and engagements with the complex cultural and linguistic geographies of Montr&amp;eacute;al. She then broadens her analysis and fills in the aesthetic, social, and political backdrops against which these novels were written. In doing so, Morgan demonstrates the importance of the imagination in our experience and understanding of the urban.</description>
      <content:encoded>&lt;div&gt;In &lt;i&gt;Mindscapes of Montr&amp;eacute;&lt;/i&gt;&lt;i&gt;&lt;i&gt;al&lt;/i&gt;&lt;/i&gt;, Ceri Morgan examines a number of francophone novels written between 1960 and 2005 and set in Montr&amp;eacute;al. Morgan captures each book&amp;rsquo;s formal innovations and engagements with the complex cultural and linguistic geographies of Montr&amp;eacute;al. She then broadens her analysis and fills in the aesthetic, social, and political backdrops against which these novels were written. In doing so, Morgan demonstrates the importance of the imagination in our experience and understanding of the urban.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Culture Studies</category>
      <category>Literature and Literary Criticism: American and Canadian Literature</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Ceri Morgan</author>
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