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    <title>University of Chicago Press: New Titles in Anthropology: Cultural and Social Anthropology</title>
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    <description>The latest new books in Anthropology: Cultural and Social Anthropology</description>
    <language>en-us</language>
    <pubDate>Wed, 19 Jun 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>Cooking of History</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/C/bo15288609.html</link>
      <description>Over a lifetime of studying Cuban Santer&amp;iacute;a and other religions related to Orisha worship—a practice also found among the Yoruba in West Africa—Stephan Palmi&amp;eacute; has grown progressively uneasy with the assumptions inherent in the very term Afro-Cuban religion. In The Cooking of History he provides a comprehensive analysis of these assumptions, in the process offering an incisive critique both of the anthropology of religion and of scholarship on the cultural history of the Afro-Atlantic World.&amp;#160;Understood largely through its rituals and ceremonies, Santer&amp;iacute;a and related religions have been a challenge for anthropologists to link to a hypothetical African past. But, Palmi&amp;eacute; argues, precisely by relying on the notion of an aboriginal African past, and by claiming to authenticate these religions via their findings, anthropologists—some of whom have converted to these religions—have exerted considerable influence upon contemporary practices. Critiquing widespread and damaging simplifications that posit religious practices as stable and self-contained, Palmi&amp;eacute; calls for a drastic new approach that properly situates cultural origins within the complex social environments and scholarly fields in which they are investigated.</description>
      <content:encoded>&lt;div&gt;Over a lifetime of studying Cuban Santer&amp;iacute;a and other religions related to Orisha worship&amp;mdash;a practice also found among the Yoruba in West Africa&amp;mdash;Stephan Palmi&amp;eacute; has grown progressively uneasy with the assumptions inherent in the very term Afro-Cuban religion. In &lt;i&gt;The Cooking of History&lt;/i&gt; he provides a comprehensive analysis of these assumptions, in the process offering an incisive critique both of the anthropology of religion and of scholarship on the cultural history of the Afro-Atlantic World.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Understood largely through its rituals and ceremonies, Santer&amp;iacute;a and related religions have been a challenge for anthropologists to link to a hypothetical African past. But, Palmi&amp;eacute; argues, precisely by relying on the notion of an aboriginal African past, and by claiming to authenticate these religions via their findings, anthropologists&amp;mdash;some of whom have converted to these religions&amp;mdash;have exerted considerable influence upon contemporary practices. Critiquing widespread and damaging simplifications that posit religious practices as stable and self-contained, Palmi&amp;eacute; calls for a drastic new approach that properly situates cultural origins within the complex social environments and scholarly fields in which they are investigated.&lt;/div&gt;</content:encoded>
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      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Anthropology: General Anthropology</category>
      <category>Latin American Studies</category>
      <pubDate>Fri, 14 Jun 2013 05:00:00 GMT</pubDate>
      <author>Stephan Palmié</author>
      <guid isPermaLink="false">9780226019420</guid>
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    <item>
      <title>Occupy</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/O/bo15483776.html</link>
      <description>Mic check! Mic check! Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In Occupy, W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protestors’ lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide.&amp;#160;“You break through the screen like Alice in Wonderland,” Taussig writes in the opening essay, “and now you can’t leave or do without it.” Following Taussig’s artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter—by rejecting the very discourse and strategy of politics—Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument.&amp;#160;Occupy stands not as a primer on or an authoritative account of 2011’s revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment—an occupation itself.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Mic check! Mic check!&lt;/i&gt; Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In &lt;i&gt;Occupy&lt;/i&gt;, W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protestors&amp;rsquo; lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;ldquo;You break through the screen like Alice in Wonderland,&amp;rdquo; Taussig writes in the opening essay, &amp;ldquo;and now you can&amp;rsquo;t leave or do without it.&amp;rdquo; Following Taussig&amp;rsquo;s artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter&amp;mdash;by rejecting the very discourse and strategy of politics&amp;mdash;Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Occupy&lt;/i&gt; stands not as a primer on or an authoritative account of 2011&amp;rsquo;s revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment&amp;mdash;an occupation itself.&lt;/div&gt;</content:encoded>
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      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Art: Art Criticism</category>
      <category>Education: Education--Economics, Law, Politics</category>
      <category>Law and Legal Studies: Law and Society</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>W. J. T. Mitchell; Bernard E. Harcourt; Michael Taussig</author>
      <guid isPermaLink="false">9780226042602</guid>
    </item>
    <item>
      <title>Scramble for the Amazon and the "Lost Paradise" of Euclides da Cunha</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo8352731.html</link>
      <description>The fortunes of the late nineteenth century&amp;#8217;s imperial and industrial powers depended on a single raw material&amp;#8212;rubber&amp;#8212;with only one source: the Amazon basin. And so began the scramble for the Amazon&amp;#8212;a decades-long conflict that found Britain, France, Belgium, and the United States fighting with and against the new nations of Peru, Bolivia, and Brazil for the forest&amp;#8217;s riches. In the midst of this struggle, Euclides da Cunha, engineer, journalist, geographer, political theorist, and one of Brazil&amp;#8217;s most celebrated writers, led a survey expedition to the farthest reaches of the river, among the world&amp;#8217;s most valuable, dangerous, and little-known landscapes.&amp;#160;The Scramble for the Amazon tells the story of da Cunha&amp;#8217;s terrifying journey, the unfinished novel born from it, and the global strife that formed the backdrop for both. Haunted by his broken marriage, da Cunha trekked through a beautiful region thrown into chaos by guerrilla warfare, starving migrants, and native slavery. All the while, he worked on his masterpiece, a nationalist synthesis of geography, philosophy, biology, and journalism he named the Lost Paradise. Da Cunha intended his epic to unveil the Amazon&amp;#8217;s explorers, spies, natives, and brutal geopolitics, but, as Susanna B. Hecht recounts, he never completed it&amp;#8212;his wife&amp;#8217;s lover shot him dead upon his return.&amp;#160;At once the biography of an extraordinary writer, a masterly chronicle of the social, political, and environmental history of the Amazon, and a superb translation of the remaining pieces of da Cunha&amp;#8217;s project, The Scramble for the Amazon is a work of thrilling intellectual ambition.</description>
      <content:encoded>&lt;div&gt;&lt;/div&gt;&lt;div&gt;The fortunes of the late nineteenth century&amp;#8217;s imperial and industrial powers depended on a single raw material&amp;#8212;rubber&amp;#8212;with only one source: the Amazon basin. And so began the scramble for the Amazon&amp;#8212;a decades-long conflict that found Britain, France, Belgium, and the United States fighting with and against the new nations of Peru, Bolivia, and Brazil for the forest&amp;#8217;s riches. In the midst of this struggle, Euclides da Cunha, engineer, journalist, geographer, political theorist, and one of Brazil&amp;#8217;s most celebrated writers, led a survey expedition to the farthest reaches of the river, among the world&amp;#8217;s most valuable, dangerous, and little-known landscapes.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;The Scramble for the Amazon &lt;/i&gt;tells the story of da Cunha&amp;#8217;s terrifying journey, the unfinished novel born from it, and the global strife that formed the backdrop for both. Haunted by his broken marriage, da Cunha trekked through a beautiful region thrown into chaos by guerrilla warfare, starving migrants, and native slavery. All the while, he worked on his masterpiece, a nationalist synthesis of geography, philosophy, biology, and journalism he named the &lt;i&gt;Lost Paradise&lt;/i&gt;. Da Cunha intended his epic to unveil the Amazon&amp;#8217;s explorers, spies, natives, and brutal geopolitics, but, as Susanna B. Hecht recounts, he never completed it&amp;#8212;his wife&amp;#8217;s lover shot him dead upon his return.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;At once the biography of an extraordinary writer, a masterly chronicle of the social, political, and environmental history of the Amazon, and a superb translation of the remaining pieces of da Cunha&amp;#8217;s project, &lt;i&gt;The Scramble for the Amazon&lt;/i&gt; is a work of thrilling intellectual ambition.&lt;/div&gt;</content:encoded>
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      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Biological Sciences: Tropical Biology and Conservation</category>
      <category>History: Discoveries and Exploration</category>
      <category>History: Latin American History</category>
      <pubDate>Thu, 09 May 2013 05:00:00 GMT</pubDate>
      <author>Susanna B. Hecht</author>
      <guid isPermaLink="false">9780226322810</guid>
    </item>
    <item>
      <title>No Fixed Abode</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/N/bo15699453.html</link>
      <description>In recent years, social workers have raised a new concern about the  appearance of a new category among the working poor. Even employed,  there are people so overburdened by the cost of living and so under  compensated that they cannot afford a place to sleep. Contrary to  popular opinion, according to the website for the Coalition for the  Homeless, forty-four percent of the homeless in first world countries  actually have jobs.In No Fixed Abode, Marc Aug&amp;eacute;’s  pathbreaking ethnofiction—a fictional ethnography—a man named Henri  narrates his strange existence in the margins of Paris. By day he walks  the streets, lingers in conversation with the local shopkeepers, and  sits writing in caf&amp;eacute;s, but at night he takes shelter in an abandoned  house. From here, we see a progressive erosion of Henri’s identity, a  loss of bearings, and a slow degeneration of his ability to relate to  others. But then he meets the artist Dominique, whose willingness to  share her life with him raises questions about who he has become and  about what a person needs in order to be a part of society.This  is a book about how we live in geographical space and how work and  patterns of domicile affect our status and our inner being. Despite the  apparent simplicity of the fictional premise, Aug&amp;eacute;’s book asks serious  questions about the nature of our culture.</description>
      <content:encoded>&lt;div&gt;In recent years, social workers have raised a new concern about the  appearance of a new category among the working poor. Even employed,  there are people so overburdened by the cost of living and so under  compensated that they cannot afford a place to sleep. Contrary to  popular opinion, according to the website for the Coalition for the  Homeless, forty-four percent of the homeless in first world countries  actually have jobs.&lt;/div&gt;&lt;div&gt;&lt;br&gt;In &lt;i&gt;No Fixed Abode&lt;/i&gt;, Marc Aug&amp;eacute;&amp;rsquo;s  pathbreaking ethnofiction&amp;mdash;a fictional ethnography&amp;mdash;a man named Henri  narrates his strange existence in the margins of Paris. By day he walks  the streets, lingers in conversation with the local shopkeepers, and  sits writing in caf&amp;eacute;s, but at night he takes shelter in an abandoned  house. From here, we see a progressive erosion of Henri&amp;rsquo;s identity, a  loss of bearings, and a slow degeneration of his ability to relate to  others. But then he meets the artist Dominique, whose willingness to  share her life with him raises questions about who he has become and  about what a person needs in order to be a part of society.&lt;/div&gt;&lt;div&gt;&lt;br&gt;This  is a book about how we live in geographical space and how work and  patterns of domicile affect our status and our inner being. Despite the  apparent simplicity of the fictional premise, Aug&amp;eacute;&amp;rsquo;s book asks serious  questions about the nature of our culture.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Philosophy: General Philosophy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Marc Augé; Chris Turner</author>
      <guid isPermaLink="false">9780857420961</guid>
    </item>
    <item>
      <title>Contesting Nation</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo17290142.html</link>
      <description>An innovative collection of essays on the turmoil spreading across South Asia, Contesting Nation  sheds light on how violence—in wars of direct and indirect  conquest—marks the present. Featuring contributions by distinguished  South Asian women scholars, the book offers inspired, gendered, and  contested histories of the present, exploring nation-making and its  intersections with projects of militarization and cultural assertion,  modernization, and globalization.The contributors to this  volume consider such turbulent events as the Gujarat carnage of 2002,  post-9/11 mobilizations, and the wars in Afghanistan and Iraq, shedding  light on the force with which brutal events encompass lives and  disfigure communities. This powerful book examines the very borders such  brutality maintains and its intimate and lasting effects on bodies and  memories.</description>
      <content:encoded>&lt;div&gt;An innovative collection of essays on the turmoil spreading across South Asia, &lt;i&gt;Contesting Nation&lt;/i&gt;  sheds light on how violence&amp;mdash;in wars of direct and indirect  conquest&amp;mdash;marks the present. Featuring contributions by distinguished  South Asian women scholars, the book offers inspired, gendered, and  contested histories of the present, exploring nation-making and its  intersections with projects of militarization and cultural assertion,  modernization, and globalization.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;The contributors to this  volume consider such turbulent events as the Gujarat carnage of 2002,  post-9/11 mobilizations, and the wars in Afghanistan and Iraq, shedding  light on the force with which brutal events encompass lives and  disfigure communities. This powerful book examines the very borders such  brutality maintains and its intimate and lasting effects on bodies and  memories.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/81/89/01/9788189013370.jpg" length="37487" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Political Science: Political and Social Theory</category>
      <category>Women's Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Angana P. Chatterji; Lubna Nazir Chaudhry</author>
      <guid isPermaLink="false">9789381017876</guid>
    </item>
    <item>
      <title>Reasons of Conscience</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/R/bo14365130.html</link>
      <description>The implicit questions that inevitably underlie German bioethics are the same ones that have pervaded all of German public life for decades: How could the Holocaust have happened? And how can Germans make sure that it will never happen again? In Reasons of Conscience, Stefan Sperling considers the bioethical debates surrounding embryonic stem cell research in Germany at the turn of the twenty-first century, highlighting how the country’s ongoing struggle to come to terms with its past informs the decisions it makes today.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Sperling brings the reader unmatched access to the offices of the German parliament to convey the role that morality and ethics play in contemporary Germany. He describes the separate and interactive workings of the two bodies assigned to shape German bioethics—the parliamentary Enquiry Commission on Law and Ethics in Modern Medicine and the executive branch’s National Ethics Council—tracing each institution’s genesis, projected image, and operations, and revealing that the content of bioethics cannot be separated from the workings of these institutions. Sperling then focuses his discussion around three core categories—transparency, conscience, and Germany itself—arguing that without fully considering these, we fail to understand German bioethics. He concludes with an assessment of German legislators and regulators’ attempts to incorporate criteria of ethical research into the German Stem Cell Law.</description>
      <content:encoded>&lt;div&gt;The implicit questions that inevitably underlie German bioethics are the same ones that have pervaded all of German public life for decades: How could the Holocaust have happened? And how can Germans make sure that it will never happen again? In &lt;i&gt;Reasons of Conscience&lt;/i&gt;, Stefan Sperling considers the bioethical debates surrounding embryonic stem cell research in Germany at the turn of the twenty-first century, highlighting how the country&amp;rsquo;s ongoing struggle to come to terms with its past informs the decisions it makes today.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;Sperling brings the reader unmatched access to the offices of the German parliament to convey the role that morality and ethics play in contemporary Germany. He describes the separate and interactive workings of the two bodies assigned to shape German bioethics&amp;mdash;the parliamentary Enquiry Commission on Law and Ethics in Modern Medicine and the executive branch&amp;rsquo;s National Ethics Council&amp;mdash;tracing each institution&amp;rsquo;s genesis, projected image, and operations, and revealing that the content of bioethics cannot be separated from the workings of these institutions. Sperling then focuses his discussion around three core categories&amp;mdash;transparency, conscience, and Germany itself&amp;mdash;arguing that without fully considering these, we fail to understand German bioethics. He concludes with an assessment of German legislators and regulators&amp;rsquo; attempts to incorporate criteria of ethical research into the German Stem Cell Law.&lt;/div&gt;</content:encoded>
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      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>History: European History</category>
      <pubDate>Fri, 12 Apr 2013 05:00:00 GMT</pubDate>
      <author>Stefan Sperling</author>
      <guid isPermaLink="false">9780226924328</guid>
    </item>
    <item>
      <title>Global Pigeon</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo14543687.html</link>
      <description>The pigeon is the quintessential city bird. Domesticated thousands  of years ago as a messenger and a source of food, its presence on our  sidewalks is so common that people consider the bird a nuisance—if they  notice it at all. Yet pigeons are also kept for pleasure, sport, and  profit by people all over the world, from the “pigeon wars” waged by  breeding enthusiasts in the skies over Brooklyn to the Million Dollar  Pigeon Race held every year in South Africa.Drawing on more than three years of fieldwork across three  continents, Colin Jerolmack traces our complex and often contradictory  relationship with these versatile animals in public spaces such as  Venice’s Piazza San Marco and London’s Trafalgar Square and in  working-class and immigrant communities of pigeon breeders in New York  and Berlin. By exploring what he calls “the social experience of  animals,” Jerolmack shows how our interactions with pigeons offer  surprising insights into city life, community, culture, and politics.  Theoretically understated and accessible to interested readers of all  stripes, The Global Pigeon is one of the best and most original ethnographies to be published in decades.</description>
      <content:encoded>&lt;div&gt;The pigeon is the quintessential city bird. Domesticated thousands  of years ago as a messenger and a source of food, its presence on our  sidewalks is so common that people consider the bird a nuisance&amp;mdash;if they  notice it at all. Yet pigeons are also kept for pleasure, sport, and  profit by people all over the world, from the &amp;ldquo;pigeon wars&amp;rdquo; waged by  breeding enthusiasts in the skies over Brooklyn to the Million Dollar  Pigeon Race held every year in South Africa.&lt;/div&gt;&lt;br&gt;&lt;div&gt;Drawing on more than three years of fieldwork across three  continents, Colin Jerolmack traces our complex and often contradictory  relationship with these versatile animals in public spaces such as  Venice&amp;rsquo;s Piazza San Marco and London&amp;rsquo;s Trafalgar Square and in  working-class and immigrant communities of pigeon breeders in New York  and Berlin. By exploring what he calls &amp;ldquo;the social experience of  animals,&amp;rdquo; Jerolmack shows how our interactions with pigeons offer  surprising insights into city life, community, culture, and politics.  Theoretically understated and accessible to interested readers of all  stripes, &lt;i&gt;The Global Pigeon &lt;/i&gt;is one of the best and most original ethnographies to be published in decades.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/00/9780226002088.jpeg" length="8734" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Sociology: Sociology of Arts--Leisure, Sports</category>
      <category>Sociology: Urban and Rural Sociology</category>
      <pubDate>Wed, 20 Mar 2013 05:00:00 GMT</pubDate>
      <author>Colin Jerolmack</author>
      <guid isPermaLink="false">9780226001890</guid>
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