University of Chicago Press: New Titles in Gender and Sexuality

Disturbing Practices

Laura Doan — Wed, 01 May 2013 05:00:00 GMT

For decades, the history of sexuality has been a multidisciplinary project serving competing agendas. Lesbian, gay, and queer scholars have produced powerful narratives by tracing the homosexual or queer subject as continuous or discontinuous. Yet organizing historical work around categories of identity as normal or abnormal often obscures how sexual matters were known or talked about in the past. Set against the backdrop of women’s work experiences, friendships, and communities during World War I, Disturbing Practices draws on a substantial body of new archival material to expose the roadblocks still present in current practices and imagine new alternatives.

In this landmark book, Laura Doan clarifies the ethical value and political purpose of identity history—and indeed its very capacity to give rise to innovative practices borne of sustained exchange between queer studies and critical history. Disturbing Practices insists on taking seriously the imperative to step outside the logic of identity to address questions as yet unasked about the modern sexual past.

Subject of Murder

Lisa Downing — Wed, 01 May 2013 05:00:00 GMT

The subject of murder has always held a particular fascination for us. But, since at least the nineteenth century, we have seen the murderer as different from the ordinary citizen—a special individual, like an artist or a genius, who exists apart from the moral majority, a sovereign self who obeys only the destructive urge, sometimes even commanding cult followings. In contemporary culture, we continue to believe that there is something different and exceptional about killers, but is the murderer such a distinctive type? Are they degenerate beasts or supermen as they have been depicted on the page and the screen? Or are murderers something else entirely?

In The Subject of Murder, Lisa Downing explores the ways in which the figure of the murderer has been made to signify a specific kind of social subject in Western modernity. Drawing on the work of Foucault in her studies of the lives and crimes of killers in Europe and the United States, Downing interrogates the meanings of media and texts produced about and by murderers. Upending the usual treatment of murderers as isolated figures or exceptional individuals, Downing argues that they are ordinary people, reflections of our society at the intersections of gender, agency, desire, and violence.

Our Pictures, Our Words

Laxmi Murthy; Rajashri Dasgupta — Mon, 15 Apr 2013 05:00:00 GMT

Vibrant, dynamic, spirited, and forceful. The contemporary women’s movement in India, which began in the late 1970s, fought valiantly against dark times marked by violence and misogyny. But it also celebrated—liberation, solidarity among women, and the joyous breaking away from patriarchy. Its members sang, performed, and painted, in order to draw attention to the vital issues of the time: dowry death, widow immolation, acid throwing, and rape.

Featuring over three hundred full color images, Our Pictures, Our Words delivers a lavish pictorial history of the multifaceted Indian women’s movement, conveyed through its most immediate visual representation: posters, drawings, pamphlets, reports, brochures, stickers, wall-writing, and photographs. The artwork reproduced here is part of Zubaan’s six-year Poster Women project, which has attempted to locate and archive as many posters as possible in order to visually map the diversity of women’s causes.

Over the past three decades, women’s concerns have matured and broadened to include a range of issues related to women’s health, sexuality, the environment, literacy, the impact of religion and communal violence on women’s lives, political participation, globalization, displacement, labor rights, disability rights, class and caste issues, and many more. To capture this many-faceted crusade, the posters in the book have been thematically organized and annotated in detail, with information about the date the artwork was created, the campaign it supported, the designer, the concept behind the poster, the reaction to it, and short essays to further document the richness of the movement.

Fabulous Feminist

Suniti Namjoshi — Mon, 15 Apr 2013 05:00:00 GMT

The Fabulous Feminist brings together for the first time in one volume a vast range of renowned feminist thinker Suniti Namjoshi’s writings, starting with her most famous collection, Feminist Fables, and including excerpts from Saint Suniti and the Dragon, Mothers of Maya Dip, From the Bedside Book of Nightmares, and her series of “Aditi” books for children, such as Aditi and the Thames Dragon.

Here readers will find her fables, poetry, prose autobiography, and children’s stories, works that are both playful and deeply serious. In these beautifully composed and entertaining works, she ingeniously reworks fairytales, Greek and Sanskrit mythology, literary monsters such as Grendel’s Mother, and icons such as Saint Sebastian, all stitched together with her vivid imagination and wisdom. Writing with insight and wit about power, about inequality, and about oppression, Namjoshi brilliantly uses language and the literary tradition to expose what she finds absurd and unacceptable in modern life. This provocative and entertaining collection will be welcomed by Namjoshi’s fans and admirers of the feminist intellectual tradition.

Born in Mumbai in 1941, Suniti Namjoshi is an important figure in contemporary Indian literature in English, a writer whose deep engagement with issues of gender, sexual orientation, cultural identity and human rights infuses everything she writes.

Republic Afloat

Matthew Taylor Raffety — Mon, 04 Mar 2013 06:00:00 GMT

In the years before the Civil War, many Americans saw the sea as a world apart, an often violent and insular culture governed by its own definitions of honor and ruled by its own authorities. The truth, however, is that legal cases that originated at sea had a tendency to come ashore and force the national government to address questions about personal honor, dignity, the rights of labor, and the meaning and privileges of citizenship, often for the first time. By examining how and why merchant seamen and their officers came into contact with the law, Matthew Taylor Raffety exposes the complex relationship between brutal crimes committed at sea and the development of a legal consciousness within both the judiciary and among seafarers in this period.

The Republic Afloat tracks how seamen conceived of themselves as individuals and how they defined their place within the United States. Of interest to historians of labor, law, maritime culture, and national identity in the early republic, Raffety’s work reveals much about the ways that merchant seamen sought to articulate the ideals of freedom and citizenship before the courts of the land—and how they helped to shape the laws of the young republic.