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    <title>University of Chicago Press: New Titles from 'Park Books'</title>
    <link>http://www.press.uchicago.edu/ucp/rss/books/RSS.xml</link>
    <description>The latest new books from 'Park Books'</description>
    <language>en-us</language>
    <pubDate>Sat, 25 May 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>Louis I. Kahn - Silence and Light</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/L/bo15605073.html</link>
      <description>Louis I. Kahn (1901–74) was one of the foremost architects in America during the twentieth century. His notable buildings include the Yale Study Center; the Salk Institute in Pasadena, California; and the Exeter Library in Exeter, New Hampshire. On February 12, 1969, Kahn gave a lecture at the School of Architecture at Swiss Federal Institute of Technology in Z&amp;uuml;rich. Entitled Silence and Light, the lecture explains Kah's spiritual understanding of architecture, which goes far deeper than simply constructing buildings. He also gives a remarkably prescient account of a belief in sustainable architecture that prefigures the twenty-first century’s focus on green technology. The lecture is represented in transcripts into five different languages (German, Italian, English, French, and Spanish), as well as an audio recording of Kahn giving the lecture in English included on CD.&amp;nbsp;To complement the original text, the editor has included a preface written by Kahn’s close friend and fellow architect Balkrishna V. Doshi, as well as many of Kahn’s own images and drawings, some of which have never been published before.</description>
      <content:encoded>&lt;div&gt;Louis I. Kahn (1901&amp;ndash;74) was one of the foremost architects in America during the twentieth century. His notable buildings include the Yale Study Center; the Salk Institute in Pasadena, California; and the Exeter Library in Exeter, New Hampshire. On February 12, 1969, Kahn gave a lecture at the School of Architecture at Swiss Federal Institute of Technology in Z&amp;uuml;rich. Entitled &lt;i&gt;Silence and Light, &lt;/i&gt;the lecture explains Kah's spiritual understanding of architecture, which goes far deeper than simply constructing buildings. He also gives a remarkably prescient account of a belief in sustainable architecture that prefigures the twenty-first century&amp;rsquo;s focus on green technology. The lecture is represented in transcripts into five different languages (German, Italian, English, French, and Spanish), as well as an audio recording of Kahn giving the lecture in English included on CD.&amp;nbsp;To complement the original text, the editor has included a preface written by Kahn&amp;rsquo;s close friend and fellow architect Balkrishna V. Doshi, as well as many of Kahn&amp;rsquo;s own images and drawings, some of which have never been published before.&lt;/div&gt;</content:encoded>
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      <category>Architecture : American Architecture : Architecture--Biography : Architecture--Criticism : British Architecture : European Architecture : History of Architecture : Middle Eastern, African, and Asian Architecture</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Alessandro Vassella</author>
      <guid isPermaLink="false">9783906027180</guid>
    </item>
    <item>
      <title>Digital Turn</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo14605239.html</link>
      <description>The ways of  representing information and content are increasingly dominated by the  interactive technologies of digital media. Today design professionals  must navigate the constantly changing world of digital technology in  order to give consumers a positive aesthetic experience. The editors of  this wide-ranging volume work in four different disciplines—conceptual  development, interactive design, visual communication, and digital  media—and they provide a uniquely multifaceted and profound overview of  how designers can respond to the challenges posed by interactive digital  technology. Looking at both the obstacles that the digital world  creates for designers, and also the opportunities to do new and  boundary-pushing work that it provides, Real Digital is a  complete account of designing with interactive technologies.Hundreds of  images are included to supplement essays by a wide variety of  international professionals, teachers, and students, all of whom deal  with designing in the age of digital interaction every day.</description>
      <content:encoded>&lt;div&gt;The ways of  representing information and content are increasingly dominated by the  interactive technologies of digital media. Today design professionals  must navigate the constantly changing world of digital technology in  order to give consumers a positive aesthetic experience. The editors of  this wide-ranging volume work in four different disciplines&amp;mdash;conceptual  development, interactive design, visual communication, and digital  media&amp;mdash;and they provide a uniquely multifaceted and profound overview of  how designers can respond to the challenges posed by interactive digital  technology. Looking at both the obstacles that the digital world  creates for designers, and also the opportunities to do new and  boundary-pushing work that it provides, &lt;i&gt;Real Digital &lt;/i&gt;is a  complete account of designing with interactive technologies.Hundreds of  images are included to supplement essays by a wide variety of  international professionals, teachers, and students, all of whom deal  with designing in the age of digital interaction every day.&lt;br&gt;&lt;/div&gt;</content:encoded>
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      <category>Art: Design</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Zane Berzina; Barbara Junge; Wim Westerveld; Carola Zwick; Walter Scheiffele</author>
      <guid isPermaLink="false">9783906027029</guid>
    </item>
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      <title>Best of Austria</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15604076.html</link>
      <description>Since the nineteenth century, Austrian architecture has been regarded on of the most interesting national building cultures. Over the past forty years Austrian firms such as Coop Himmelb(l)au and Delugan Meissl have gained great international recognition for their work.In its biennially published collection Best of Austria, the Vienna Centre of Architecture presents award-winning buildings by Austrian architects and projects by foreign architects constructed in Austria. Each book in the Best of Austria series provides an up-to-date survey of contemporary architecture and building culture in Austria, as well as showing overarching global trends in the field from a unique perspective. All the architecture prizes awarded by public or public institutions in Austria are represented, and each of the 160 projects is presented in color images, alongside a floor plan and concise description of the building itself. An essay discussing the state of architecture in Austria from an outside perspective rounds out the volume.</description>
      <content:encoded>&lt;div&gt;Since the nineteenth century, Austrian architecture has been regarded on of the most interesting national building cultures. Over the past forty years Austrian firms such as Coop Himmelb(l)au and Delugan Meissl have gained great international recognition for their work.&lt;br&gt;&lt;/div&gt;&lt;div&gt;In its biennially published collection &lt;i&gt;Best of Austria&lt;/i&gt;, the Vienna Centre of Architecture presents award-winning buildings by Austrian architects and projects by foreign architects constructed in Austria. Each book in the &lt;i&gt;Best of Austria&lt;/i&gt; series provides an up-to-date survey of contemporary architecture and building culture in Austria, as well as showing overarching global trends in the field from a unique perspective. All the architecture prizes awarded by public or public institutions in Austria are represented, and each of the 160 projects is presented in color images, alongside a floor plan and concise description of the building itself. An essay discussing the state of architecture in Austria from an outside perspective rounds out the volume.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Architecture : American Architecture : Architecture--Biography : Architecture--Criticism : British Architecture : European Architecture : History of Architecture : Middle Eastern, African, and Asian Architecture</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Vienna Centre of Architecture</author>
      <guid isPermaLink="false">9783906027111</guid>
    </item>
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      <title>Barents Lessons</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15604914.html</link>
      <description>Part of a series that explores the role of teaching and research in progressive architecture, Barents Sea Lessons looks at the work done by architecture students from laba, also known as Laboratory Basel and part of the Ecole Polytechnique F&amp;eacute;d&amp;eacute;rale de Lausanne. Starting with the thesis that the ocean is an urbanized territory, students completed a one-year investigation of the remote yet resource-rich area. The book is divided into three sections that each reflect laba’s methodology. The first section presents a detailed, interdisciplinary analysis of the Barents Sea. The second part documents a ten-day workshop in the region that the laba students attended. The book concludes with the thirteen architectural projects that synthesize the needs of the region, the information gathered during the workshop, and specific architectural propositions put forth in the introductory analysis. This volume displays the new, comprehensive approach to architectural education that laba embraces.</description>
      <content:encoded>&lt;div&gt;Part of a series that explores the role of teaching and research in progressive architecture, &lt;i&gt;Barents Sea Lessons &lt;/i&gt;looks at the work done by architecture students from laba, also known as Laboratory Basel and part of the Ecole Polytechnique F&amp;eacute;d&amp;eacute;rale de Lausanne. Starting with the thesis that the ocean is an urbanized territory, students completed a one-year investigation of the remote yet resource-rich area. The book is divided into three sections that each reflect laba&amp;rsquo;s methodology. The first section presents a detailed, interdisciplinary analysis of the Barents Sea. The second part documents a ten-day workshop in the region that the laba&lt;i&gt; &lt;/i&gt;students attended. The book concludes with the thirteen architectural projects that synthesize the needs of the region, the information gathered during the workshop, and specific architectural propositions put forth in the introductory analysis. This volume displays the new, comprehensive approach to architectural education that &lt;i&gt;laba &lt;/i&gt;embraces.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Architecture: European Architecture</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Harry Gugger; Nancy Couling; Aurélie Blanchard</author>
      <guid isPermaLink="false">9783906027173</guid>
    </item>
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      <title>Central Switzerland. A Metropolis</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo15603728.html</link>
      <description>The region surrounding Lake Lucerne is not only the geographical center of Switzerland, but also the core of its national identity. The lake itself is picturesque, and the mountainous countryside around it is famous for its pristine beauty. But central Switzerland’s architecture has often been overshadowed by the artistic hubs of Z&amp;uuml;rich and Basel. To correct this oversight, the Swiss photographer Guido Baselgia has created a vast series of photographs focusing on twentieth-century architecture in central Switzerland. He has included images of single buildings and entire streetscapes, as well as private homes, public works, and industrial parks, all built by the regional section of Bund Schweizer Architekten BSA.Metropolis Central Switzerland seeks to bring the stunning architecture of central Switzerland to a wider audience through 160 of Baselgia’s images, presented here in stunning duotone. Four experts, each from a different field, offer their insights into regional architecture and the history, politics, and cultural climate of the area around Lake Lucerne.</description>
      <content:encoded>&lt;div&gt;The region surrounding Lake Lucerne is not only the geographical center of Switzerland, but also the core of its national identity. The lake itself is picturesque, and the mountainous countryside around it is famous for its pristine beauty. But central Switzerland&amp;rsquo;s architecture has often been overshadowed by the artistic hubs of Z&amp;uuml;rich and Basel. To correct this oversight, the Swiss photographer Guido Baselgia has created a vast series of photographs focusing on twentieth-century architecture in central Switzerland. He has included images of single buildings and entire streetscapes, as well as private homes, public works, and industrial parks, all built by the regional section of &lt;i&gt;Bund Schweizer Architekten&lt;/i&gt; &lt;i&gt;BSA&lt;/i&gt;.&lt;br&gt;&lt;br&gt;&lt;i&gt;Metropolis Central Switzerland &lt;/i&gt;seeks to bring the stunning architecture of central Switzerland to a wider audience through 160 of Baselgia&amp;rsquo;s images, presented here in stunning duotone. Four experts, each from a different field, offer their insights into regional architecture and the history, politics, and cultural climate of the area around Lake Lucerne.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Architecture: European Architecture</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Bund Schweizer Architekten</author>
      <guid isPermaLink="false">9783906027067</guid>
    </item>
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      <title>Expression</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/E/bo15603553.html</link>
      <description>Architectural Papers is a series of books published by Josep Llu&amp;iacute;s Mateo of the Swiss Federal Institute of Technology Z&amp;uuml;rich. Established in 2005, the series covers a wide range of topics related to teaching architecture and architectural culture in general. One of two new volumes in the series, Expression is an investigation into the influence of other media such as film, literature, and the visual arts on architectural thought and design. Three specific case studies are included, which look at the Giacometti museum in Stampa, a Cin&amp;eacute;math&amp;egrave;que in Locarno, and the Elias Canetti library in Z&amp;uuml;rich. A richly illustrated volume, Expression includes essays and interviews on the importance of the artistic impulse in architecture by the German architect and sculptor Gottfried B&amp;ouml;hm, the Spanish film director Josep Luis Guerin, and the Italian architect and theoretician Pier Vittorio Aureli. A testament to the dynamism of artistic influence in architecture, Expression provides insight from a unique perspective for architects, artists, filmmakers, and writers.</description>
      <content:encoded>&lt;div&gt;Architectural Papers is a series of books published by Josep Llu&amp;iacute;s Mateo of the Swiss Federal Institute of Technology Z&amp;uuml;rich. Established in 2005, the series covers a wide range of topics related to teaching architecture and architectural culture in general. One of two new volumes in the series, &lt;i&gt;Expression &lt;/i&gt;is an investigation into the influence of other media such as film, literature, and the visual arts on architectural thought and design. Three specific case studies are included, which look at the Giacometti museum in Stampa, a Cin&amp;eacute;math&amp;egrave;que in Locarno, and the Elias Canetti library in Z&amp;uuml;rich. A richly illustrated volume, &lt;i&gt;Expression &lt;/i&gt;includes essays and interviews on the importance of the artistic impulse in architecture by the German architect and sculptor Gottfried B&amp;ouml;hm, the Spanish film director Josep Luis Guerin, and the Italian architect and theoretician Pier Vittorio Aureli. A testament to the dynamism of artistic influence in architecture, &lt;i&gt;Expression&lt;/i&gt; provides insight from a unique perspective for architects, artists, filmmakers, and writers.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Architecture : American Architecture : Architecture--Biography : Architecture--Criticism : British Architecture : European Architecture : History of Architecture : Middle Eastern, African, and Asian Architecture</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Chair of Josep Lluís Mateo ETH Zürich; Florian Sauter</author>
      <guid isPermaLink="false">9783906027043</guid>
    </item>
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      <title>Knapkiewicz &amp; Fickert. Housing</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/K/bo15604271.html</link>
      <description>Two of the foremost architects in Switzerland, Kaschka Knapkiewicz and Axel Fickert have gained great recognition since establishing their studio in 1992. Their work on residential projects has influenced a generation of younger architects and created important new trends in housing. Knapkiewicz and Fickert have produced work that embraces opposites equally; their buildings are at once austere and luxurious, frugal and lavish.This volume examines twenty of their residential buildings, including ones that have been &amp;#160;realized as well as those that never made it off the page. Each work is presented with a short description and extensive images, from blueprints and renderings to drawings and color photographs. An interview with both architects begins the book and lays the foundation for understanding their oeuvre. Knapkiewicz &amp; Fickert. Housing is published to coincide with Knapkiewicz &amp; Fickert’s work being featured in the exhibition at the Swiss pavilion at the Thirteenth International Architecture Exhibition of the Venice Biennial 2012.</description>
      <content:encoded>&lt;div&gt;Two of the foremost architects in Switzerland, Kaschka Knapkiewicz and Axel Fickert have gained great recognition since establishing their studio in 1992. Their work on residential projects has influenced a generation of younger architects and created important new trends in housing. Knapkiewicz and Fickert have produced work that embraces opposites equally; their buildings are at once austere and luxurious, frugal and lavish.&lt;br&gt;&lt;/div&gt;&lt;div&gt;This volume examines twenty of their residential buildings, including ones that have been &amp;#160;realized as well as those that never made it off the page. Each work is presented with a short description and extensive images, from blueprints and renderings to drawings and color photographs. An interview with both architects begins the book and lays the foundation for understanding their oeuvre. &lt;i&gt;Knapkiewicz &amp;amp; Fickert. Housing&lt;/i&gt; is published to coincide with Knapkiewicz &amp;amp; Fickert&amp;rsquo;s work being featured in the exhibition at the Swiss pavilion at the Thirteenth International Architecture Exhibition of the Venice Biennial 2012.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Architecture: European Architecture</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Axel Simon</author>
      <guid isPermaLink="false">9783906027128</guid>
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      <title>Soviet Modernism 1955-1991</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15604424.html</link>
      <description>To nonspecialists outside Eastern Europe, Soviet architecture conjures up vast, gray cityscapes of monotonous Brutalistbuildings, all created with utility rather than style in mind. This widely held impression glosses over the many stunning works created during the Soviet era and the diversity of architecture throughout the Soviet region.Soviet Modernism 1955–1991 seeks to correct pervasive opinions on Soviet architecture by exploring and documenting buildings throughout the former Eastern Bloc. Poor construction techniques and a lack of funding for conservation mean that these buildings are rapidly decaying. The Vienna Centre of Architecture&amp;#160; (Az W)is creating a comprehensive inventory of the notable architecture from fourteen different former Soviet republics. The volume begins with an introduction to the period and an overview of the relationship between Moscow and the other city centers found in the region. The book is then organized geographically into four chapters: the Baltic States, Eastern Europe, the Caucasus, and Central Asia. Each country is represented by a factsheet, which gives a brief account of its national history, a research and travel report by a member of Az W, and a scholarly essay by a local expert.More than four hundred buildings are represented in over eight hundred images, making Soviet Modernism 1955–1991 impressively complete and stunningly illustrated. Essays outside the country profiles cover topics such as Soviet urban planning and typologies found throughout these regions.</description>
      <content:encoded>&lt;div&gt;To nonspecialists outside Eastern Europe, Soviet architecture conjures up vast, gray cityscapes of monotonous Brutalistbuildings, all created with utility rather than style in mind. This widely held impression glosses over the many stunning works created during the Soviet era and the diversity of architecture throughout the Soviet region.&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Soviet Modernism 1955&amp;ndash;1991 &lt;/i&gt;seeks to correct pervasive opinions on Soviet architecture by exploring and documenting buildings throughout the former Eastern Bloc. Poor construction techniques and a lack of funding for conservation mean that these buildings are rapidly decaying. The Vienna Centre of Architecture&amp;#160; (Az W)is creating a comprehensive inventory of the notable architecture from fourteen different former Soviet republics. The volume begins with an introduction to the period and an overview of the relationship between Moscow and the other city centers found in the region. The book is then organized geographically into four chapters: the Baltic States, Eastern Europe, the Caucasus, and Central Asia. Each country is represented by a factsheet, which gives a brief account of its national history, a research and travel report by a member of Az W, and a scholarly essay by a local expert.&lt;/div&gt;&lt;div&gt;&lt;br&gt;More than four hundred buildings are represented in over eight hundred images, making &lt;i&gt;Soviet Modernism 1955&amp;ndash;1991&lt;/i&gt; impressively complete and stunningly illustrated. Essays outside the country profiles cover topics such as Soviet urban planning and typologies found throughout these regions.&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Architecture : American Architecture : Architecture--Biography : Architecture--Criticism : British Architecture : European Architecture : History of Architecture : Middle Eastern, African, and Asian Architecture</category>
      <pubDate>Fri, 15 Feb 2013 06:00:00 GMT</pubDate>
      <author>Vienna Centre of Architecture</author>
      <guid isPermaLink="false">9783906027142</guid>
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