University of Chicago Press: New Titles from 'Seagull Books'

Literary Miniatures

Florence Noiville; Teresa Lavender Fagan — Wed, 22 May 2013 05:00:00 GMT

Selected from the pages of Le Monde, the interviews conducted by Florence Noiville are unequaled in literary journalism. In Literary Miniatures, Noiville captures the words and views of some of the best known writers of the twentieth century, engaging luminaries like Saul Bellow, Nadine Gordimer, Aharon Appelfeld, and A. S. Byatt in revealing dialogue. In this collection, Noiville converses with Don DeLillo, reasons with Adolfo Bioy Casares, passes the time with Milan Kundera, and gently interrogates John Le Carré.

Fluent in many languages, Noiville conducted a number of these interviews in the subject’s native language, engaging these extraordinary writers on their own terms. Inimitably intimate, the interviews are a window through which readers can come to know the writers behind some of the greatest works of literature of the last one hundred years. Sure to delight lovers of literature and biography, this book is the perfect expression of the art of the interview and a priceless artifact for enthusiasts and scholars alike.

Dark Company

Gert Loschütz; Samuel P. Willcocks — Wed, 15 May 2013 05:00:00 GMT

“Of course I had to end up here . . .”

Over ten rainy nights, Thomas, an ex-bargeman who used to be skipper of his own boat, walks the muddy fields of the landlocked German interior and remembers the events that lost him his home, his boat, and his livelihood: his apprenticeship in the cold halls of the Royal Naval College in London; the dangers of the mean streets and waterfront of New York in the 1970s, and Poland under martial law; Germany after the reunification, when for a year or so it seemed that the whole country drifted rudderless, drawn by the current of history to who knows where. In this novel from Gert Loschütz, Thomas remembers childhood, his first love, and the warnings of his grandfather: Beware the dark company! This mysterious band of men and women dressed in black cast a shadow over his story, as he wrestles with the secrets, the unplumbed depths of his soul, the hazards lurking below a seemingly placid surface, and throughout it all, the rain, falling night after night.

Dark Company is a superb example of a distinctly German tradition in weird fiction which claims its roots in Kafka and Herbert Rosendorfer.

Literary Lacan

Santanu Biswas — Wed, 15 May 2013 05:00:00 GMT

The relationship between literature and psychology is long and richly complex, and no more so than in the work of Jacques Lacan, the most controversial psychoanalyst since Freud. The Literary Lacan: From Literature to ‘Lituraterre’ and Beyond is dedicated to assessing Lacan’s significant contribution to literary studies and the contribution, in turn, of literature to Lacanian psychoanalysis.

The first essays in this collection provide close readings of Lacan’s literature-related work, specifically his work on Hamlet, his homage to Marguerite Duras and Lewis Carroll, his concept of Lituraterre, and his seminar on James Joyce. Other essays examine Lacan’s theories in conjunction with works of major writers such as Samuel Beckett. The book concludes with essays that investigate Lacan and literature more broadly, including the applicability of literature to psychoanalysis.

With well-known contributors including Slavoj Zizek, Jacques-Alain Miller, Russell Grigg and Ellie Ragland, this volume will appeal not only to specialists in literary and Lacanian theory but also to students and enthusiasts of the master and the literature that inspired him.

Legend

Marie Bronsard; Sonia Alland — Wed, 15 May 2013 05:00:00 GMT

In this strikingly original memoir, Marie Bronsard reweaves the history of her family—and the legend of her grandmother—leaving no stone unturned and no skeleton in the closet.

Egocentric and domineering, Bronsard’s grandmother was once a vibrant and sensual beauty. In Indochina at the end of the Second World War, she thrived in the social life of the French colony, but her young soldier husband sought a quieter existence, finding solace in the companionship of their adolescent daughter, Bronsard’s mother. The consequences of this choice reverberate throughout the family. But far from being an airing of grievance or dirty laundry, Bronsard’s memoir has the air of catharsis—here, the pain, secrets, and comic moments of Bronsard’s family are remembered with gentle humor, understanding, and affection. A wry irony tempers emotion, and it is in these pages that the author at last finds it possible to name the woman of the legend and perhaps bring her grandmother a measure of peace.

Memories from the Twentieth Century

Luigi Pintor; Gregory Elliot — Wed, 15 May 2013 05:00:00 GMT

In these three short books—Servabo: A Fin De Siècle Memoir, Miss Kirchgessner, and The Medlar Tree, collected in one volume in English for the first time—Luigi Pinto retraces a life marked, often in spite of itself, by politics. At once intransigent and ironic, these autobiographical texts are written “to reorder in the imagination things that don’t add up in reality.”

From the idyll of his Sardinian childhood to the transformative experience of the anti-Fascist resistance, and from post-war militancy to the dismal regression of Italian culture, Pintor captures memories that are intensely personal and inseparable from political and intellectual experience. Episodes and observations recur across all three books, but the tropes of autobiography are insistently displaced. Sparse and evocative prose, borrowing from the aphorism and fable, struggles to give form to personal and political despair, while Pintor never relents on the attachments and convictions that shape a life.

Mutability

Andrea Brady — Wed, 15 May 2013 05:00:00 GMT

A chronicle of motherhood and infancy, Brady’s Mutability marks the excesses of attention and love in this unique relationship, the gradual unfurling of one person into two. In poems and prose, these scripts offer a “model of duplicity,” revealing how the beginnings of language, the spaces which open up through movement, the undeniable possibility of harm, and the unbearable intimacy between mother and child challenge the premise of individual autonomy. Seeking “a writing of honest particularity, not clean, in a form which would catch rather than cauterize this pouring,” Mutability brilliantly captures the experience of motherhood.

At the same time, Brady explores the child-space, a utopian place of discovery and adaptation, as an arena of risk, violence, possession, and privation. Carefully observing the consequences of “the beginning of all possibility, and the beginning of its finitude,” the book notes the child’s discovery of being a new person to “the discovery of an exit.” Brady’s unique and moving book celebrates and investigates life’s most essential relationship.

Quorum

William Fuller — Wed, 15 May 2013 05:00:00 GMT

Quorum, the latest book from William Fuller, is a collection of vivid detours and deadpan visions arranged into forty-five sonnet-like poems. Employing an ear “that hears not what the eye / sees not, in detail,” the poet makes his rounds through a menagerie of abstract persons and personified abstractions, carefully feeding them “their weight in flowers,” to achieve the idiosyncratic consistency of a world transected by allusive filaments of “clouds that don’t exist.” Metaphysical wit freezes up the system and then gives it a liquidity. But “there’s a trace of something else that slips in,” which the poet seems at pains to not identify. If it’s not quite song, neither is it simply irony, nor is it a desire to exceed these, although all are required to make a quorum.

"Fuller’s work is engaging on a deep level like only the great works are. [D]efinitely one of the best books that I have come across lately and is one that should be on any reader’s shelf."—William Allegrezza on Watchword

Pop Goes the Avant-Garde

Rossella Ferrari — Wed, 15 May 2013 05:00:00 GMT

Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China is the first comprehensive review of the history and development of avant-garde drama and theater in the People’s Republic of China since 1976. Drawing on a range of critical perspectives in the fields of comparative literature, theater, performance, and culture studies, the book explores key artistic movements and phenomena that have emerged in China’s major cultural centers in the last several decades.

It surveys the work of China’s most influential dramatists, directors and performance groups, with a special focus on Beijing-based playwright, director and filmmaker Meng Jinghui—the former enfant terrible of Beijing theater, who is now one of Asia’s foremost theater personalities. Through an extensive critique of theories of modernism and the avant-garde, the author reassesses the meanings, functions and socio-historical significance of this work in non-Western contexts by proposing a new theoretical construct—the pop avant-garde—and exploring new ways to understand and conceptualize aesthetic practices beyond Euro-American cultures and critical discourses.

Starlite Terrace

Patrick Roth; Krishna Winston — Wed, 15 May 2013 05:00:00 GMT

In a rundown Los Angeles apartment building—the titular Starlite Terrace—Patrick Roth unfurls the tragic linked stories of Rex, Moss, Gary and June, four neighbors, in a sort of burlesque of the Hollywood modern. In each of their singular collisions with fame, Roth’s dark prose presages a universal and mythical fate of desperation.

In “The Man at Noah’s Window,” Rex shares the story of his father, a supposed hand double for Gary Cooper in High Noon. In “Eclipse of the Sun,” Moss, who lives in fear of the next holocaust, awaits a visit from the long-lost daughter he has tracked down. In “Rider on the Storm,” Gary, a rock drummer and born-again Christian, who “almost played” on the Turtles’ 60s-hit “Happy Together,” strives to find escape from his personal guilt. And in “The Woman in the Sea of Stars,” June, a former Hollywood studio secretary whose husband once cheated on her with Marilyn Monroe, makes the best of a disconnected life until she emerges reborn through ashes strewn in the illuminated swimming pool of the Starlite Terrace.

In each of these four tales of wanna-bes and almost-weres, Roth's L.A. portraits unfold in rare style, and, in Krishna Winston’s masterful translation, the hopeless, loveless perversion of an Ed Ruscha-inspired California becomes a compelling pageant of all-American grotesques that is not to be missed.

Abolition of Species

Dietmar Dath; Samuel P. Willcocks — Mon, 15 Apr 2013 05:00:00 GMT

The world as we know it is over. Man’s reign on earth has come to an end, and the reign of the animals has begun. The indifferently wise Cyrus Golden the Lion rules the three-city state that is now what remains of Europe. Yet, other forces stir while the king of beasts sleeps—the last struggling human resistance, the Atlanteans with their mysterious undersea plans; the factions of Badger, Fox and Lynx within the empire itself; and, in the jungles across the ocean, a ceramic form of postbiological life. Welcome to the setting of Dietmar Dath’s futuristic novel, The Abolition of Species, presenting an imaginative and highly original take on the decline and rebirth of civilization.

Cyrus the Lion sends the wolf Dmitri Stepanovich on a diplomatic mission, and in the course of his journey he discovers truths about natural history, war, and politics for which he was unprepared. The subsequent war that breaks out in The Abolition of Species will come to span three planets and thousands of years—encompassing treachery and massacres, music and mathematics, savagery and decadence, as well as the terraformation of Mars and Venus and the manipulation of time itself. By turns grandiose, horrific, erotic, scathing, and visionary, The Abolition of Species is a tale of love and war after the fall of man and an epic meditation on the theory of evolution unlike any other.

One of Germany’s most celebrated contemporary writers, Dath has distinguished himself through works that deftly combine popular culture—particularly music—with left-wing politics and the fantastic. The Abolition of Species embodies the best of what Dath is known for and will cement his reputation among English readers excited to discover one of the freshest voices in contemporary literature.

No Fixed Abode

Marc Augé; Chris Turner — Mon, 15 Apr 2013 05:00:00 GMT

In recent years, social workers have raised a new concern about the appearance of a new category among the working poor. Even employed, there are people so overburdened by the cost of living and so under compensated that they cannot afford a place to sleep. Contrary to popular opinion, according to the website for the Coalition for the Homeless, forty-four percent of the homeless in first world countries actually have jobs.

In No Fixed Abode, Marc Augé’s pathbreaking ethnofiction—a fictional ethnography—a man named Henri narrates his strange existence in the margins of Paris. By day he walks the streets, lingers in conversation with the local shopkeepers, and sits writing in cafés, but at night he takes shelter in an abandoned house. From here, we see a progressive erosion of Henri’s identity, a loss of bearings, and a slow degeneration of his ability to relate to others. But then he meets the artist Dominique, whose willingness to share her life with him raises questions about who he has become and about what a person needs in order to be a part of society.

This is a book about how we live in geographical space and how work and patterns of domicile affect our status and our inner being. Despite the apparent simplicity of the fictional premise, Augé’s book asks serious questions about the nature of our culture.

World Without Wall Street?

François Morin; Krzysztof Fijalkowski; Michael Richardson — Mon, 15 Apr 2013 05:00:00 GMT

As the aftershocks of the latest economic meltdown reverberate throughout the world, and people organize to physically occupy the major financial centers of the West, few experts and even fewer governments have dared to consider a world without the powerful markets that brought on the crash. Yet, as François Morin explains in A World Without Wall Street?, this is the very step that needs to be taken as quickly as possible to avoid a perpetual future of dehumanizing working conditions, devastated ecosystems, and the submission of public policies to private interests.

In this insightful and radical take on global finance, Morin recommends nothing less than a revolutionary reconstruction of the international monetary system. More, he recommends that the laws of societies be reformed so that the power of management may be shared among all of the actors involved in production, not concentrated in the hands of the few. This shift, argues Morin, will transform the monetary system into a common good for all of humanity, rich or poor. With Wall Street at the center of the very power structure that needs to be dismantled, Morin takes broad aim at the purely speculative financial games and arcane instruments by which the global economy and its citizens are held captive. In this very timely and provocative book, Morin bravely offers a way forward—instead of simply triaging a hemorrhaging system, he persuasively asks us to consider a subversive reinvention.

Reckitt's Blue

John Wilkinson — Mon, 15 Apr 2013 05:00:00 GMT

An iconic work of Western art, Fragonard’s L’escarpolette, or The Swing, is often reproduced and its famous foreground image of a young woman losing her slipper mid-swing is widely familiar. In Reckitt’s Blue, John Wilkinson explores that well-known scene in a sequence of poems that engages with the image of the flying slipper.

Though born out of visual encounters with art, the title poem of this book also examines artifacts that evoke a violent encounter, weaponry and domestic and ritual objects from the Jolika collection of Papua New Guinean materials in San Francisco's de Young Museum. It is here that Wilkinson’s concentrated lines evidence what the critic Simon Jarvis has called Wilkinson’s “unfree verse,” that reaches into new and unexpected territory in both style and theme. This combination of sensual beauty, intellectual ambition, and political acuity is like nothing else in contemporary English-language poetry. The ‘Tornada’ that separates and stitches together these sequences meditates on fire, clay and glaze, on violence and reflective stillness.

“John Wilkinson's taut, precise poems, in which lyric grace and ethical urgency move together but never comfortably mix, amount to one of the most significant bodies of work in contemporary poetry.”—Patrick McGuinness

Change

Mo Yan — Fri, 15 Feb 2013 06:00:00 GMT

In Change, Mo Yan, the 2012 Nobel Laureate in Literature, personalizes the political and social changes in his country over the past few decades in this novella disguised as autobiography—or vice-versa. Unlike most historical narratives from China, which are pegged to political events, Change is a representative of “people’s history,” a bottom-up rather than top-down view of a country in flux. By moving back and forth in time and focusing on small events and everyday people, Mo Yan breathes life into history by describing the effects of larger-than-life events on the average citizen.

“Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition.”— Nobel Committee for Literature

“If China has a Kafka, it may be Mo Yan. Like Kafka, Yan has the ability to examine his society through a variety of lenses, creating fanciful, Metamorphosis-like transformations or evoking the numbing bureaucracy and casual cruelty of modern governments.” —Publishers Weekly, on Shifu: You'll Do Anything for a Laugh